| Peter and the Starcatcher | |
| Characters: | Peter Pan Molly Aster Black Stache |
| Premiere: | February 13, 2009 |
| Place: | La Jolla Playhouse |
| Broadway Preview: | March 28, 2012 |
| Broadway Opening: | April 15, 2012 |
| Broadway Theater: | Brooks Atkinson Theatre --> |
| Subject: | Peter and the Starcatcher |
Peter and the Starcatcher is a play based on the 2004 novel Peter and the Starcatchers by Dave Barry and Ridley Pearson, adapted for the stage by Rick Elice. The play provides a backstory for the characters of Peter Pan, Mrs Darling, Tinker Bell and Hook, and serves as a prequel to J. M. Barrie's Peter and Wendy.[1] After a premiere in California at the La Jolla Playhouse, the play transferred to Off-Broadway in 2011 and opened on Broadway on April 15, 2012. The show ended its Broadway run on January 20, 2013, and reopened Off-Broadway once again at New World Stages in March 2013, ending in January 2014.
At a bustling port in England, two ships set sail for the kingdom of Rundoon. The Wasp carries Lord Leonard Aster, escorted by a squadron of British navy seamen, led by Lieutenant Greggors. The Neverland, captained by the sinister Bill Slank, carries Lord Aster's daughter Molly, her nanny, Mrs. Bumbrake and three orphan boys: Prentiss, Ted, and a nameless orphan known only as Boy. Each ship has a trunk aboard, one containing precious cargo belonging to the Queen and the other a decoy. After realizing that no one cares enough to say goodbye to the orphans, the Boy proclaims that he hates grownups.
Aster places an amulet around his own neck and a matching one around Molly's. He warns her never to take it off or let anyone else touch it, and to use it if she is ever in trouble. Molly says that she is only an apprentice Starcatcher.
Once at sea, Lieutenant Greggors reveals that his real name is Smee and the seamen are pirates. Captain Scott and the real seamen have been taken prisoner. Smee introduces Captain Black Stache, who threatens to kill Molly unless Aster gives him the key to the trunk. When Aster refuses, he steals the trunk key. The amulet around Lord Aster’s neck begins to glow. Molly’s matching amulet starts to glow and the boys notice. Molly divulges that her father is on a secret mission for the Queen. It is revealed that Slank swapped the trunks and the Queen's treasure is on board The Neverland. Stache commands that the ship be turned around. The Wasp pursues The Neverland.
Lord Aster contacts Molly through the amulet and instructs her to bring the Queen’s trunk to him once the two ships meet. Aster tells Molly that she is now a part of the mission. The Boy overhears and insists that Molly tell him what is going on. Molly tells the Boy about Starcatchers, a handful of people whose sole mission is to protect "starstuff." Molly explains that a Starcatcher’s primary duty to collect starstuff as it falls to earth and dispose of it. Slank catches the Boy and throws him overboard. The Boy starts to drown and Molly saves him.
When the two ships meet, Molly asks the Boy to stall the pirates while she gets the Queen’s trunk to The Wasp, and the Boy sits on the decoy trunk to “protect the treasure”. Stache tries to lure the Boy off the trunk by offering him a place on his crew. Stache suggests some piratical names for him. One of them, ‘Pirate Pete’, strikes a chord with the Boy and he chooses a name for himself: ‘Peter’. Losing patience, Stache knocks Peter off the trunk, opens it, and realizes he has been tricked. As Peter celebrates his own cleverness, Stache knocks him overboard. Molly dives into the ocean and swims after Peter.
Atop a mountain on the island, Peter absorbs the freedom of open skies and clean air for the first time in his life. A yellow bird flies around his head. Ted and Prentiss arrive, and Peter enlists them in the mission to get the trunk to The Wasp.
The island’s natives, the Mollusks, capture the boys. The chief, Fighting Prawn, sentences them to death. They are to be sacrificed and fed to Mr. Grin, the island’s hungriest crocodile. Trapped inside Mr. Grin’s cage, Molly and the boys bicker about what to do. Peter gets Mr. Grin to open his mouth and Molly tosses her amulet in. Mr. Grin grows to an enormous size, bursting out of the cage and floating away as Molly and the boys flee. The Mollusks are furious and pursue them. Peter falls into a lake, where he is greeted by the mermaid who calls herself ‘Teacher’. Teacher and the island give Peter a second name: ‘Pan’. Peter climbs out of the grotto and bolts back up to the mountaintop.
The next morning, Smee and Stache try to lure the children into the open. Smee reveals he has taken Mrs. Bumbrake and Alf prisoner. The Mollusks enter with prisoners of their own — Lord Aster and Captain Scott. Mrs. Bumbrake recognizes Fighting Prawn as her long-lost kitchen boy from Brighton.
Stache captures Molly with his razor at her throat. Peter realizes the only way to save Molly is by giving Stache the trunk, although this means he will never leave the island. Stache lifts the lid to find an empty trunk. The water that seeped into the trunk has dissolved the starstuff and it is now diffused into the ocean. Frustrated, Stache slams the lid down on his right hand, cutting it off. He vows to be Peter's foe for all eternity. Hearing Mr. Grin approaching, the Pirates feed Stache’s severed hand to the crocodile. Fighting Prawn honors Peter as a true hero and allows the English to leave.
Lord Aster makes Molly a full-fledged Starcatcher. Peter mentions his encounter with Teacher. They realize that Peter, by being dunked in the starstuff-infused waters of the grotto, has been transformed and cannot leave the island. Lord Aster captures the yellow bird and turns it into a pixie to protect and guide Peter. As The Wasp sails away, Peter settles into the eternal present of childhood.
The play premiered at the La Jolla Playhouse in California, running from February 13 to March 8, 2009. It was co-directed by playwright Rick Elice's partner Roger Rees and Alex Timbers.[2] An instrumental score was written by Wayne Barker.[3] The cast starred Adam Green as Peter Pan.[4]
The play, now titled Peter and the Starcatcher, opened Off-Broadway at New York Theatre Workshop, beginning performances on February 18, 2011.[5] The show received several extensions, eventually closing on April 24, 2011.[6] [7] The new cast starred Celia Keenan-Bolger as Molly, Christian Borle as Black Stache, and Adam Chanler-Berat as Peter.[8] From mid-March through April 1, Borle shared the role of Black Stache with Steve Rosen.[9] Adam Chanler-Berat shared the role of Peter with Jason Ralph.[10]
The show then opened on Broadway at the Brooks Atkinson Theatre, with previews starting on March 28, 2012 and officially opening on April 15, 2012.[11] [12] The original Broadway cast included Christian Borle (Black Stache), Celia Keenan-Bolger (Molly), Adam Chanler-Berat (Boy), Teddy Bergman (Fighting Prawn), Arnie Burton (Mrs. Bumbrake), Matt D’Amico (Slank), Kevin Del Aguila (Smee), Carson Elrod (Prentiss), Greg Hildreth (Alf), Rick Holmes (Lord Aster), Isaiah Johnson (Captain Scott) and David Rossmer (Ted).[13] Art for the Broadway production, which draws upon the whimsical, imaginative content in the show, was crafted by Vermont-based woodworker John W. Long, and featured in The New York Times.[14] On July 2, 2012, Matthew Saldivar replaced Borle in the role of Black Stache.[15] The Broadway production of Peter and the Starcatcher closed on January 20, 2013 after 18 previews and 319 regular performances.[16] [17]
The show re-opened Off-Broadway at New World Stages beginning on March 18, 2013.[18] It closed on January 12, 2014.[19]
A national tour launched in Denver on August 15, 2013[20] and concluded in Pittsburgh on May 25, 2014. A second national tour launched in Toledo on February 5, 2015 and concluded in Burlington, VT on April 14, 2015.[20]
The play is currently available for licensing from Music Theatre International.[21]
| Character | World Premiere[22] La Jolla Playhouse (2009) | Off-Broadway[23] New York Theatre Workshop (2011) | Broadway Brooks Atkinson Theatre (2011) | Off-Broadway[24] New World Stages (2012) | US Tour[25] (2013) |
|---|---|---|---|---|---|
| Black Stache | Christian Borle | Rick Holmes | John Sanders | ||
| Molly | Celia Keenan-Bolger | Nicole Lowrance | Megan Stern | ||
| Boy (Peter) | Adam Green | Adam Chanler-Berat | Jason Ralph | Joey deBettencourt | |
| GrempkinMack Sȧnchez Fighting Prawn | Teddy Bergman | Josh Grisetti | Lee Zarrett | ||
| Mrs. BumbrakeTeacher | Maggie Carney | Arnie Burton | Jon Patrick Walker | Benjamin Schrader | |
| SlankHawking Clam | Andrew McGinn / Jared Dagar | Matt D'Amico | Jimonn Cole | ||
| Smee | Ron Choularton | Kevin Del Aguila | Luke Smith | ||
| Prentiss | Carson Elrod | Andrew Mueller | Carl Howell | ||
| Alf | Greg Hildreth | Evan Harrington | Harter Clingman | ||
| Lord Aster | John G. Preston | Karl Kenzler | Rick Holmes | Edward Baker-Duly | Nathan Hosner |
| Captain Scott | Charlie Reuter | Brandon J. Dirden | Isaiah Johnson | Alex Hernandez | Ian Michael Stuart |
| Ted | David Rossmer | Nate Miller | Edward Tournier | ||
| Sailor / Pirate | Eric William Love | align="center" colspan="3" | |||
| Ammm | Irungu Mutu | colspan="4" align="center" | |||
| Jim | Kevin Johnston | ||||
Although the show garnered positive-to-mixed reviews by most critics,[26] it received a rave review from The New York Times, with Ben Brantley writing:
"When the H.M.S. Neverland goes down in Peter and the Starcatcher, it's the most enthralling shipwreck since James Cameron sent the Titanic to her watery grave in the late 1990s ... The cast is, with no exceptions, wonderful ... It's a performance that you might classify as 'over the top', but only in the sense that the entire production is. With grown-up theatrical savvy and a child's wonder at what it can achieve, Peter and the Starcatcher floats right through the ceiling of the physical limits imposed by a three-dimensional stage. While there's not a body harness in sight, like those used to hoist the title characters of Mary Poppins and Spider-Man, this show never stops flying."[27]
| Year | Award | Category | Nominee | Result |
|---|---|---|---|---|
| 2011 | Lucille Lortel Awards[28] | Outstanding Play | ||
| Outstanding Choreographer | Steven Hoggett | |||
| Outstanding Lead Actor | Christian Borle | |||
| Outstanding Scenic Design | Donyale Werle | |||
| Off Broadway Alliance Awards[29] | Best New Play | |||
| Drama Desk Awards[30] | Outstanding Featured Actor in a Play | Christian Borle | ||
| Outstanding Featured Actress in a Play | Celia Keenan-Bolger | |||
| Outstanding Choreography | Steven Hoggett | |||
| Outstanding Music in a Play | Wayne Barker | |||
| Outstanding Costume Design | Paloma Young | |||
| Tina Awards[31] | The Best Of Off-Broadway (Play) | |||
| Best Ensemble (Play) | ||||
| Best Actor (Play) | Christian Borle | |||
| Best Director | Roger Rees and Alex Timbers | |||
| Best Choreographer | Steven Hogget | |||
| Best Scenic Design | Donyale Werle | |||
| Best Lighting Design | Jeff Croiter | |||
| Best Sound Design | Darron L. West | |||
| Best Costume Design | Pamola Young | |||
| Obie Awards[32] | Best Director | Roger Rees and Alex Timbers | ||
| Year | Award | Category | Nominee | Result |
|---|---|---|---|---|
| 2012 | Tony Awards[33] | Best Play | ||
| Best Direction of a Play | Roger Rees and Alex Timbers | |||
| Best Performance by a Featured Actor in a Play | Christian Borle | |||
| Best Performance by a Featured Actress in a Play | Celia Keenan-Bolger | |||
| Best Sound Design of a Play | Darron L. West | |||
| Best Lighting Design of a Play | Jeff Croiter | |||
| Best Costume Design of a Play | Paloma Young | |||
| Best Scenic Design of a Play | Donyale Werle | |||
| Best Original Score | Wayne Barker and Rick Elice | |||
| Broadway.com Audience Choice Awards[34] | Favorite Play | |||
| Favorite Actress | Celia Keenan-Bolger | |||
| Favorite Funny Performance | Christian Borle | |||