| Peter Ackroyd | |
| Birth Date: | 5 October 1949 |
| Birth Place: | East Acton, London, England, United Kingdom |
| Occupation: | Author, critic |
| Nationality: | British |
| Partner: | Brian Kuhn (1980; died 1994) |
| Alma Mater: | Clare College, Cambridge (BA) |
| Period: | 1976–present |
| Subject: | London and its inhabitants; English history and culture |
Peter Ackroyd (born 5 October 1949) is an English biographer, novelist and critic with a specialist interest in the history and culture of London. For his novels about English history and culture and his biographies of, among others, William Blake, Charles Dickens, T. S. Eliot, Charlie Chaplin and Sir Thomas More, he won the Somerset Maugham Award and two Whitbread Awards. He is noted for the volume of work he has produced, the range of styles therein, his skill at assuming different voices, and the depth of his research.
He was elected a fellow of the Royal Society of Literature in 1984 and appointed a Commander of the Order of the British Empire in 2003.
Ackroyd was born in London and raised on a council estate in East Acton, in what he has described as a "strict" Roman Catholic household by his mother and grandmother, after his father disappeared from the family home. He first knew that he was gay when he was seven.[1] He was educated at St. Benedict's, Ealing, and at Clare College, Cambridge, from which he graduated with a double first in English literature.[2] In 1972, he was a Mellon fellow at Yale University.
The result of his Yale fellowship was Notes for a New Culture, written when Ackroyd was only 22 and eventually published in 1976. The title, an echo of T. S. Eliot's Notes Towards the Definition of Culture (1948), was an early indication of Ackroyd's penchant for exploring and re-examining the works of other London-based writers. He worked at The Spectator magazine between 1973 and 1977 as literary editor[3] and became joint managing editor in 1978, a position he held until 1982.[2] He worked as chief book reviewer for The Times and was a frequent broadcaster on radio. Since 1984 he has been a fellow of the Royal Society of Literature.[3]
His literary career began with poetry; his work in that field includes such works as London Lickpenny (1973) and The Diversions of Purley (1987). In 1982 he published The Great Fire of London, his first novel, which is a reworking of Charles Dickens' novel Little Dorrit. The novel set the stage for the long sequence of novels Ackroyd has produced since, all of which deal in some way with the complex interaction of time and space and what Ackroyd calls "the spirit of place". However, this transition to being a novelist was unexpected. In an interview with Patrick McGrath in 1989, Ackroyd said:
I enjoy it, I suppose, but I never thought I'd be a novelist. I never wanted to be a novelist. I can't bear fiction. I hate it. It's so untidy. When I was a young man I wanted to be a poet, then I wrote a critical book, and I don't think I even read a novel till I was about 26 or 27.[4]
In his novels he often contrasts historical settings with present-day segments (e.g. The Great Fire of London, Hawksmoor, The House of Doctor Dee). Many of Ackroyd's novels are set in London and deal with the ever-changing, but at the same time stubbornly consistent nature of the city. Often this theme is explored through the city's artists, especially its writers: Oscar Wilde in The Last Testament of Oscar Wilde (1983), a fake autobiography of Wilde; Nicholas Hawksmoor, Sir Christopher Wren and Sir John Vanbrugh in Hawksmoor (1985); Thomas Chatterton and George Meredith in Chatterton (1987); John Dee in The House of Dr Dee (1993); Dan Leno, Karl Marx, George Gissing and Thomas De Quincey in Dan Leno and the Limehouse Golem (1994); John Milton in Milton in America (1996); Charles Lamb in The Lambs of London.
Hawksmoor, winner of both the Whitbread Novel Award[3] and the Guardian Fiction Prize, was inspired by Iain Sinclair's poem "Lud Heat" (1975), which speculated on a mystical power from the positioning of the six churches Nicholas Hawksmoor built. The novel gives Hawksmoor a Satanical motive for the siting of his buildings, and creates a modern namesake, a policeman investigating a series of murders. Chatterton (1987), a similarly layered novel explores plagiarism and forgery and was shortlisted for the Booker Prize. is an extensive and thorough discussion of London through the ages. In 1994 he was interviewed about the London Psychogeographical Association in an article for The Observer, in which he remarked:
I truly believe that there are certain people to whom or through whom the territory, the place, the past speaks. ... Just as it seems possible to me that a street or dwelling can materially affect the character and behaviour of the people who dwell in them, is it not also possible that within this city (London) and within its culture are patterns of sensibility or patterns of response which have persisted from the thirteenth and fourteenth centuries and perhaps even beyond?[5]
In the sequence London: The Biography (2000), Albion: The Origins of the English Imagination (2002), and Thames: Sacred River (2007), Ackroyd has produced works of what he considers historical sociology. These books trace themes in London and English culture from the ancient past to the present, drawing again on his favoured notion of almost spiritual lines of connection rooted in place and stretching across time.
His fascination with London literary and artistic figures is also displayed in the sequence of biographies he has produced of Ezra Pound (1980), T. S. Eliot (1984), Charles Dickens (1990), William Blake (1995), Thomas More (1998), Geoffrey Chaucer (2004), William Shakespeare (2005), and J. M. W. Turner. The city itself stands astride all these works, as it does in the fiction. Ackroyd was forced to think of new methods of biography writing in T. S. Eliot when he was told he could not quote extensively from Eliot's poetry and unpublished letters.[6]
From 2003 to 2005, Ackroyd wrote a six-book non-fiction series (Voyages Through Time), intended for readers as young as eight, his first work for children. The critically acclaimed series—described as "Not just sound-bite snacks for short attention spans, but unfolding feasts that leave you with a sense of wonder" by The Sunday Times is an extensive narrative of key periods in world history.[7]
In a 2012 interview with Matthew Stadlen of the BBC, when asked the question, "Who do you think is the person who has made the biggest impact upon the life of this country ever?", Ackroyd said, "I think William Blake is the most powerful and most significant philosopher or thinker in the course of English history." In the same interview, when asked what fascinates him about London, he said he admired "its power, its majesty, its darkness, its shadows."[8] When asked what he did outside of writing, he said, "I drink, that's about it."[8]
Ackroyd had a long-term relationship with Brian Kuhn, an American dancer he met while at Yale. After a nervous breakdown in the late 1980s, Ackroyd moved to Devon with Kuhn. However, Kuhn was then diagnosed with AIDS and died in 1994, after which Ackroyd moved back to London. In 1999, he suffered a heart attack and was placed in a medically induced coma for a week.[9]
In a 2004 interview, Ackroyd said that he had not been in a relationship since Kuhn's death and was "very happy being celibate."[2]