The Penguin English Library is an imprint of Penguin Books. The series was first created in 1963[1] as a 'sister series'[2] to the Penguin Classics series, providing critical editions of English classics; at that point in time, the Classics label was reserved for works translated into English (for example, Juvenal's Sixteen Satires). The English Library was merged into the Classics stable in the mid 1980s, and all titles hitherto published in the Library were reissued as Classics.
The imprint was resurrected in 2012 for a new series of titles. The present English Library no longer seeks to provide critical editions; the focus is now 'on the beauty and elegance of the book'.
The Penguin English Library aimed to publish 'a comprehensive range of the literary masterpieces which have appeared in the English language since the 15th century'. All texts in the Library were published with an introduction and explanatory notes written and compiled by an editor; some with a bibliography as well. Editors were also required to provide 'authoritative texts', using their own judgement in printing one, or in some cases creating their own. The series was recognisable chiefly by its distinctive orange spine.[3]
Most, if not all, titles were reprinted as Penguin Classics following the merger of the two imprints in the mid 1980s. Some of these editions were superseded in the 1990s or later,[4] while some continue to be reprinted today as Classics. Additionally, the introductions to some titles survive in present-day Penguin Classics as appendices – for example, Tony Tanner's introduction to Mansfield Park.
The imprint was resurrected in name, though not so much in spirit, in 2012. Texts published in the series no longer include critical apparatus; they instead feature an essay by a notable literary figure, usually excerpted from prior work - for example, the essays of Harold Bloom, V. S. Pritchett and John Sutherland have been featured. A portrait or photograph of the author remains printed on the inside of the front cover. The focus is now on cover art, with each title designed by Coralie Bickford-Smith.
This is an incomplete list of the titles in the Penguin English Library:
All titles listed below are assumed to have lists of further reading appended and/or are no longer in print having been superseded by new editions, unless stated.
Author | Editor | Title | Series no. | Notes | |
---|---|---|---|---|---|
P. J. Keating | Selected Prose | 58 | Still in print as a Penguin Classic titled Culture and Anarchy and Other Selected Prose (2015).[5] [6] | ||
Oliver Lawson Dick | 79 | ||||
10 | |||||
102 | |||||
Tony Tanner | 16 | Tanner's introduction to the novel is reprinted as an appendix in the 2003 Penguin Classics edition.[7] | |||
Anne Henry Ehrenpreis | 74 | Does not include a bibliography. | |||
D. W. Harding | 5 | ||||
Tony Tanner | 72 | ||||
Tony Tanner | 47 | ||||
116 | |||||
11 | |||||
Andrew and Judith Hook | 95 | ||||
Tony Tanner (introduction) Mark Lilly | 118 | ||||
1 | |||||
The Major Works | 109 | ||||
Unknown | Still in print as a Penguin Classic. | ||||
Roger Sharrock | 4 | Reprinted with revisions as a Penguin Classic in 1987. | |||
Peter Mudford | 57 | ||||
Richard Hoggart (introduction) James Cochrane | 12 | ||||
Peter Gunn | Selected Prose | 80 | |||
Alan Shelston | Selected Writings | 65 | |||
51 | |||||
George Woodcock | 23 | ||||
14 | |||||
96 | |||||
Anthony Burgess (introduction) Christopher Bristow | 15 | ||||
Pat Rogers | 66 | ||||
107 | |||||
Angus Ross | 7 | ||||
61 | |||||
56 | |||||
54 | |||||
John S. Whitley Arnold Goldman | 77 | ||||
Gordon Spence | 90 | ||||
J. Hillis Miller (introduction) Norman Page | 63 | ||||
Trevor Blount | 8 | ||||
Raymond Williams (introduction) Peter Fairclough | 48 | ||||
3 | |||||
David Craig | 42 | ||||
25 | |||||
31 | |||||
Michael Slater | 113 | ||||
Angus Wilson (introduction) Peter Fairclough | 17 | ||||
Stephen Gill | 60 | ||||
Deborah A. Thomas | Selected Short Fiction | 103 | |||
Michael Slater | The Christmas Books, Volume 1 (A Christmas Carol/The Chimes) | 68 | |||
Michael Slater | The Christmas Books, Volume 2 (The Cricket on the Hearth/The Battle of Life/The Haunted Man) | 69 | |||
Angus Wilson (introduction) Arthur J. Cox | 92 | ||||
Malcolm Andrews (introduction) Angus Easson | 75 | ||||
Robert Patten | 78 | ||||
Thom Braun | 192 | ||||
Thom Braun (text and notes) Rab Butler (introduction) | 134 | ||||
Unknown | 121 | ||||
20 | |||||
Peter Coveney | 84 | ||||
W. J. Harvey | 2 | ||||
120 | |||||
Andrew Sanders | 139 | ||||
87 | |||||
30 | |||||
R. F. Brissenden | 114 | ||||
R. P. C. Mutter | 9 | ||||
Stephen Gill | Three Plays ('Tis Pity She's a Whore/The Broken Heart/Perkin Warbeck) | 59 | |||
Peter Keating | 104 | ||||
Stephen Gill | 53 | ||||
Dorothy Collin Martin Dodsworth | 55 | ||||
Alan Shelston | 99 | ||||
Frank Glover Smith | 46 | ||||
32 | |||||
Voyages and Discoveries | 73 | ||||
131 | |||||
The Distracted Preacher and Other Tales | 124 | ||||
126 | |||||
125 | |||||
122 | |||||
A. Alvarez (introduction) David Skilton (editor) | 135 | ||||
123 | |||||
Selected Writings | 50 | ||||
Thomas E. Connolly (introduction and notes) | The Scarlet Letter and Selected Tales | 52 | The text of The Scarlet Letter is that of the authoritative Centenary Works edition, published by Ohio State University Press. Connolly's notes and the text are still included in the updated Penguin Classics edition, which has excised the tales and replaced his introduction with one by Nina Baym. | ||
Unknown | Still in print as a Penguin Classic. | ||||
Selected Writings | 33 | ||||
108 | |||||
Michael Jamieson | Three Comedies (Volpone/The Alchemist/Bartholomew Fair) | 13 | |||
John Lawlor (introduction) Janet Cowen | Le Morte d'Arthur, Volume 1 | 43 | |||
John Lawlor (introduction) Janet Cowen | Le Morte d'Arthur, Volume 2 | 44 | |||
The Complete Plays | 37 | ||||
110 | |||||
Harold Beaver | Billy Budd, Sailor and Other Stories | 29 | |||
Harold Beaver | 82 | ||||
Harold Beaver | 105 | ||||
70 | |||||
34 | |||||
Selected Prose | 91 | ||||
News from Nowhere and Selected Writings and Designs | 115 | ||||
The Unfortunate Traveller and Other Works | 67 | Still in print as a Penguin Classic. | |||
Raymond Wright | 45 | Does not include a bibliography per se, but an editorial note is appended to the introduction, giving a brief list of editions and criticism. Still in print as a Penguin Classic. | |||
Selected Writings | 28 | ||||
Harold Beaver | 97 | ||||
Harold Beaver | The Science Fiction of Edgar Allan Poe | 106 | |||
143 | |||||
98 | |||||
129 | |||||
71 | |||||
Maurice Evans | 111 | ||||
Angus Ross | 21 | ||||
A. Alvarez (introduction) | 26 | ||||
19 | Ricks's introductory essay is reprinted in the current Penguin Classics edition. | ||||
Dr Jekyll and Mr Hyde and Other Stories | 117 | ||||
Michael Foot (introduction) Peter Dixon and John Chalker (notes) | 22 | ||||
John Sutherland Michael Greenfield | 49 | ||||
J. I. M. Stewart (introduction) Donald Hawes | 76 | ||||
35 | |||||
David Wright | Records of Shelley, Byron and The Author | 88 | |||
Stephen Wall | 86 | ||||
85 | |||||
John Sutherland Stephen Gill | 41 | ||||
Laurence Lerner (introduction) Peter Fairclough | 24 | ||||
John William Ward (introduction) Robert Mason | 38 | ||||
64 | |||||
40 | |||||
Peter Coveney | 18 | ||||
D. C. Gunby | Three Plays (The White Devil/The Duchess of Malfi/The Devil's Law Case) | 81 | |||
112 | |||||
De Profundis and Other Writings | 89 | ||||
Angus Ross | 130 | ||||
Gāmini Salgādo | Cony-Catchers and Bawdy Baskets | 83 | |||
Peter Happé | Four Morality Plays (The Castle of Perseverance/Magnyfycence/King Johan/Ane satire of the thrie estaitis) | 119 | |||
Peter Happé | 93 | ||||
Keith Sturgess | Three Elizabethan Domestic Tragedies (Arden of Faversham/A Yorkshire Tragedy/A Woman Killed with Kindness) | 39 | |||
Peter Happé | Tudor Interludes | 62 | |||
Gāmini Salgādo | Three Jacobean Tragedies (The Revenger's Tragedy/The White Devil/The Changeling) | 6 | Authorship of The Revenger's Tragedy (which was published anonymously) was then attributed to Tourneur; today it is generally thought to have been written by Middleton.[8] | ||
Gāmini Salgādo | Three Restoration Comedies (The Man of Mode/The Country Wife/Love for Love) | 27 | Still in print as a Penguin Classic. | ||
Gāmini Salgādo | Four Jacobean City Comedies (The Dutch Courtesan/A Mad World, My Masters/The Devil Is an Ass/A New Way to Pay Old Debts) | 101 | |||
Mario Praz (introduction) | Three Gothic Novels (The Castle of Otranto/Vathek/Frankenstein) | 36 | Still in print as a Penguin Classic. The text of Frankenstein is that of the revised 1832 edition. The cover art is a detail from J. H. Fuseli's 1781 oil painting The Nightmare, and the detail was retained when the book was first reprinted as a Penguin Classic in 1986. However, reprints from 2003 onwards[9] feature the detail of a photograph by Sir Simon Marsden instead.[10] |
Author | Title | Essayist | Essay | Notes | |
---|---|---|---|---|---|
Unknown | |||||
Austen Portrays a Small World with Humour and Detachment | |||||
Jane Eyre | The essay is from Showalter's A Literature of Their Own: British Women Novelists from Brontë to Lessing (Princeton: Princeton University Press, 1977) | ||||
Wuthering Heights | |||||
Lewis Carroll | |||||
Unknown | Unknown | ||||
The Moonstone | |||||
The Island and the World | The essay is taken from a chapter in Blewett's Defoe's Art of Fiction: Robinson Crusoe, Moll Flanders, Colonel Jack, and Roxana (Toronto: University of Toronto Press, 1979). | ||||
Correspondence between John Blackwood and George Eliot, and two contemporary reviews | |||||
R. P. C. Mutter | Tom Jones | The essay is a reprint of Mutter's introduction to the original Penguin English Library edition (see above). | |||
The South Goes North | The essay is from Sir Victor's 1942 collection of essays, In My Good Books. | ||||
Nathaniel Hawthorne and The Scarlet Letter | The essay is from Lawrence's Studies in Classic American Literature. | ||||
Ivanhoe | |||||
Paul Cantor | The Nightmare of Romantic Idealism | The text is that of the 1985 Penguin Classics edition, edited by Maurice Hindle, i. e. the 1832 text. The essay is taken from a chapter in Cantor's book, Creature and Creator: Myth-Making and English Romanticism (Cambridge and New York: Cambridge University Press, 1985). | |||
Tristram Shandy | |||||
Why Does the Count Come to England? | The essay is taken from Sutherland's Is Heathcliff a Murderer? Great Puzzles in Nineteenth Century Fiction (Oxford: Oxford University Press, 1998). | ||||
Unknown | |||||
- | The essay is a reprint of Ackroyd's introduction to the first Penguin Classics edition. |