| Pema Tseden | |
| Native Name Lang: | bo |
| Birth Date: | December 1969 |
| Birth Place: | Guide County, Qinghai, China |
| Alma Mater: | Northwest University for Nationalities Beijing Film Academy |
| Occupation: | Director, screenwriter |
| Years Active: | 1991–2023 |
| Organization: | China Film Directors' Guild China Film Association Chinese Film Literature Association |
| Notable Works: | The Silent Holy Stones Tharlo |
Pema Tseden, also called Wanma Caidan (; December 1969 – 8 May 2023) was a Chinese Tibetan film director and screenwriter.[1] He was a professor at the China Academy of Art in Hangzhou[2] and a member of the Film Directors Guild of China, China Film Association, and Chinese Film Literature Association. He is known for making many films entirely in Tibetan language and presenting a more realistic depiction of Tibetan life as opposed to the exoticism often associated with the region.
Pema Tseden was born into a pastoral family, in Guide County, Qinghai, in December 1969, during the Cultural Revolution. He was raised by his grandfather, who was a monk.[3] He was the only one of three siblings to have finished school. He graduated from Northwest University for Nationalities, where he majored in Tibetan Language and Literature. After graduation, he worked as a primary school teacher and a civil servant. Then he pursued advanced studies at China's most prestigious film school, Beijing Film Academy, where he became the Academy's first-ever Tibetan student.[4] [5]
Pema Tseden's debut work, The Silent Holy Stones, won the Best Directorial Debut at the 25th Golden Rooster Awards, Asian New Talent Award for Best Director at the 9th Shanghai International Film Festival, Special Jury Award at the 8th Changchun Film Festival, and Best First Feature at the 13th Beijing College Student Film Festival.
In 2009, Soul Searching won the Special Jury Award at the 12th Shanghai International Film Festival and was nominated for Golden Goblet Award.
Tharlo, a film adaptation based on the novel of the same name by himself, won the Best Adapted Screenplay at the 52nd Golden Horse Film Festival and Awards, also prizes in the 23rd Beijing College Student Film Festival, and the film was nominated for Golden Lion at the 72nd Venice International Film Festival.[6] [7]
In June 2016, Pema Tseden was detained by police after attempting to re-enter the baggage claim area at Xining airport to retrieve one of his luggage.[8] The police said he refused to cooperate and suffered three cuts where the handcuff dug into his skin. His colleagues reported that during the scuffle, he was grabbed by the hair and suffered many bruises, after which he was interrogated all night. On Saturday, he was ordered to serve administrative detention but was hospitalized the following Monday after experiencing headaches, chest pains, and high blood sugar. Wang Lei, media director for Tharlo, said Pema Tseden had diabetes and was not able to medicate normally during detention.[9] The Film Directors Guild of China issued a statement calling for an investigation into whether the police had used excessive force.[10]
Pema Tseden was the first filmmaker in greater China to make films entirely in Tibetan language. He was known for his realistic portrayal of modern Tibetans, compared to the more mystical depictions often associated with the region.
Pema Tseden died from heart failure on 8 May 2023, at the age of 53. He was about to finish the ninth film that would have been both written and directed by himself.[11] [12] He had a son.
| Year | English title | Tibetan title | Chinese title | Director |
|---|---|---|---|---|
| 2002 | The Silent Holy Stones | |||
| 2004 | The Grassland | |||
| The Weatherman's Legacy | ||||
| 2005 | The Last Hail Suppresso | 末代防雹师 | ||
| 2007 | Soul Searching (or The Search) | |||
| 2011 | Old Dog | |||
| 2009 | Flares Wafting in 1983 | |||
| 2014 | The Sacred Arrow | |||
| 2015 | Tharlo | |||
| 2017 | My Little Lama | 我的小喇嘛 | ||
| 2018 | Jinpa | |||
| 2019 | Balloon | |||
| 2020 | Cordyceps | 冬虫夏草 | ||
| Singer | Screen writer | |||
| 2022 | Eternal Day | 永恒的一天 | Director | |
| Strangers | ||||
| 2023 | Seventeen Mile | 十七英里 | ||
| Snow Leopard | 雪豹 | |||
| 2024 | Have a nice trip | 祝你旅途愉快 |
| Year | Award | Category | Work | Result | Notes |
|---|---|---|---|---|---|
| 2005 | The Silent Holy Stones | ||||
| New Currents Award | |||||
| 2006 | Asian New Talent Award for Best Director | ||||
| Best Director | |||||
| Special Jury Award | |||||
| Best First Feature | |||||
| 2007 | 7th Chinese Film Media Award | Best New Director | |||
| 2009 | 12th Shanghai International Film Festival | Golden Goblet | Soul Searching | ||
| Special Jury Award | |||||
| Grand Jury Prize | |||||
| Best Film | |||||
| 3rd Seoul Digital Film Festival | |||||
| Nantes Three Continents Film Festival | |||||
| 16th Beijing University Film Festival | |||||
| 2011 | 12th Tokyo Future International Film Festival | Best Picture | Old Dog | ||
| 2012 | Best Native Feature | [14] | |||
| 2014 | 17th Shanghai International Film Festival | Golden Goblet | The Sacred Arrow | ||
| 2015 | Chinese Film Directors Association | Screenwriter of the Year | |||
| Tharlo | |||||
| Best Adapted Screenplay | |||||
| 2016 | Artistic Exploration Award | ||||
| Best Picture | |||||
| Best Director | |||||
| 22nd Visul Asia International Film Festival | Golden Tricycle Award | ||||
| Paris Oriental Language Award | |||||
| Best Film | |||||
| Student Jury Award | |||||
| 12th China Independent Film Exhibition | Best Film of the Year | ||||
| Best Film | |||||
| Best Director | |||||
| Best Screenplay | |||||
| 2017 | Best Low-budget Feature | ||||
| 2018 | Best Screenplay | Jinpa | [15] | ||
| 3rd Lizhi International Film Festival | Best Film | ||||
| 2019 | Balloon | ||||
| Contemporary World Cinema | |||||
| A Window on Asian Cinema | |||||
| Best Film | |||||
| Best Screenplay | |||||
| 2nd Hainan Island International Film Festival | Best Film | [16] |