| Pee Mak | |
| Director: | Banjong Pisanthanakun |
| Producer: | Jira Maligool Chenchonnee Suntonsaratoon Suwimon Techasupinun Pran Thadaweerawutar Vanridee Pongsittisak |
| Starring: | Mario Maurer Davika Hoorne Pongsathorn Jongwilas Nattapong Chartpong Auttarut Kongrasri Kantapat Permpoonpatcharasook |
| Music: | Chatchai Pongpraphaphan Hualampong Riddim |
| Cinematography: | Narupon Sohkkanapituk |
| Editing: | Tummarut Sumetsuppasok |
| Studio: | GMM Tai Hub Jorkwang film |
| Distributor: | GMM Tai Hub |
| Runtime: | 115 minutes |
| Country: | Thailand |
| Language: | Thai |
| Budget: | $1.8 million |
| Gross: | $33 million[1] |
Pee Mak (Thai: พี่มาก..พระโขนง;) is a 2013 Thai supernatural romantic comedy-horror film directed and co-written by Banjong Pisanthanakun.[2] The story is an adaptation of the Mae Nak Phra Khanong legend of Thai folklore. The film stars Mario Maurer as Mak Davika Hoorne as Nak, and Pongsathorn Jongwilas, Nattapong Chartpong, Auttarut Kongrasri and Kantapat Permpoonpatcharasook. The film was a major commercial success upon its release and became Thailand's highest-grossing film of all time.[3] [4]
The story is set in mid-19th century Siam, during the era of King Mongkut and at the height of the Rattanakosin Dynasty, when Siam was plagued with wars with its neighboring kingdoms. Mak (Mario Maurer) was drafted to serve in a war, forcing him to leave behind his pregnant wife Nak (Davika Hoorne) in the town of Phra Khanong, not far from Central Bangkok. He was wounded during a battle and sent to a medical camp, where he met fellow soldiers Ter, Puak, Shin and Aey, who later became his best friends after he had saved them from certain death.
Meanwhile, in Phra Khanong, Nak struggled alone painfully to give birth to the baby; she calls out for help, but she is too weak to be heard. Shortly after, rumors started circulating in the village that Nak had died in labor and was now a ghost of a very powerful form haunting the house. The villagers in the neighborhood then heard her singing lullabies to her baby, terrifying them and forcing them to cower in fear.
When Mak and his friends arrive back in Phra Khanong in the evening, they find the town completely silent. The five soon arrive at Mak and Nak's house during the night, and Mak introduces Nak to them. As it is now too dark to continue traveling, Mak's friends decide to stay.
The following day, the men visit the village market but are shunned by the fearful community who refuse to sell their goods to Mak and run away. A drunk villager attempts to shout out a warning to Mak but is forced down and hushed by her son. Mak's four friends then discuss what they had heard, but dismiss the rumors as ridiculous.
Shin, however, while he was sent to fetch Mak, saw that the house was a dilapidated wreck that hadn't been maintained for months as one of the stairs broke, that the baby cot that Mak and Nak's son, Dang, was supposed to be sleeping in, was rocking by itself, and then he saw Nak extending her arm to an unnatural length to retrieve a dropped lime under the house.
The following day, Ter accuses Shin of being delusional. However, while taking a dump in the forest, Ter discovers a decomposed corpse behind the house wearing the same ring as Nak. The drunk villager who had also tried to warn them earlier turned up mysteriously drowned.
Mak invites his four friends up to eat supper, in which they are given leaves and worms made by Nak. They later play charades. One of them involves a wordplay "Phi Sua" lit: "Butterfly", that requires Nak to be described as a ghost "Phi." Mak then dismisses all of their warnings, proclaims that they are no longer his friends, and kicks them out of their accommodations.
Later, Mak and Nak go out on a date in the town, visiting an amusement park. Mak's friends attempt to convince Mak that Nak is a ghost at the Ferris wheel, but they and the waiting queue are chased away by Nak. They attempt the second time by capturing Mak while they are in the haunted house. This time, they were successful and captured Mak in the forest.
Suddenly, in the forest, Mak's old wartime wound reopens. His friends express surprise at how slowly it has healed, but Shin and Ter become convinced that he, not Nak, is the ghost, and their fears are seemingly confirmed when Mak reacts in pain when they attack him with holy rice. The friends then flee from their wounded friend and rescue Nak since Phueak desires Nak's beauty.
While escaping in a boat, Mak 'returns' to them, walking into the river to them, but ends up almost drowning when he suffers cramps. As ghosts are not supposed to feel cramps, Mak is revealed to not to have been a ghost, and he is rescued. When asked why he screamed when hit by the holy rice, he reveals that the rice had riddled his wound, making him yell out in pain. In the following confusion in which they don't know if either Mak or Nak are ghosts or not, Aey drops a ring identical to the one Mak, Nak, and the body behind the house had been wearing. Aey is immediately pronounced a ghost and kicked off the boat. The others then try to escape, but, as they had lost the paddles to the boat earlier, they cannot move. Nak then somehow produces a soaking wet paddle and hands it to Ter, who suddenly recalls that all of them had been thrown overboard, and had already drifted too far away for a normal person to recover. Ter then stands up on the boat to look between his legs at the group; Nak is revealed to have been the ghost all along as she has extended her arm to place on Mak's shoulder. The four remaining men, including Mak, retreat to a temple. Mak at first doesn't want to leave Nak alone but his friends knock Mak unconscious, they carry him to the temple.
There, the men come under the protection of the local monk, armed with holy rice, and holy water, and the temple is fortified with an enchanted 'safety ring.' Nak quickly appears, in her terrifying ghostly form, and attacks. Initially, the holy 'weapons' successfully keep Nak at bay, but, in a panic, coupled with Mak's struggle to get back to his wife, all of the holy rice and water are wasted, and the monk is accidentally kicked out of the "safety ring." The monk then fled the temple, leaving the four, who had since destroyed the 'safety ring' while trying to run, to face the angry Nak. A pale Aey then reappears, and it is revealed that he is also human; he was in possession of the ring because he had stolen it from the corpse behind the house to finance his gambling. With that topic settled, they finally remember that they were supposed to flee from Nak. Nak angrily shouted at the five that she just wanted to be with her loved one, which the four friends argued against since they didn't believe the living could be with the dead, and accused her of killing the drunk; Nak furiously denied her involvement and says that the drunk had drowned herself. Nak, in a combination of sadness, anger, and desperation, then threatens to kill Mak and take him to live with her, but stops when she sees how much she has been scaring her husband. Mak then revealed he knew the truth about Nak all along, having had his suspicions raised during the game of charades. He had already looked at Nak between his legs, which revealed her ghostly form and found her decomposed corpse. However, even then, he is far more afraid of living without her than of her being dead. The two tearfully reconcile. His friends, seeing them reuniting, also tearfully reaffirm their friendship, and vow to never leave each other again, even if one of them dies. A flashback to Mak and Nak's first meeting is shown.
In the credit scenes, Mak, his wife and now his four friends live happily in the village. Nak uses her supernatural abilities to do chores, play charades (and help Mak win for the first time), scare off villagers attempting to drive her away (who are led by the village drunk's son) and even run the town's 'haunted house' attraction. It is also revealed that her child, Dang, also possesses some of her abilities, even though he is still an infant.
Pee Mak earned more than 1 billion baht ($33 million) in revenue worldwide (mostly in Asia), and became the highest-grossing Thai film of all time,[5] more than tripling the record held by The Legend of Suriyothai.[6] The film sold a record 16 million tickets worldwide. The film also screened in Indonesia, Hong Kong, Cambodia, Malaysia, Taiwan, Singapore,[7] Myanmar, Brunei and Japan. It is the first Thai film to be screened in every Southeast Asian country.[8] It was also screened at the East Wind Film Festival in England.
The film received generally positive critical reviews, with a positive review in The Nation and The Guardian seeing it as a major success for Thai cinema.
| Year | Award | Category | Nominated work | Result | |
|---|---|---|---|---|---|
| 2013 | 24th Star Party TV Pool Awards | Teen Idol Actress Award | Davika Hoorne | ||
| 6th Siam Dara Star Awards | Best Movie | Pee Mak | |||
| Best Movie Director | Banjong Pisanthanakun | ||||
| Actress Excellent | Davika Hoorne | ||||
| Most Popular Female Star | |||||
| Actor Excellent | Mario Maurer | ||||
| Most Popular Male Star | |||||
| Scene Stealer Award | Kantapat Permpoonpatcharasuk, Nattapong Chartpong, Wiwat Kongrasri & Pongsatorn Jongwilak | ||||
| 11th Seventeen Choice Awards | Hot Guys of the Year | Mario Maurer | |||
| Hot Girl of the Year | Davika Hoorne | ||||
| 56th Asia-Pacific Film Festival | Best Art Director | Arkadech Kaewkotara | |||
| OK! Awards | Spotlight Award | Pee Mak | |||
| 2nd Kerd Awards | Born to be Famous Award | Davika Hoorne | |||
| Born to be the Best | |||||
| Born to be Together Award | Mario Maurer & Davika Hoorne | ||||
| Born to be a Comedian Award | Kantapat Permpoonpatcharasuk, Nattapong Chartpong, Wiwat Kongrasri & Pongsatorn Jongwilak | ||||
| Kerd of the Year | Mario Maurer | ||||
| 11th Starpics Thai Films Awards | Best Movie | Pee Mak | |||
| Best Movie Director | Banjong Pisanthanakun | ||||
| Best Actor | Mario Maurer | ||||
| Best Supporting Actor | Pongsatorn Jongwilak | ||||
| Best Screenplay | Nontra Kumwong, Banjong Pisanthanakun, Chantavit Dhanasevi | ||||
| Best Movie Editing | Tummarut Sumetsuppasok | ||||
| Best Art Director | Arkadech Kaewkotara | ||||
| Best Original Music Score | Chatchai Pongpraphaphan, Hua Lampong Riddim | ||||
| Popular Movie | Pee Mak | ||||
| 2014 | 23rd Thailand National Film Association Awards | Best Film | |||
| Best Director | Banjong Pisanthanakun | ||||
| Best Actress | Davika Hoorne | ||||
| Best Supporting Actor | Pongsatorn Jongwilak | ||||
| Wiwat Kongrasri | |||||
| Nattapong Chartpong | |||||
| Best Screenplay | Nontra Kumwong, Banjong Pisanthanakun, Chantavit Dhanasevi | ||||
| Best Cinematography | Narupon Sohkkanapituk | ||||
| Best Film Editing | Tummarut Sumetsuppasok | ||||
| Best Original Music Score | Chatchai Pongpraphaphan, Hua Lampong Riddim | ||||
| Best Recording and Sound Mixing | Kantana Sound Studio | ||||
| Best Art Director | Arkadech Kaewkotara | ||||
| Best Makeup Effects | Pichet Wongjansom | ||||
| Best Costume Design | Suthee Muanwaja | ||||
| Best Visual Effects | Oriental Post | ||||
| 4th Mthai Top Talk Awards | Top Talk About Movie | Pee Mak | |||
| 22nd Bangkok Critics Assembly Awards | Best Movie | ||||
| Best Movie Director | Banjong Pisanthanakun | ||||
| Best Actor | Mario Maurer | ||||
| Best Supporting Actor | Wiwat Kongrasri | ||||
| Best Screenplay | Nontra Kumwong, Banjong Pisanthanakun, Chantavit Dhanasevi | ||||
| Best Movie Editing | Tummarut Sumetsuppasok | ||||
| Best Cinematography | Narupon Sohkkanapituk | ||||
| Best Art Director | Arkadech Kaewkotara | ||||
| Best Original Music Score | Chatchai Pongpraphaphan, Hua Lampong Riddim | ||||
| Highest Grossing Movie of the Year | Pee Mak | ||||
| The Nine Fever Awards | Thai Movie Fever | ||||
| The BK Film Awards[9] | Best Actress in Leading Role | Davika Hoorne | |||
| Best Actor in Supporting Role | Kantapat Permpoonpatcharasuk, Nattapong Chartpong, Wiwat Kongrasri & Pongsatorn Jongwilak | ||||
| 11th Kom Chad Luek Awards | Best Supporting Actor | Pongsatorn Jongwilak | |||
| Best Movie Director | Banjong Pisanthanakun | ||||
| Popular Movie Award | Pee Mak | ||||
| 4th Thai Film Director Association | Excellent Movie | ||||
| Excellent Director | Banjong Pisanthanakun | ||||
| 8th Kazz Awards | Movie of the Year | Pee Mak | |||
| Popular Actor Award | Mario Maurer | ||||
| Superstar Man of the Year | |||||
| Popular Actress Award | Davika Hoorne | ||||
| Superstar Woman of the Year | |||||
| 7th Nine Entertain Awards | Film of the Year | Pee Mak | |||
| Actor of the Year | Mario Maurer | ||||
| Creative Team of the Year - The Screenplay | Nontra Kumwong, Banjong Pisanthanakun, Chantavit Dhanasevi | ||||
| Creative Team of the Year - The Art Director | Arkadech Kaewkotara | ||||
| 3rd Daradaily The Great Awards | Movie of the Year | Pee Mak | |||
| Best Film Actor of the Year | Mario Maurer | ||||
| Best Film Actress of the Year | Davika Hoorne | ||||
| 2015 | 2nd ASEAN International Film Festival and Awards | Special Jury Award | Pee Mak |