| Pee-wee's Big Holiday | |
| Director: | John Lee |
| Starring: |
|
| Cinematography: | Tim Orr |
| Editing: | Jeff Buchanan |
| Music: | Mark Mothersbaugh[1] |
| Distributor: | Netflix |
| Runtime: | 89 minutes[2] |
| Country: | United States |
| Language: | English |
Pee-wee's Big Holiday is a 2016 American adventure comedy film directed by John Lee and written by Paul Reubens and Paul Rust. The film stars Reubens as Pee-wee Herman and Joe Manganiello as himself. The film was released on March 18, 2016, on Netflix.[3] [4] It is the second standalone sequel to Pee-wee's Big Adventure (1985) and Big Top Pee-wee (1988), the third and final film of the Pee-wee Herman trilogy, and Paul Reubens' final feature film role before his death in 2023.[5] [6]
Pee-wee Herman is a resident of the small town of Fairville and works as a fry cook at Dan's Diner, where he is well liked by the locals and revered for his diner cooking. However, his world is suddenly turned upside down when his band breaks up. Soon afterwards, he meets and befriends actor Joe Manganiello, who convinces Pee-wee to leave Fairville for the first time in his life to travel to New York City to attend Joe's birthday party.
Shortly after leaving Fairville, Pee-wee encounters three women being chased and, assuming they are innocent women in peril, offers them an escape in his Fiat 600. It turns out that the three women, Pepper, Freckles, and Bella (who coincidentally goes by the nickname "Pee-Wee"), are outlaws who have just robbed a bank. The women steal his Fiat. Pee-wee then gets a car ride from a travelling salesman named Gordon, who visits a creepy snake farm with Pee-wee in tow, and gives him a disguise kit.
Pee-wee tries to hitch-hike, but nobody stops, so he seeks refuge at a farmhouse owned by Farmer Brown, who lets Pee-wee spend the night. Farmer Brown introduces Pee-wee to his nine daughters, most of whom are plus size and all of whom have a romantic interest in Pee-wee and spend the entire evening flirting with him. The next morning, having heard his daughters sing Pee-week's praises, Farmer Brown insists that Pee-wee marry one. During the wedding ceremony, Pee-wee uses the disguise kit to flee the church, leaving his bride standing at the altar. The runaway groom then gets a ride in an RV driven by four hairdressers who are en route to a hairdressing contest. Pee-wee realizes he is still far from New York, but the hair stylists implore him not to give up.
Pee-wee then meets Penny King, an aviator with a flying car, who offers to fly him to New York. The flying car crashes in the wilderness where Pee-wee meets Grizzly Bear Daniels who promises to show Pee-wee the way out of the woods, but instead, takes him to his cave.
Pee-wee flees Grizzly's cave. After wandering lost for a time, he comes upon an Amish community, where he entertains the locals by slowly letting the air out of a balloon, causing it to squeak loudly and shrilly.
Pee-wee discovers that the bank robbers are hiding among the Amish. That night when the women attempt to steal a horse and buggy, Pee-wee persuades them to leave some of their money behind for the Amish citizens to purchase a replacement.
Pee-wee and the women arrive in New York where the three women are arrested for the robbery. After trying pizza for the first time in his life, Pee-wee tries to make it to Joe's birthday party but falls down a well in Central Park just before the birthday party starts. Joe thought that Pee-wee decided not to come to his party and cannot enjoy himself. In a state of melancholy, Joe turns on the TV to the local news. There is a story about a rescue attempt in progress to get "a boy" out of the well. Joe sneaks out of his apartment and rushes to the well and assists in the rescue. During the rescue, the entire town of Fairville, Pepper, Freckles, and Bella (while in their prison cell), travelling salesman Gordon, the staff of the snake farm, the hairdressers, Penny King, and Grizzly Bear Daniels (who have found each other and are relaxing in Grizzly's hot tub) are watching the news broadcast (except for Farmer Brown and his daughters and the Amish people), that went national when Joe got involved. When Pee-wee asks Joe, "What about the party?", Joe responds, "Pee-wee, we are the party", and then shows Pee-wee a miniature version of Fairville he created, reflecting one of Pee-wee's models he saw earlier.
Pee-wee returns to his job at Dan's Diner, where he shows the Fairville residents some of the items he acquired during his trip. Joe appears in Fairville to give Pee-wee a ride on his motorcycle.
Reubens often talked about the two scripts he had written for future Pee-wee Herman films. Reubens once called his first script The Pee-wee Herman Story,[11] describing it as a black comedy. He also referred to the script as "dark Pee-wee" or "adult Pee-wee",[12] with the plot involving Pee-wee becoming famous as a singer after making a hit single and moving to Hollywood, where "he does everything wrong and becomes a big jerk". Reubens further explained the script had many "Valley of the Dolls moments". Reubens thought this script would be the first one to start production, but in 2006, Reubens announced he was to start filming his second script in 2007.[12]
The second script, a family-friendly adventure, was called Pee-wee's Playhouse: The Movie and was written by Reubens.[13] [14] The script followed Pee-wee and his Playhouse friends on a road-trip adventure, resulting in many of the characters leaving the house for the first time and going out into "Puppetland". All of the original characters of the show, live-action and puppets, were included in Reubens' script. The story happens in a fantasy land that is intended to be reminiscent of H.R. Pufnstuf and The Wonderful Wizard of Oz.[15] In January 2009, Reubens told Gary Panter that the rejected first script of Pee-wee's Big Adventure (which they co-wrote) could be given a movie deal very soon, and that it would be "90 minutes of incredible beauty".[16] In December 2009, while in character, Reubens said this film is "already done, the script is already fully written; it's ready to shoot." Most of the film was intended to take place in Puppetland with some claymation possibly being used for visual effects.[17]
Reubens said that one of the two films opens in prison.[18] He also said that using CGI for "updating" the puppets' looks could be an option, but that this all depended upon the budget the films would have.[12] Reubens once mentioned the possibility of doing one of the two as an animated film along the lines of The Polar Express, which used performance capture technology to incorporate the movements of live actors into animated characters.[19] Reubens approached Pee-wee's Big Adventure director Tim Burton with one of the scripts and talked to Johnny Depp about the possibility of having him portray Pee-wee but they both declined any involvement.[19]
In June 2010, it was announced that Paul Reubens was working with Judd Apatow on a new Pee-wee Herman feature film set up at Universal Studios, with Reubens and Paul Rust set to write the script.[20] In an October 2014 interview with Rolling Stone, Reubens gave an update on the status of the film, claiming its release was imminent.[21]
In a November 2014 interview with The A.V. Club, Reubens explained why the film took so long to be made, attributing it to the leaking.[22]
On February 24, 2015, Netflix announced the film would be titled Pee-wee's Big Holiday with Apatow and Reubens producing the film, John Lee directing, and Reubens and Paul Rust writing the screenplay.[23] On March 11, 2015, Tara Buck joined the cast of the film.[10] Principal photography began on March 16, 2015.[24] On April 8, 2015, Joe Manganiello joined the cast.[7] On April 19, 2015, Jessica Pohly was cast in the film.[8]
On December 22, 2014, it was announced that the film would premiere exclusively on Netflix.[25] In July 2015, Netflix announced the film would be released in March 2016.[26] The film had its world premiere at South by Southwest on March 17, 2016.[27] It was released on March 18, 2016, on Netflix.[4]
Additionally, there was a limited theatrical run with showings at Alamo Drafthouse Cinema.[28]
Pee-wee's Big Holiday received positive reviews from critics. On Rotten Tomatoes, the film holds an 80% approval rating, based on 46 reviews, with an average rating of 6.86/10. The site's critical consensus reads, "The simple story is a little short on laughs, but there's plenty of sweet wackiness for Pee-wee Herman fans to enjoy."[2] On Metacritic, the film holds a score of 63 out of 100, based on 19 critics, indicating "generally favorable reviews".[29]
Upon its release, various entertainment and culture columnists made particular note of what they perceived as the film's deliberate romantic subtext regarding the relationship depicted between the story's two leads.
Slate.com Outward columnist Paul H. Johnson described the dynamic between the two main characters as "sweetly flirtatious", adding that "[W]hile Pee-wee might seem childlike and sexless, his affection for Manganiello can only be called a crush. Pee-wee dreams of jousting with Manganiello using rainbow-colored lances, and they exchange friendship bands at the end of the movie while squeezed together in Manganiello's treehouse. This is what love looks like in Pee-wee's delicate, but deliberate, mode."[30]
BuzzFeed entertainment editor Louis Peitzman lauded the film as a "queer love story", asserting that "[C]ategorizing Pee-wee and Joe as 'just friends' would be, at best, a euphemistic solution to a relationship that's deliberately vague but undeniably queer. [...] Big Holiday is a reminder that you don't have to meet heterocentric expectations: you can ride off on a motorcycle with your arms around Joe Manganiello. [...] It's the closest Pee-wee will likely ever get to a gay happily ever after, and for all that the movie holds back, it's remarkably satisfying."[31]
Salon.com and Rolling Stone contributor Nico Lang cited other columnists' interpretation of the film's central storyline while expanding that "[Pee-wee] is simultaneously incredibly gay and not gay at all. And in Big Holiday, the character does something arguably even greater than come out of the closet: He resolves these identity conflicts to find happiness on his own terms. [...] Herman doesn't have to have actual sex with other men to be wonderfully, beautifully queer."[32]