Cordwainer Smith | |
Birth Name: | Paul Myron Anthony Linebarger |
Birth Date: | 11 July 1913 |
Birth Place: | Milwaukee, Wisconsin, U.S. |
Death Place: | Baltimore, Maryland, U.S. |
Education: | PhD in political science |
Alma Mater: | Johns Hopkins University |
Period: | 1937–1965 |
Genre: | Science fiction |
Subject: | East Asia political science, psychological warfare |
Notableworks: | "Scanners Live in Vain" Psychological Warfare |
Spouse: | Margaret Snow Genevieve Collins |
Children: | Several |
Relatives: | Sun Yat-sen (godfather) |
Paul Myron Anthony Linebarger (July 11, 1913 – August 6, 1966), better known by his pen-name Cordwainer Smith, was an American author known for his science fiction works. Linebarger was a US Army officer, a noted East Asia scholar, and an expert in psychological warfare. Although his career as a writer was shortened by his death at the age of 53, he is considered one of science fiction's more talented and influential authors.[1]
Linebarger's father, Paul Myron Wentworth Linebarger, was a lawyer, working as a judge in the Philippines. There he met Chinese nationalist Sun Yat-sen to whom he became an advisor. Linebarger's father sent his wife to give birth in Milwaukee, Wisconsin so that their child would be eligible to become president of the United States. Sun Yat-sen, who was considered the father of Chinese nationalism, became Linebarger's godfather.[2]
His young life was unsettled as his father moved the family to a succession of places in Asia, Europe, and the United States. He was sometimes sent to boarding schools for safety. In all, Linebarger attended more than 30 schools. In 1919, while at a boarding school in Hawaii, he was blinded in his right eye, which was replaced by a glass eye. The vision in his remaining eye was impaired by infection.[2]
Linebarger was familiar with English, German, and Chinese[3] by adulthood. At the age of 23, he received a PhD in political science from Johns Hopkins University.[2]
From 1937 to 1946, Linebarger held a faculty appointment at Duke University,[4] where he began producing highly regarded works on Far Eastern affairs.
While retaining his professorship at Duke after the beginning of World War II, Linebarger began serving as a second lieutenant of the United States Army, where he was involved in the creation of the Office of War Information and the Operation Planning and Intelligence Board. He also helped organize the army's first psychological warfare section. In 1943, he was sent to China to coordinate military intelligence operations. When he later pursued his interest in China, Linebarger became a close confidant of Chiang Kai-shek. By the end of the war, he had risen to the rank of major.
In 1947, Linebarger moved to the Johns Hopkins University's School of Advanced International Studies in Washington, DC, where he served as Professor of Asiatic Studies. He used his experiences in the war to write the book Psychological Warfare (1948), regarded by many in the field as a classic text.
He eventually rose to the rank of colonel in the reserves. He was recalled to advise the British forces in the Malayan Emergency and the U.S. Eighth Army in the Korean War. While he was known to call himself a "visitor to small wars", he refrained from becoming involved in the Vietnam War, but is known to have done work for the Central Intelligence Agency. In 1969 CIA officer Miles Copeland Jr. wrote that Linebarger was "perhaps the leading practitioner of 'black' and 'gray' propaganda in the Western world".[5] [6] According to Joseph Burkholder Smith, a former CIA operative, he conducted classes in psychological warfare for CIA agents at his home in Washington under cover of his position at the School of Advanced International Studies.[2] [7] He traveled extensively and became a member of the Foreign Policy Association, and was called upon to advise President John F. Kennedy.
In 1936, Linebarger married Margaret Snow. They had a daughter in 1942 and another in 1947. They divorced in 1949.
In 1950, Linebarger married his second wife Genevieve Collins; they had no children. They remained married until his death from a heart attack in 1966, at Johns Hopkins University Medical Center in Baltimore, Maryland, at age 53. Linebarger had expressed a wish to retire to Australia, which he had visited in his travels. He is buried in Arlington National Cemetery, Section 35, Grave Number 4712. His widow, Genevieve Collins Linebarger, was interred with him on November 16, 1981.[8]
Linebarger is long rumored to have been "Kirk Allen", the fantasy-haunted subject of "The Jet-Propelled Couch," a chapter in psychologist Robert M. Lindner's best-selling 1954 collection The Fifty-Minute Hour.[2] [9] According to Cordwainer Smith scholar Alan C. Elms,[10] this speculation first reached print in Brian Aldiss's 1973 history of science fiction, Billion Year Spree; Aldiss, in turn, claimed to have received the information from science fiction fan and scholar Leon Stover.[11] More recently, both Elms and librarian Lee Weinstein[12] have gathered circumstantial evidence to support the case for Linebarger's being Allen, but both concede there is no direct proof that Linebarger was ever a patient of Lindner's or that he suffered from a disorder similar to that of Kirk Allen.[13]
According to Frederik Pohl:
Linebarger's identity as "Cordwainer Smith" was secret until his death.[14] ("Cordwainer" is an archaic word for "a worker in cordwain or cordovan leather; a shoemaker",[15] and a "smith" is "one who works in iron or other metals; esp. a blacksmith or farrier":[15] two kinds of skilled workers with traditional materials.)Linebarger also employed the literary pseudonyms "Carmichael Smith" (for his political thriller Atomsk), "Anthony Bearden" (for his poetry) and "Felix C. Forrest" (for the novels Ria and Carola).
Some of Smith's stories are written in narrative styles closer to traditional Chinese stories than to most English-language fiction, as well as reminiscent of the Genji tales of Lady Murasaki. The total volume of his science fiction output is relatively small, because of his time-consuming profession and his early death.
Smith's works consist of one novel, originally published in two volumes in edited form as The Planet Buyer, also known as The Boy Who Bought Old Earth (1964), and The Underpeople (1968), and later restored to its original form as Norstrilia (1975); and 32 short stories (collected in The Rediscovery of Man (1993), including two versions of the short story "War No. 81-Q").
Linebarger's cultural links to China are partially expressed in the pseudonym "Felix C. Forrest", which he used in addition to "Cordwainer Smith". His godfather Sun Yat-Sen suggested to Linebarger that he adopt the Chinese name "Lin Bai-lo", which may be roughly translated as "Forest of Incandescent Bliss"; "Felix" is Latin for "happy". In his later years, Linebarger proudly wore a tie with the Chinese characters for this name embroidered on it.
As an expert in psychological warfare, Linebarger was very interested in the newly developing fields of psychology and psychiatry. He used many of their concepts in his fiction. His fiction often has religious overtones or motifs, particularly evident in characters who have no control over their actions. James B. Jordan argued for the importance of Anglicanism to Smith's works back to 1949.[16] But Linebarger's daughter Rosana Hart has indicated that he did not become an Anglican until 1950, and was not strongly interested in religion until later still.[17] The introduction to the collection Rediscovery of Man notes that from around 1960 Linebarger became more devout and expressed this in his writing. Linebarger's works are sometimes included in analyses of Christianity in fiction, along with the works of authors such as C. S. Lewis and J.R.R. Tolkien.
Most of Smith's stories are set in the far future, between 4,000 and 14,000 years from now.[18] After the Ancient Wars devastate Earth, humans, ruled by the Instrumentality of Mankind, rebuild and expand to the stars in the Second Age of Space around 6000 AD. Over the next few thousand years, mankind spreads to thousands of worlds and human life becomes safe but sterile, as robots and the animal-derived Underpeople take over many human jobs and humans themselves are genetically programmed as embryos for specified duties. Towards the end of this period, the Instrumentality attempts to revive old cultures and languages in a process known as the Rediscovery of Man, where humans emerge from their mundane utopia and Underpeople are freed from slavery.
For years, Linebarger had a pocket notebook which he had filled with ideas about The Instrumentality and additional stories in the series. But while in a small boat in a lake or bay in the mid 60s, he leaned over the side, and his notebook fell out of his breast pocket into the water, where it was lost forever. Another story claims that he accidentally left the notebook in a restaurant in Rhodes in 1965. With the book gone, he felt empty of ideas, and decided to start a new series which was an allegory of Mid-Eastern politics.[19] [20]
Smith's stories describe a long future history of Earth. The settings range from a postapocalyptic landscape with walled cities, defended by agents of the Instrumentality, to a state of sterile utopia, in which freedom can be found only deep below the surface, in long-forgotten and buried anthropogenic strata. These features may place Smith's works within the Dying Earth subgenre of science fiction, but they are ultimately more optimistic and distinctive.
Smith's most celebrated short story is his first-published, "Scanners Live in Vain", which led many of its earliest readers to assume that "Cordwainer Smith" was a new pen name for one of the established giants of the genre. It was selected as one of the best science fiction short stories of the pre-Nebula Award period by the Science Fiction and Fantasy Writers of America, appearing in The Science Fiction Hall of Fame Volume One, 1929-1964. "The Ballad of Lost C'Mell" was similarly honored, appearing in The Science Fiction Hall of Fame, Volume Two.
After "Scanners Live in Vain", Smith's next story did not appear for several years, but from 1955 until his death in 1966 his stories appeared regularly, for the most part in Galaxy Science Fiction. His universe featured creations such as:
Titles marked with an asterisk * are independent stories not related to the Instrumentality universe.