Paul Gardère Explained
Paul Claude Gardère (1944, in Port au Prince, Haiti – 2011, in New York City) was a Haitian-born, Brooklyn-based[1] visual artist whose work explored "post-colonial history, cultural hybridization, race, and identity, in and beyond the Haitian diaspora."[2] Gardère's work has been widely exhibited throughout the United States, including at institutions such as the Studio Museum in Harlem,[3] the Figge Art Museum,[4] Lehigh University,[5] Pomona College Museum of Art,[6] and the Jersey City Museum,[7] and is included in a number of prominent institutional collections,[8] including that of Thea Museum of Modern Art in New York,[9] the Studio Museum in Harlem,[10] the Brooklyn Museum,[11] the New Orleans Museum of Art,[12] Schomburg Center for Research in Black Culture,[13] [14] The Milwaukee Art Museum,[15] the Figge Art Museum,[16] the Columbus Museum,[17] the Beinecke Library at Yale University[18] and the Herbert F. Johnson Museum of Art at Cornell University.[19]
Education
Gardère studied at the Art Students League of New York from 1960 to 1961, where he worked with Charles Alston,[20] and at Yale University summer school of music and art in 1966. He earned his Bachelor of Arts degree from Cooper Union School of Art and Architecture in 1967.[21] He earned his Master of Fine Arts degree from Hunter College in 1972.[22] He was an Artist-in-residence at the Studio Museum in Harlem,[23] the Jamaica Arts Center, Long Island University, and completed a 5-month residency at Monet's Gardens[24] in Giverny, France on a grant from the Lila Acheson Wallace Foundation.[25] Reflecting on his time at Giverny, Gardère has said, "Gardening is an apt metaphor for global colonialism."[26]
Background
Gardère was born in Port-au-Prince, Haiti in 1944. He emigrated to New York City in 1959. While studying at Cooper Union School of Art and Architecture in New York, he developed a personal style that blended "Haitian regionalist ideas, painting styles, and cultural symbols" with "the larger aesthetics of Modern art".[21] His work is heavily informed by "religious and mythological symbolism,"[21] which he saw "as a way of metaphysical bridge building between cultures, drawing inspiration from the Old Masters and European Catholicism as well as Haitian regionalism and Vodou."[21]
Select exhibitions
- 2017 "Goudou Goudou", Skoto Gallery, New York, NY[27]
- 2012-2016 "Restoring the Spirit: Celebrating Haitian Art," Figge Art Museum, Davenport, IA,[28] Pomona College Museum of Art[29]
- 2011 "Haitian Art Excerpts: From Renaissance To Diaspora," Kresge Gallery, Berrie Center, Ramapo College of New Jersey, Mahwah, NJ[30]
- 2008 "Multiple Narratives II", Skoto Gallery, New York, NY[31]
- 2007 "Diaspora: Multiple Narratives", Lehigh University, Zoellner Main Gallery, Bethlehem, PA[5]
- 2001 "Marks of the Soul," Ritter Art Gallery, Florida Atlantic University, Boca Raton, FL[32]
- 1999 "Recent Works, 1995-1998," Jersey City Museum, Jersey City, NJ[21]
- 1998 "Kongo Criollo," Taller Boricua Gallery, New York, NY[33]
- 1997 "The Work of Haitian Artist Paul Claude Gardère," Le Centre d’Art and Le Musee d’Art Haitien, Port-au-Prince, Haiti[21]
- 1987 "Paul Claude Gardère," Hallwalls Contemporary Art Center, Buffalo, NY[34]
Select awards and residencies
- 1998 Joan Mitchell Foundation Award for Painting[35]
- 1993 Lila Acheson Wallace / Arts International Residence at Giverny, France[25]
- 1993-94 Artist-in-Residence, Long Island University, Brooklyn Campus[36]
- 1991 New York Foundation of the Arts Fellowship[37]
- 1989-90 Artist-in-Residence, Studio Museum in Harlem, New York[38]
External links
Notes and References
- The New Yorker Magazine, Paul Gardere. .
- Web site: Biographical information on the website for Paul Gardère Studio.
- Studio: The Studio Museum in Harlem Magazine, Fall 2018 / Winter 2019
- Web site: Restoring the Spirit, Celebrating Haitian Art, Exhibition Website.
- Web site: Exhibition Website.
- Web site: Exhibition Website.
- "Paul Gardère at Jersey City Museum," Art in America, Exhibition review by Reagan Upshaw, January 2000
- Web site: CV on Artist's Official Website.
- Web site: Acquisition Letter on Artist's Official Website.
- Web site: Acquisition Letter on Artist's Official Website.
- Web site: Acquisition Letter on Artist's Official Website.
- Web site: Acquisition Letter on Artist's Official Website.
- Web site: New York Public Library Collection Online.
- Web site: Acquisition Letter on Artist's Official Website.
- Web site: Milwaukee Art Museum 2014 Annual Report Page 28 Acquisitions: Paul Gardère, Once Upon a Time, 2002 . 2015 . en.
- Web site: Figge Art Museum Collection Online.
- Web site: Columbus Museum Collection Website.
- Web site: Beinecke Library Collection Online.
- Web site: Herbert F. Johnson Museum of Art Collection Online.
- Web site: Fenstermaker . Will . Paul Gardère's Syncretic Modernism . Independent Art Fair . 19 May 2023.
- Web site: Cooper Union Alumni Page. 19 November 2017 .
- Web site: Artist's Official Website.
- Web site: Studio Museum in Harlem Artist Residency List. 3 April 2017 .
- Web site: Jersey CIty Museum Catalog Interview with the artist.
- News: Profile of the artist in the New York Times. The New York Times . 8 April 1995 . Pierre-Pierre . Garry .
- Web site: Fenstermaker . Will . Paul Gardère's Syncretic Modernism . Independent Art Fair . 19 May 2023.
- Web site: Exhibition Website.
- Web site: Exhibition Website.
- Web site: Exhibition Catalogue.
- Web site: Published Press Release for the Exhibition on the University's Website.
- Web site: Exhibition Website.
- Web site: South Florida Sun Sentinel Newspaper Exhibition Review. 10 May 2001 .
- News: New York Times Review. The New York Times . 13 November 1998 . Cotter . Holland .
- Web site: Exhibition Website.
- Web site: Joan Mitchell Foundation Online.
- Web site: Artist Profile on Africanah. 2 December 2017 .
- Web site: New York Foundation of the Arts Fellowship Online.
- Web site: Studio Museum in Harlem Residency List. 3 April 2017 .