Paul Erich Küppers Explained

Paul Küppers (19 October 1889 – 7 January 1922) was a German art historian^[1] and first husband of Sophie Lissitzky-Küppers.^[2] He was a co-founder of the Kestner Society and brought contemporary art to Hanover.

Life

Born in Essen, Küppers was the son of a geometer and surveyor who later owned a mine.

Küppers attended the Hermann Lietz School in Haubinda and published a first volume of poems from there in 1907. After his father's company went bankrupt, he moved to Hamm. In 1909 he began studying art history at the Ludwig Maximilians University in Munich, with Heinrich Wölfflin among others. In 1909 he became active in the Corps Isaria. There in 1911 he met Sophie Schneider; they married in 1916.^[3] To continue his studies, he went to the Eberhard-Karls-University, where he was reciprocated on 1 November 1910 (with Otto Springorum) in the Corps Rhenania Tübingen. When he was inactive, he moved to the Christian Albrechts University in Kiel. Sick of tuberculosis, he spent a year of convalescence in the Black Forest. He then studied the panel paintings by Domenico Ghirlandaio at the Art History Institute in Florence. Engaged since 1913, Küppers wrote his doctoral thesis on Ghirlandaio in Kiel.

From there he finally went to Hanover, where he initially assisted the later museum director Albert Brinckmann in the numismatic cabinet of the Kestner Museum. Shortly before his wedding in September 1916, in the middle of the First World War, Küppers became a co-founder of the Kestner Society, an institution established to introduce new, innovative artists in the city of Hannover, on 10 June 1916, chaired by Albert Brinckmann. Küppers was the first director of the Kestner Society (Kestner-Gesellschaft).^[4]

Despite the war and economically difficult times, Küppers managed a successful art exhibition of modern and contemporary art with the support of the progressive part of the Hanoverian art scene, including artists such as Max Slevogt, Paula Modersohn-Becker or Emil Nolde. Küppers himself wrote numerous catalog texts and articles in magazines.^[5] His Die Tafelbilder des Domenico Ghirlandajo was published in 1916.^[6] After he wrote the book Der Kubismus Ein künstlerisches Formproblem unserer Zeit, which was published in 1919 under the direction of Küppers.^[7] Küppers founded the Kestner stage with Karl Aloys Schenzinger.^[8]

In 1922, Küppers died in Hanover and his widow Sophie, met and fell in love with the Russian Constructivist artist El Lissitzky, whom she followed to the Soviet Union in 1926 and married a year later. Paintings from Küpper's art collection were plundered by the Nazis, including Klee' “Swamp Legend” (1919), which Küppers is believed to have acquired directly from the artist.^[9]

Literature

• Wieland Schmied (Hrsg.): Trailblazer for modern art. 50 years of the Kestner Society, with contributions by Sophie Küppers-Lissitzky and others, Hanover: Fackelträger-Verlag, 1966, p. 252
• Sophie Küppers-Lissitzky: The first years, in Wieland Schmied (Hrsg.): Trailblazer to modern art. 50 Years of the Kestner Society, Hanover: Fackelträger-Verlag, 1966, pp. 11–26
• Ines Katenhusen : Art and Politics. Hanover's confrontations with modernity in the Weimar Republic, at the same time a dissertation at the University of Hanover under the title Understanding a time is perhaps best gained from her art, in the series Hanoverian Studies, series of publications by the Hanover City Archives, Volume 5, Hanover: Hahn, 1998,, pp. 258–260 et al.
• Hugo Thielen : KÜPPERS (1), Paul Erich. In: Dirk Böttcher, Klaus Mlynek, Waldemar R. Röhrbein, Hugo Thielen: Hannoversches Biographisches Lexikon . From the beginning to the present. Schlütersche, Hannover 2002,, p. 216 and others; online through google books
• Hugo Thielen: Küppers, (1), Paul Erich (with changes compared to the Biographical Lexicon), in: Klaus Mlynek, Waldemar R. Röhrbein (ed.) U. a .: City Lexicon Hanover . From the beginning to the present. Schlütersche, Hannover 2009,, p. 375.

Notes and References

1. Web site: Der Kubismus : ein künstlerisches Formproblem unserer Zeit / / von Paul Erich Küppers; mit 40 Tafeln.. 2021-04-29. Library of Congress.
2. Web site: 2021-04-29. Sophie und Paul Erich Küppers 100 Jahre kestnergesellschaft Galerien 01 DATA (Neu) Media Top Level Nodes. 2021-04-29. https://web.archive.org/web/20210429094551/https://www.visit-hannover.com/Media/01-DATA-Neu/Galerien/100-Jahre-kestnergesellschaft/Sophie-und-Paul-Erich-K%C3%BCppers . 2021-04-29 .
3. Web site: Sophie und Paul Erich Küppers 100 Jahre kestnergesellschaft Galerien 01 DATA (Neu) Media Top Level Nodes. live. https://web.archive.org/web/20210429094551/https://www.visit-hannover.com/Media/01-DATA-Neu/Galerien/100-Jahre-kestnergesellschaft/Sophie-und-Paul-Erich-Küppers. 2021-04-29. 2021-04-29. www.visit-hannover.com. Gründungsdirektor Paul Erich Küppers (19. Oktober 1889 - 7. Januar 1922) mit seiner Frau Sophie..
4. Web site: Chan. Mary. Sophie's Story: The Narrow Escape of a Painting by Paul Klee. 2021-04-29. www.metmuseum.org. Metropolitan Museum. Paul Erich Küppers, who was the first director of the Kestner Society (Kestner-Gesellschaft), an institution established to introduce new, innovative artists in the city of Hannover. Paul Küppers had met Sophie, his wife, when they were both students of art history at the university. Both were prominent collectors and champions of contemporary avant-garde artists. Following her husband's untimely death during the Spanish flu epidemic of 1922, Sophie supported their two young sons by organizing exhibitions of decorative arts in the Kestner-Gesellschaft building..
5. Web site: Emil Nolde 1867 - 1956 PUPPE UND PAPAGEI (DOLL AND PARROT). live. https://web.archive.org/web/20210429101518/https://www.sothebys.com/fr/auctions/ecatalogue/2008/impressionist-modern-art-day-sale-including-important-russian-paintings-n08486/lot.341.html. 2021-04-29. Sothebys. BIBLIOGRAPHIE P. E. Kuppers, "Nolde", Das Kunstblatt, vol. II, Weimar, 1918, no. 11, illustrated p. 342.
6. Book: Küppers, Paul Erich. Die Tafelbilder des Domenico Ghirlandajo. 1916. German. 1070775354.
7. Book: Küppers, Paul Erich. Der Kubismus Ein künstlerisches Formproblem unserer Zeit. 2017. German. 1188029275.
8. Web site: Karl Aloys Schenzinger, 1886 - 1962. 2021-04-29. www.polunbi.de.
9. News: Hickley. Catherine. 2017-07-26. After 26 Years, Munich Settles Case Over a Klee Looted by the Nazis. en-US. The New York Times. 2021-04-29. https://web.archive.org/web/20170726130824/https://www.nytimes.com/2017/07/26/arts/design/after-26-years-munich-settles-case-over-a-klee-looted-by-nazis.html. 2017-07-26. 0362-4331. Klee painted “Swamp Legend” in 1919, while living in Munich, and it is believed that Ms. Lissitzky-Küppers’s husband, Paul Küppers, acquired it there directly from the artist. In 1922, though, Mr. Küppers died of tuberculosis and his widow met and fell in love with the Russian Constructivist artist El Lissitzky, whom she followed to the Soviet Union in 1926 and married a year later. On emigrating, she left her art collection of 16 paintings and one sculpture on loan to a German museum, the Hanover Provinzialmuseum — among them works by Kandinsky, Piet Mondrian and Fernand Léger, as well as “Swamp Legend” and two other Klee pictures..