| Pat Kirtley | |
| Background: | non_vocal_instrumentalist |
| Origin: | Kentucky |
| Instrument: | Guitar |
| Genre: | Fingerstyle guitar |
| Occupation: | Musician, studio engineer, composer |
| Years Active: | 1992–present |
| Website: | Pat Kirtley at MySpace |
Pat Kirtley (born in Kentucky, United States) is an American fingerstyle guitarist, composer and guitar educator.
Pat Kirtley grew up in a musical Kentucky family. As a child he was exposed to the musical influences of his mother's family – listening to country and bluegrass – and his father's family who were more attracted to pop and classical music.[1]
In his teenage years he was also drawn to recording and its technology. By age 13, he had acquired a tape recorder and had become interested in electronics, not just using the equipment, but teaching himself how to build and modify it. He soon began experimenting with tone modification and looping techniques on his recorder and took his early steps in recording with some of his first, never to be published compositions as a 14-year-old.[2] [3]
While always an ardent guitar player, Kirtley began his professional career on the other side of the microphone, working as a studio engineer and producer for twelve years beginning in the mid-70's.[3] He continued playing and creating his compositions, but never published them or pursued working professionally as a guitarist until around 1989, when he began touring as a solo act.[1] In 1992 he entered the fingerstyle competition at the Walnut Valley Festival in Winfield, Kansas - without notable success. He didn't give up, and won the 1994 National Thumbpicking Contest in Mountain View, Arkansas. That same year, he released his first CD Kentucky Guitar, which earned very positive reviews. The next year, 1995, he went to Winfield for the third time and became the National Fingerstyle Guitar Champion in the Walnut Valley Festival competition.[4]
In 1996, Kirtley was chosen to participate in a project for Narada Records, a CD titled Guitar Fingerstyle, featuring a collection of tracks from leading contemporary acoustic guitar artists. The release was a success for the label, selling nearly a quarter-million copies worldwide. 1997 and 1998 saw Kirtley releasing two more CDs, Irish Guitar and Rural Life. Both contain his own solo guitar compositions, and arrangements of pop and traditional tunes. He then appeared on other artist's CDs as accompanying guitarist and also began developing pieces for a group/duo context, leading up to his CD "Just Listen" (2000), which featured collaborations with Tommy Emmanuel, jazz guitarist Craig Wagner, and acoustic super-group Nickel Creek. The group sound context was further developed on Kirtley's Brazilian Guitar, released in 2002. This CD focuses on Brazilian Samba and Bossa Nova styles and was recorded with an ensemble setting. Here Kirtley's sound comes from the nylon-string guitar instead of his usual steel-string.
He co-authored a book about home recording and writes articles for guitar magazines about guitar technique, recording and other related topics, in magazines such as Electronic Musician, Acoustic Guitar, Onstage, Home Recording, and Wood & Steel, as well as in the German magazine Akustik Gitarre.[5] ,[6]
Kirtley's musical influences are quite diverse. He names among others Chet Atkins, Jerry Reed, Lenny Breau, Merle Travis, Mose Rager, Les Paul, Doc Watson, Antonín Dvořák, Johann Sebastian Bach, Edgar Varèse, Antonio Carlos Jobim, Luis Bonfa, John Cage, Harry Partch, Wendy Carlos, Jimi Hendrix, Bernard Herrmann, Dave Brubeck, Frank Zappa, David Crosby, Wes Montgomery and Keith Jarrett.[3]
In the early years of his career he drew from country and bluegrass sources, but at the close of the '80s he began to explore Irish – Celtic music, using alternate tunings like DADGAD in guitar arrangements of Irish fiddle and airs.[7] Later he ventured to Brazilian and South American music, adding to a repertoire not easily categorized. His compositions are a blend of folk, pop, and other traditions.
Coming from Kentucky, his "finger-" or "thumbpicker"-roots are close to the playing of Chet Atkins, Merle Travis and Doc Watson. Kirtley uses his thumb for a regular and driving alternate bass while playing the melody with the other fingers. This melody is often syncopated and creates a swinging tension in conjunction with the regular alternate bass. Additionally he uses the frailing-technique like a banjo player by lightly brushing several or all strings, alternating down- and upstrokes with bass notes. His bass-lines are meticulously composed and often repeatedly take over parts of the melody. In several of his pieces he uses single note runs build from open and fretted strings creating a very particular sound, mostly in intro- and outro-parts and bridges leading from one part of the piece to the next. Kirtley mainly composes short and clearly structured pieces, containing three choruses, with variations in the second and third chorus and an ending repeating the main melody.[8]
On his CDs and in concerts Pat Kirtley uses the following guitars[1] ,:[9]
His favored Taylor has an EMG magnetic soundhole- pickup with Fishman pickups in other guitars. On stage he mixes the pickup-signal with the input of a good condenser microphone.
In the recording studio he records with microphones and additional effects. Along with the Godin Multiac MIDI guitar he uses a Roland GR-series synthesizer, Lexicon Jamman, and Lexicon and Alesis reverbs.
Kirtley uses a Fred Kelly thumbpick and plays with plastic-reinforced nails.[9] He prefers .012 to .054"-gauge Elixir Phosphor Bronze Light strings.
Compiled mainly from discography at Funky Music[10]