| Pat DiNizio/Buddy Holly | |
| Type: | Album |
| Artist: | Pat DiNizio |
| Cover: | Pat_DiNizio-Buddy_Holly.jpeg |
| Released: | January 27, 2009 |
| Studio: | House of Vibes, Highland Park, New Jersey, Spectrum Studios, Pompano Beach, Florida, Rockhouse Studios, St. Joseph, Minnesota |
| Genre: | Rock |
| Length: | 30:54 |
| Label: | Koch Records |
| Producer: | Kurt Reil |
| Prev Title: | Pat DiNizio |
| Prev Year: | 2007 |
| Next Title: | The Best of Pat DiNizio |
| Next Year: | 2015 |
Pat DiNizio/Buddy Holly is the fourth solo album by Pat DiNizio of The Smithereens, released in 2009 by Koch Records. The album features DiNizio interpreting eleven songs from the Buddy Holly songbook.[1] The string arrangements, performed by the Encore Chamber String Quartet, were created by Charles Calello, famed for his work with The Four Seasons, Neil Diamond, Barbra Streisand, Bruce Springsteen and Laura Nyro. The album also features 1960s teen idol Bobby Vee on vocals and production by long-time Smithereens collaborator Kurt Reil of The Grip Weeds. The album's liner notes include an essay by noted Buddy Holly authority Bill Griggs along with reminiscences by Bobby Vee.[2]
Inspired by The Beatles’ use of strings on "Eleanor Rigby" and "Yesterday", DiNizio chose to include string arrangements on most of the songs on the album. "We didn't take the material and do wacky things with it just to be different," DiNizio said. "I went to someone who was alive and making records when Buddy was still alive – Charles Calello – to arrange all of the strings."[3] DiNizio said of the album: "I wanted to honor the memory of the musical artist from whom I got the most inspiration from – and in fact, provided the necessary encouragement to want to be a songwriter. I felt that on the fiftieth anniversary of his passing that someone should say something, but I didn’t want to do a typical knock-off Buddy Holly album, so I took a more baroque string-driven direction. On virtually every track there is a string quartet. So, it honors his memory, but I make the songs my own."[4]
AllMusic's Mark Deming rated the album 4 stars out of 5, saying that "DiNizio has opened up an unexpected side of the songs on Pat DiNizio/Buddy Holly that's strikingly effective", noting that "the concise, dramatic tone of the arrangements lends them a mature tone that dovetails remarkably well with Holly's lyrics and melodies". Deming added that much of the album "suggests how Holly might possibly have tackled these songs if he'd lived long enough to still perform them at age 55 or 60".[5] Dave Tianen of the Milwaukee Journal Sentinel wrote that the use of strings on most of the songs make them sound "a little fuller, a little darker and at times a bit baroque". He felt that it "freshens" the music without violating Holly's original vision. He added that "Dinizio has done something here that probably sounds a little weird but works".[6] In a more critical review Gene Triplett of The Oklahoman said that although DiNizio's voice was well-suited for the songs, and the acoustic and electric guitars "drive things swimmingly along for the most part", he felt that "such meant-to-be-snappy tunes as "Everyday" and "Peggy Sue" are inexplicably slowed to a maddeningly sluggish midtempo crawl, a gosh-awful doo-wop a cappella treatment of "That’ll Be the Day" cries out for guitar, and all of the songs are overladen with syrupy chamber strings, seriously marring DiNizio's well-intentioned salute to Holly".[7]
Credits adapted from the album's liner notes.[8]