Park Theatre (London) Explained

Park Theatre
Location:11 Clifton Terrace
Finsbury Park
London, N4 3JP
Coordinates:51.5657°N -0.1085°W
Architect:David Hughes
Website:www.parktheatre.co.uk

The Park Theatre opened in Finsbury Park, north London[1] in 2013. It describes itself as "a neighbourhood theatre with global ambition", offering a mixed programme of new writing, classics, and revivals. As well as the main auditorium seating 200, the building includes a 90-seat studio theatre, a rehearsal space and a café bar.[2]

Building

In November 2009, Artistic Director Jez Bond and Creative Director Melli Marie acquired a disused three-storey office building at 11-13 Clifton Terrace.[3] Planning permission was granted in October 2010. The theatre was designed by David Hughes.[4] [5] Following a campaign supported by prominent theatre figures such as Sir Ian McKellen and Alan Rickman, the £2.6m cost was met by private donors and by the sale of flats built above the theatre.[6] [7]

The two auditoria, Park200 and Park90, have natural light which can be blacked out electronically. Park200 is a thrust stage with fixed seating on three sides, and can be configured for “theatre in the round”. Park90's flexible seating can be laid out in a range of configurations. The Morris Space on the third floor is used for workshops, classes, and performances for up to 60 people. Backstage are three dressing rooms, a green room, wardrobe, offices and prop stores. The café bar also hosts occasional cabaret and songwriting performances.

Productions

Highlights of the opening season included the UK premiere of These Shining Lives by Melanie Marnich with a cast featuring Honeysuckle Weeks and Charity Wakefield and the world premiere of Oliver Cotton's Daytona, starring Maureen Lipman, which then toured the UK.[8]

The theatre has had critical and box office successes with different types of productions. These include:

Innovative productions include Grounded which incorporated British Sign Language (October 2015),[18] and Brainstorm (2015), an exploration of the teenage brain in cooperation with Islington Community Theatre, the Wellcome Trust and the National Theatre.[19] Avaes Mohammad's double bill about radicalization in the UK Hurling Rubble at the Sun/Hurling Rubble at the Moon was premiered in May 2015.[20]

Park Theatre plays have moved on to the West End, most recently the Second World War drama Pressure, which following a sold-out April 2018 run in Park200 went on to the Ambassadors Theatre in June.[21]

Park Theatre won The Stage magazine's Fringe Theatre of the Year Award for 2015.[22]

In-house productions and fundraising

Initially, as an unsubsidized registered charity, most Park Theatre plays were financed by external production companies, with the theatre as the host venue. However, Jez Bond's intention was always to stage more in-house productions, leading the theatre to devise innovative fundraising strategies.[23]

In July 2017, long-time supporter Ian McKellen worked with the theatre to present a one-man show, Shakespeare, Tolkien, Others & You in Park200, donating the entire proceeds of the nine-performance run to the theatre.[24] [25] With this significant cash infusion, along with the support of the newly formed Producers’ Circle of high level donors, the theatre began producing or co-producing a greater proportion of shows in 2018. It began in May with Robert Schenkkan's post-Trump dystopia Building the Wall, directed by Bond.[26] The second in-house production of 2018 was the world premiere of Danny Robins' The End of the Pier, directed by Hannah Price, beginning in July.[27]

In July 2019, the theatre staged Whodunnit [Unrehearsed], in which celebrity actors including Gillian Anderson, Damian Lewis, and Joanna Lumley donated their time for one-off performances in a murder mystery. The stars, unlike the rest of the cast, did not see the script or attend rehearsals before their performance, and had to "solve the crime in real time, with only an earpiece feeding them lines as they attempt to crack the case."[28] [29] Nor did the audiences know beforehand which celebrity would be performing on any given night. The play ran from 15 to 27 July, selling out at every performance.[30] [31] The success was repeated with new scripts in February 2022[32] and April 2024. The sold-out 2024 show featured a mix of new (Martin Freeman, Adrian Lester, Katherine Ryan) and returning celebrities (Anderson, Benedict Cumberbatch, Emma Thompson), and was described by The Daily Telegraph as "“The glitziest star vehicle yet conceived for the off-West End, perhaps even for London theatre.”[33]

Script Accelerator

Park Theatre's Script Accelerator programme began in 2013, inviting producers or theatre companies to pitch a play they would like to develop.[34] Six are selected each year. Each producer selects actors and a director, and is given professional advice and working time within the building to develop the script. The four-weeks process culminates with a 20-minute critiqued presentation of each piece to an audience in Park200. Some scripts have gone on to full productions. Hot Coals Theatre Ensemble's Storm in a Teacup (February 2014)[35] and Michael Ross's Happy to Help (June 2016)[36] were both Script Accelerator selections which went on to play in Park90's regular season.

Social responsibility

Like many of London's independent theatres, Park Theatre aims to be both a good neighbour locally and a progressive social influence. With donor support, it discounts a substantial number of tickets for local residents and schools each season, and runs acting classes for local children (Playground Players) and adults (Park Players). In 2016 it began a Reminiscence therapy programme for people affected by dementia and their carers.

The theatre has a policy of transparency and open-book accounting for both in-house and incoming productions, in an effort to ensure that actors are properly paid.[37] It also runs amateur training programmes for local children and adults, and "relaxed performances" for people with disabilities.

In February 2019 the theatre initiated the Prism Project, offering free rehearsal and performance space to minority ethnic artists. Focused on providing support and professional opportunities to traditionally under-served groups within the theatre community, the project is open any artist from a BAME background. Its single eligibility criterion is that the writer (or a production team) have a script in progress that would benefit from access to rehearsal space.[38]

External links

Notes and References

  1. Cecilia Sundstrom, "Psychopaths, nudity and Maureen Lipman launch new Finsbury Park theatre", Hackney Gazette, 27 March 2013. Retrieved 2013-04-01.
  2. Web site: Matthew Lloyd. Theatres in Finsbury Park, London: Park Theatre. www.arthurlloyd.co.uk - The Music Hall and Theatre History Website. 2017-01-17. 2016.
  3. Web site: About . ParkTheatre . 2010 . 14 April 2011.
  4. Web site: Converting Spaces~Creating Theatres. Theatre's Trust .
  5. Web site: Laurel Leaf House, 11-13 Clifton Terrace, Islington, London N4 3JP Application ref: P101570 . Mark James . Price . The Theatres Trust . 26 August 2010 . 14 April 2011.
  6. Web site: Sir Ian McKellen and Rupert Everett visit Park Theatre as it moves closer to opening date. Islington Tribune .
  7. Web site: Bond. Jez. Truly, Madly, Alan. Park Theatre Blog. 2017-01-17. 2016-02-08.
  8. Web site: Spencer. Charles. Daytona, Haymarket Theatre Royal, review: 'deeply moving'. 2017-01-27. 2014-07-08.
  9. News: Charles Spencer. Adult Supervision, Park Theatre, review. Telegraph. 2017-02-13. 2013-10-11.
  10. News: Dominic Cavendish. The Gathered Leaves, Park Theatre, review: 'hugely impressive'. Telegraph. 2017-02-13. 2015-07-17.
  11. News: Allfree. Claire. The Patriotic Traitor - a gripping encounter between Petain and de Gaulle. The Telegraph. 2017-02-13. 2016-02-25.
  12. News: 0261-3077. Billington. Michael. Dead Sheep review - extremely entertaining bellwether politics. The Guardian. 2017-02-13. 2015-04-06.
  13. Web site: A Place for We review – three generations keep London's flame alive . . 12 October 2021 .
  14. Web site: Muswell Hill – review . . 13 February 2012 .
  15. Web site: Mayo. Douglas. The Boys In The Band UK Tour. British Theatre. 2017-02-13. 2016-05-07.
  16. News: 0261-3077. Gardner. Lyn. The Buskers Opera review: anti-capitalism in rhyming couplets. The Guardian. 2017-02-13. 2016-05-05.
  17. News: Tony! (The Tony Blair Rock Opera), review — a premier painted in broad strokes . Financial Times . 16 June 2022 .
  18. News: 0261-3077. Gardner. Lyn. Grounded review - Deafinitely Theatre's drone-pilot drama has double impact. The Guardian. 2017-02-13. 2015-11-05.
  19. News: Amy Smith. Brainstorm at the Park Theatre. Camden Review. 2017-02-13. 2014-12-31.
  20. News: Rachel Halliburton. Hurling Rubble at the Moon & Hurling Rubble at the Sun. Time Out London. 2017-02-13. 2015-05-20.
  21. Web site: Aleks Sierz. Pressure, Park Theatre review - David Haig terrific in his own drama. The Arts Desk. 2018-08-05. 2018-04-04.
  22. Web site: Hemley. Matthew. Sonia Friedman, Young Vic and Southampton's Nuffield triumph at Stage Awards 2015. The Stage. 2017-01-17. 2015-01-30.
  23. Web site: Young theatres need funding support to offset growing pains .
  24. Web site: Sir Ian McKellen's one-man Park Theatre show raises £250k. James Morris. 2017-07-17. Islington Gazette. 2017-08-01.
  25. News: 'I'm all in favour of death': Ian McKellen on Corbyn, the fight for gay rights and his one-man show. Walden. Celia. 2017-06-30. The Telegraph. 2017-08-01. 0307-1235.
  26. News: This play explores what would happen if Trump was impeached. Ailis Brennan. 2018-03-28. Evening Standard. 2018-04-04.
  27. News: Theatre review: End of the Pier at Park Theatre, N4. Maxwell. Dominic. 2018-07-17. The Times. 2018-08-05. 0140-0460.
  28. News: Robert Dex. Gillian Anderson starring in 'unrehearsed' London play for charity. Evening Standard. 2019-06-15. 2019-04-02.
  29. Web site: Eleni Cashell. More casting announced for Whodunnit [Unrehearsed]]. Official London Theatre. 2019-06-15. 2019-05-30.
  30. News: 0261-3077. Billington. Michael. Whodunnit (Unrehearsed) review – secret celeb shines in murder mystery . The Guardian. 2019-11-30. 2019-07-17.
  31. News: Smurthwaite. Nick. Meet the box office experts who help keep theatres' ticket sales on track. The Stage. 2019-11-30. 2019-11-11.
  32. Web site: New Date and Final Casting Announced for WHODUNNIT [UNREHEARSED] 2 at Park Theatre .
  33. News: 0307-1235. Cavendish. Dominic. Whodunnit: Catherine Tate excels – but these off-West End fundraisers shouldn’t be necessary. The Telegraph. 2024-06-06. 2024-03-30.
  34. Web site: Nicola Baird. Melli Bond: Park Theatre's Script Accelerator 2016 opens. Islington Faces. 2017-01-17.
  35. Web site: Natasha Tripney. Storm in a Teacup . The Stage. 2017-02-13. 2014-02-24.
  36. Web site: BWW Review: Happy to Help, Park Theatre, March 16 2016. Gary Naylor. 2016-03-17. BroadwayWorld.Com - UK Regional. 2017-01-17.
  37. News: Should theatres open up their accounts? . The Guardian . London. Lyn. Gardner. 7 February 2012.
  38. News: Snow. Georgia. Park Theatre creates BAME-led artist development initiative. The Stage. 2019-11-30. 2019-02-06.