Pan Is Dead (Still Life) Explained

Pan Is Dead (Still Life)
Artist:George Washington Lambert
Year:1911
Medium:oil on canvas
Height Metric:76.5
Width Metric:63.5
Metric Unit:cm
Imperial Unit:in
City:Sydney
Museum:Art Gallery of New South Wales
Url:https://www.artgallery.nsw.gov.au/collection/works/8701/

Pan Is Dead (Still Life) is a 1911 still life painting by Australian artist George Washington Lambert. The painting depicts "a sculpted head of Pan beside white gloves and a glass vase filled with white roses".[1] Lambert created the bust of Pan as part of a costume for a character he played in a tableau vivant, The awakening of Pan, created in 1909 by the wife of the artist Philip Connard.[2]

The god Pan is said to be a personification of nature while white roses symbolise "truth, innocence and spirituality". The white gloves were "symbol of good manners in the Edwardian era".

The painting was first exhibited in London in 1911 under the title Pan is dead; the title has been said to suggest "both that Pan has lost his liveliness by being cast into a still sculpture, as well as the possible defeat of Pan by both the innocence of the flowers and the rigid social mores of the Edwardian middle class".

The painting was acquired by the Art Gallery of New South Wales in 1952 and remains part of its collection.

Notes and References

  1. Web site: Pan is dead (still life) . Collection . Art Gallery of New South Wales . 23 August 2019.
  2. Web site: Grey . Anne . Pan is dead (Still life) . George W Lambert: A retrospective . National Gallery of Australia . 23 August 2019.