| Palestrina - Prince of Music | |
| Director: | Georg Brintrup |
| Producer: | Christopher Janssen Arte |
| Starring: | Renato Scarpa Remo Remotti Giorgio Colangeli Franco Nero |
| Music: | Giovanni Pierluigi da Palestrina |
| Cinematography: | Paolo Scarfó Benny Hasenclever Oliver Kochs |
| Editing: | Georg Brintrup |
| Runtime: | 52 minutes |
| Country: | Italy Germany |
| Language: | Italian |
Palestrina - Prince of Music is an Italian/German 2009 music film directed by Georg Brintrup. The subject is the life and music of Giovanni Pierluigi da Palestrina (ca.1525-1594), a famous Italian Renaissance composer of sacred music. He is the best-known 16th-century composer of the Roman School. Filmed in March 2009 on locations mainly in and around L'Aquila and Rome, most of the ancient buildings and historical interiors in the city of L'Aquila were destroyed by the 2009 L'Aquila earthquake, only a few days after the end of shooting. Palestrina’s music in the film is directed by Flavio Colusso and the Roman Ensemble Seicentonovecento. The film was also titled The Liberation of Music or Die Befreiung der Musik when released in Germany.
“To achieve artistic and economic independence, Palestrina works with great diplomacy in the shadow of the powerful Roman Catholic Church. Despite strict ecclesiastical rules, he succeeds in modernizing music.” [1]
The film starts with the death of Giovanni Pierluigi da Palestrina in 1594. Afterwards his son, Iginio, some of his students and colleagues, members of the Cappella Giulia (Julian Chapel) at St. Peter's Basilica, and also members of the Roman clergy give their personal statements or testimony on Palestrina’s life and career: from his childhood, when he is trained as a choir-boy in the circle of the "Roman School" of polyphony founded by Costanzo Festa, to the peak of his career, when the plague and an influenza epidemic take away his two oldest sons and his wife.
These testimonies reveal Palestrina as a typical Renaissance artist who takes his destiny into his own hands and maintains his artistic independence in the middle of the greedy Roman clergy, who are more interested in secular politics than in the spirituality of music. He developed a new style in polyphonic art, the genus novus with a balance between word and sound, in which all voices are separate and independent from each other. Palestrina finally liberates music from the word. In this style he composes the famous Missa Papae Marcelli, which, after the Council of Trent, becomes the model for sacred music.
After having lost his two sons and his wife, the testimonies reveal with the wink of an eye, that Palestrina, instead of taking holy orders, decided to marry a very rich widow, enabling him to afford the publication of all his scores. In this way his work would never be forgotten.
Palestrina’s music is presented in the film by the Roman ‘Ensemble Seicentonovecento’, conducted by maestro Flavio Colusso.
Palestrina - Prince of Music premiered at the Auditorium Parco della Musica in Rome on November 15, 2009 [2] It was then shown at "Prix International du Documentaire e du Reportage Mediterraneen" - 15th edition, at the 11th International Television Festival ECO, Ohrid Macedonia, at AsoloArtFilmfestival, at Golden Prague International Television Festival 2010, at L´Aquila International Film Festival, L´Aquila Italy 2010, and at FIFA (Festival international du film sur l'art), Montreal, Canada 2011.[3]