| Paarvai Ondre Pothume | |
| Director: | Murali Krishna |
| Starring: | Kunal Monal Karan Ramji |
| Producer: | A. Rajpal |
| Music: | Bharani |
| Cinematography: | Sri Shankar |
| Editing: | B.S.Vasu-Saleem |
| Studio: | Amutha Movie Makers |
| Runtime: | 132 minutes |
| Language: | Tamil |
| Country: | India |
Paarvai Ondre Pothume is a 2001 Indian Tamil-language romance film written and directed by Murali Krishna. The film stars Kunal, Monal and Karan. The film's soundtrack was composed by Bharani and was a huge success.[1] The film was released on 16 March 2001 and became a commercial success and Karan's acting in the film was critically acclaimed.[2] [3] [4] It is Kunal's next Tamil film release and his only release in 2001 since Kadhalar Dhinam (1999).
Vinodh and Manoj are best friends. Manoj gives Vinodh a manager job of his three-star hotel. They both are in love with Neetha, but Neetha is actually in love with Vinodh. This causes a strain in their friendship, and Manoj fires Vinodh from his manager job.
The film ends with a message to the audience that "love is divine (pleasing) but friendship is pristine (unspoilt)".
The soundtrack was composed by Bharani and lyrics were written by Pa. Vijay and Bharani.[5] [6]
| S. No. | Song Title | Singer(s) | Lyric(s) | Duration (MIN) |
|---|---|---|---|---|
| 1. | "Thuli Thuliyaai Kottum Mazhai" | 6:07 | ||
| 2. | "Kaadhal Pannaadheenga" | Krishnaraj | Bharani | 1:19 |
| 3. | Theme Music, "Dhumthakku Dhumthakku" | 1:32 | ||
| 4. | "Nee Paarthuttu Ponaalum" | Krishnaraj, Sumitra | 4:10 | |
| 5. | "Thirudiya Idhayathai Thiruppi" | Harish Raghavendra, K. S. Chithra | 4:51 | |
| 6. | "Thirumba Thirumba" | Pa. Vijay | 5:17 | |
| 7. | "Yen Asaindhaadum" | S. Janaki, P. Unnikrishnan | 5:16 | |
Chennai Online wrote "Not much variation can be brought in this subject, but the director has seen that his narration is neat, the scenes move smoothly and the songs appear at the right places".[7] Cinesouth wrote "There is no depth in the story. Neither the screenplay is clear. One has to pity the plight of the director! It is a heavy assault on the audiences. But there are two redeeming factors: The free-flowing histrionic talents of Karan and the scintillating songs of Bharani".[8]