| Birth Date: | 18 January 1943 |
| Birth Place: | Alexandria, Kingdom of Egypt |
| Birth Name: | Ovidio Gabriel Assonitis |
| Years Active: | 1969–present |
| Nationality: | Greco-Italian |
| Website: | www.ovidioassonitis.com |
Ovidio Gabriel Assonitis (born January 18, 1943) is an Egyptian-born Greco-Italian[1] [2] entertainment executive, film producer, screenwriter, and director best known for his numerous B-horror films including Beyond the Door, Tentacles, The Visitor, and .
In the mid-1960s, Assonitis began an extensive distribution network company in the Far East and in the 10-year period distributed more than 900 films[3] from offices in Thailand, Hong Kong, Singapore, Philippines, and Indonesia. His former partners and associates include HRH Prince Anusom Yukol (brother of the King of Thailand), John Litton (President of Mever Films, theater owner and former President of the Philippines Film Festival), the Shaw Brothers, Alexander Tedja, and Kong Cho Yee (of Edko Films).
By the late 1960s, Assonitis began producing films himself with the documentary The Labyrinth of Sex and the giallo thriller Who Saw Her Die? which was released at the height of the giallo genre.[4] The same year as Who Saw Her Die?, Assonitis released one of his early successes, Man from the Deep River. The film and its title were mainly inspired by A Man Called Horse,[5] which also featured a white man who is incorporated into a tribe that originally held him captive. The film is the first of the subgenre of Italian Cannibal movies that were made in the late 70s and early 80s[6] [7] [8] [9]
The following year, Assonitis produced The Last Snows of Spring. The film obtained a great commercial success, particularly in the United Kingdom and launched the career of child actor Renato Cestiè.[10] Assonitis then tried, unsuccessfully, to purchase the screen rights to William Peter Blatty's The Exorcist.[3] Assonitis then hired a succession of writers to create an original possession story, which ultimately became Beyond the Door. The film marked Assonitis' directorial debut, under his oft used pseudonym, Oliver Hellman. The film was originally set to be released by American International Pictures, Assonitis' long-term American partners; the film was picked up and released by Edward L. Montoro and his company Film Ventures International,[11] it was a huge commercial success in the United States, where it earned $15 million at the US box office and grossing in excess of $40 million world-wide. Warner Bros. promptly filed a lawsuit, claiming copyright infringement due to similarities to The Exorcist.[11]
He returned to producing with Laure, an original film based on the experiences of Emmanuelle Arsan, who wrote the original story for the film. The film was originally set to star Linda Lovelace, but due to her personal problems at the time, she was recast in the secondary role of Natalie Morgan, before being dropped from the film completely.[12] [3] The same year, he produced Take All of Me directed by Luigi Cozzi.[13] [14] and co-written by Assonitis' wife, Sonia Molteni, based on her original idea.
Assonitis' sophomore directing effort came after the tremendous box office success of Jaws, when he and American International Pictures produced Tentacles. The film included a star-studded cast including John Huston, Shelley Winters, Bo Hopkins and Henry Fonda. The film grossed $3,000,000 on a budget of just $750,000.[15]
In 1979, Assonitis produced The Visitor. The film was directed by Giulio Paradisi and featured another all-star cast, including John Huston, Shelley Winters, Mel Ferrer, Glenn Ford and Sam Peckinpah with a cameo appearance by Kareem Abdul-Jabbar and an uncredited Franco Nero in the prologue. The film was originally a more straight forward story with a script by Lou Comici, where a child in Atlanta is possessed by a demon and a visiting exorcist from Poland is required to free the child. However, Paradisi rewrote the script to include more science fiction elements to avoid any associations with The Exorcist. The film was a commercial success in Europe upon release, but US distributor American International Pictures chose to recut the film, removing all of Franco Nero's speaking scenes and rearrange the order of some scenes, and the film was not a success. However, in 2013, independent distributor Drafthouse Films acquired the film.[16] and re-released the remastered European cut in the United States. In the years since, the film has undergone a critical re-evaluation and now holds an approval rating of 78%, based on 18 reviews, and an average rating of 6.4/10 on review aggregator Rotten Tomatoes.[17] On Metacritic, the film has a weighted average score of 65 out of 100, based on 5 critics, indicating "generally positive reviews".[18]
Assonitis returned to directing in 1981 with Madhouse, however the film featured unknown actors and found itself alongside Assonitis' 1972 film, Man from the Deep River, on the infamous video nasty list, a list of horror and exploitation films banned in the United Kingdom by the BBFC in the 1980s for violence and obscenity[19] and as a result, the film never saw a theatrical release in the United Kingdom. The same year, Assonitis was brought in by Warner Bros. to executive produce, replacing Jeff Schechtman.[3] [20] Miller Drake, who had been hired by Schechtman to co-write the film with Charles H. Eglee and to direct the film, however Assonitis removed Miller from the project and hired Rob Bottin to direct. Bottin had already been hired to do the special effects of the film, but soon left to work on The Thing. James Cameron was then hired and rewrote the script with Eglee and Assonitis under the pseudonym H.A Milton. After the first week of shooting, the set harmony was disturbed by some discussions about the work between the director and the producers (Assonitis, asked to verify the day-to-day activities, arguing with most of Cameron's choices), so while Cameron was only responsible for the shooting, most of the decisions were under Assonitis' authority.[3] The film was released through Saturn International Pictures domestically and by Columbia Pictures internationally and was a box office bomb.
Assonitis continued to produce throughout the 1980s with the films, Choke Canyon an action film starring Stephen Collins, Janet Julian, Bo Svenson and Lance Henriksen about a scientist trying to develop an alternative energy source while being pursued by an evil corporation; and the Miles O'Keeffe sword and sorcery film Iron Warrior distributed by Orion Pictures.
In 1987, Assonitis signed a multi-picture deal with Trans World Entertainment, then run by Moshe Diamant and Eduard Sarlui. The first of the films to be produced was The Farm, released as The Curse, a science-fiction horror film starring Wil Wheaton and Claude Akins, based on H. P. Lovecraft's short story The Colour Out of Space[21] The film earned $1,169,922 from its opening weekend, and finished with a gross of $1,930,001 at the box office.The film also sold considerably well on home video.[22] Over the next two years, Assonitis produced three more pictures under the deal, Sonny Boy, starring Paul L. Smith, David Carradine and Brad Dourif; The Bite and Amok Train. The Bite (originally announced as The Reptile Man[23]) and Amok Train (announced as Beyond the Door 2: The Train[24]) were later retitled as Curse II: The Bite and Beyond the Door III respectively to capitalise on the success of the previous films.[25] Another horror film was planned for production by Ovidio G. Assonitis Productions after Beyond the Door III, entitled The Frame but it was never made.[26]
In 1989, he became chairman the newly relaunched Cannon Pictures Inc.[27] Assonitis was hired by Italian financier Giancarlo Parretti after the departure of former chairman Menahem Golan and the restructuring of The Cannon Group, then renamed Pathé Communications. Assonitis then green-lit several projects; Lambada, Midnight Ride, No Place to Hide, Fifty/Fifty, Over the Line (which he also directed, his final directing credit to date) as well as the sequels and Little Ninja Man, later retitled American Ninja 5.[28] He also developed a project Wings with announced with Michael Dudikoff, but the film was never made. Due to financial issues at the company, Assonitis' contract was terminated in 1990, before many of his projects had been released. Assonitis sued Pathé Communications for wrongful termination of his contract. He won his suit in 1998 and was awarded $2.9 million in compensation.[28]
After his termination from Cannon Pictures Inc., Assonitis took the rights to Scent of a Woman to Universal Pictures. Universal acquired the rights and remade the film as Scent of a Woman starring Al Pacino and directed by Martin Brest. Released worldwide in 1993, the film earned 63,095,253 in the US and $71 million internationally, totaling $134,095,253 worldwide.[29] [30] [31] The film was nominated for four Academy Award including Best Picture with Pacino winning for Best Actor. Assonitis, who had originated the project and chose to go uncredited on the final cut of the film, took out a full page advert in Variety congratulating Tom Pollock, Universal Pictures and Martin Brest for making the adaptation successful and praising Al Pacino on his Oscar win.[32]
In the mid 90s, Assonitis worked as a consultant to Ibrahim Moussa's Stone Canyon Investments.[33] In 1998, Paul Guez bought into the company and soon after a deal was announced with MGM Animation to produce three films, beginning with Tom Sawyer and Night at the Opera,[34] however only Tom Sawyer was produced before MGM Animation folded.[35] [36] The company entered into a first look deal with director Reginald Hudlin and his company Hudlin Bros.[37] However no films were produced from this deal and Stone Canyon Investments closed soon after.
After producing Sabrina Goes to Rome for Paramount Domestic Television and ABC in 1998, Assonitis produced the 2003 Italian slasher film Red Riding Hood directed by Giacomo Cimini.
Since 2003, Assonitis has concentrated on commercial and film distribution projects in South East Asia and Malaysia. In 2021, Assonitis was awarded the German Independence Honorary Award from Oldenburg International Film Festival. The festival opened with a theatrical screening of Tentacles and also conducted a retrospective of his films including Who Saw Her Die?, Beyond the Door, The Visitor, Madhouse and .[38] He later announced a sequel to Beyond the Door entitled Embryo would be released in 2023 and Juliet Mills would return to star.[39]
| Year | Title | Functioned as | Director | Notes | |||
|---|---|---|---|---|---|---|---|
| width=65 | Director | width=65 | Writer | width=65 | Producer | ||
| 1969 | Nel labirinto del sesso (Psichidion) | Alfonso Brescia | a.k.a. The Labyrinth of Sex | ||||
| 1972 | Who Saw Her Die? | Aldo Lado | Starring George Lazenby | ||||
| Man from the Deep River | Umberto Lenzi | a.k.a. Sacrifice! (original title: Il paese del sesso selvaggio) | |||||
| 1973 | Un amore cosi fragile, cosi violento | Leros Pittoni | |||||
| The Last Snows of Spring | Raimondo Del Balzo | (original title: L'ultima neve di primavera) | |||||
| 1974 | Super Stooges vs the Wonder Women | Alfonso Brescia | (original title: Superuomini, superdonne, superbotte) | ||||
| Beyond the Door | Ovidio Assonitis and Roberto Piazzoli | a.k.a. The Devil Within Her (original title: Chi Sei?) | |||||
| 1975 | Abicinema | Giuseppe Bertolucci | documentary | ||||
| 1976 | Laure | Emmanuelle Arsan (credited as Anonymous) | a.k.a. Forever Emmanuelle. Shadow directed by Louis-Jacques Rollet-Andriane and Roberto D'Ettorre Piazzoli | ||||
| Take All of Me | Luigi Cozzi | co-written by Sonia Molteni | |||||
| Bertolucci secondo il cinema | Gianni Amelio | documentary | |||||
| 1977 | Tentacles | Ovidio Assonitis (as Oliver Hellman) | Starring John Huston, Shelley Winters, Claude Akins and Henry Fonda | ||||
| 1978 | Last Touch of Love | Filippo Ottoni | co-written by Sonia Molteni | ||||
| 1979 | The Visitor | Giulio Paradisi | (original title: Stridulum) | ||||
| 1981 | Madhouse | Ovidio Assonitis (as Oliver Hellman) | a.k.a. There Was a Little Girl | ||||
| Rollerboy | Ovidio Assonitis (as Oliver Hellman) | a.k.a. Desperate Moves a.k.a. Steigler, Stiegler | |||||
| James Cameron and Ovidio G. Assonitis | a.k.a. Piranha 2: Flying Killers | ||||||
| 1986 | Choke Canyon | Charles Bail (as Chuck Bail) | a.k.a. On Dangerous Ground | ||||
| Lone Runner | Ruggero Deodato | a.k.a. Fistful of Diamonds and Flash Fighter | |||||
| 1987 | Iron Warrior | Alfonso Brescia | uncredited | ||||
| The Curse | David Keith | ||||||
| 1989 | Sonny Boy | Robert Martin Carroll | starring Paul L. Smith, David Carradine and Brad Dourif | ||||
| Frederico Prosperi | a.k.a. The Bite | ||||||
| Beyond the Door III | Jeff Kwitney | a.k.a Amok Train, starring Bo Svenson | |||||
| 1990 | Midnight Ride | Bob Bralver | produced by Cannon Pictures Inc. | ||||
| Cedric Sundstrom | produced by Cannon Pictures Inc. | ||||||
| Lambada | Joel Silberg | produced by Cannon Pictures Inc. | |||||
| 1992 | Scent of a Woman | Martin Brest | nominated for Best Picture at the 65th Academy Awards | ||||
| 1993 | No Place to Hide | Richard Danus | produced by Cannon Pictures Inc. | ||||
| American Ninja V | Bob Bralver (as Bobby Gene Leonard) | produced by International Movie Service s.r.l. | |||||
| Over the Line | Ovidio Assonitis and Roberto Piazzoli | produced by International Movie Service s.r.l. | |||||
| 2003 | Red Riding Hood | Giacomo Cimini | based on Little Red Riding Hood by Charles Perrault and by Brothers Grimm | ||||
| 2023 | Embryo | To Be Announced | sequel to Beyond the Door | ||||