| Overlord | |
| Director: | Julius Avery |
| Story: | Billy Ray |
| Music: | Jed Kurzel |
| Editing: | Matt Evans |
| Distributor: | Paramount Pictures |
| Runtime: | 110 minutes[1] |
| Country: | United States |
| Language: | English |
| Budget: | $38 million |
| Gross: | $41.7 million[2] |
Overlord is a 2018 American alternate history action horror film[3] [4] [5] directed by Julius Avery and written by Billy Ray and Mark L. Smith. It stars Jovan Adepo, Wyatt Russell, Mathilde Ollivier, John Magaro, Gianny Taufer, Pilou Asbæk, Bokeem Woodbine and Iain De Caestecker.[6] The film was produced by J. J. Abrams, through his Bad Robot banner, and Lindsey Weber.[7] [8] The plot follows several American soldiers who are dropped behind enemy lines the day before D-Day and discover terrifying Nazi experiments.
Overlord was released in the United States on November 9, 2018, by Paramount Pictures. The film received generally positive reviews and has grossed $41.7 million against a budget of $38 million.
On the eve of D-Day in an alternate 1940s where Executive Order 9981 is signed in 1944, a paratrooper squad, most of them in an integrated unit, is sent to destroy a German radio-jamming tower in an old church. Their plane is shot down and crashes, and most of the squad, including squad leader Sgt. Rensin, die either in the crash or by Nazi soldiers and landmines. Four survivors remain: second-in-command Corporal Ford, Pfc. Boyce, Pfc. Tibbet, and Pvt. Chase.
The team eventually meets Chloe, a young woman from the village where the church is located. She lets them take refuge in her house. Chloe lives with her 8-year-old brother Paul and her aunt, who was disfigured by Nazi experiments taking place in the church. After Tibbet and Chase depart to check the scheduled rendezvous site, a Nazi patrol led by SS Hauptsturmführer Wafner visits Chloe. Wafner sends his men away, and proceeds to coerce Chloe for sex, threatening to send her brother to the church to be "fixed." Boyce interrupts the Nazi officer, and Ford is forced to follow suit, restraining Wafner.
Attempting to reach the rendezvous point to look for Tibbet and Chase, Boyce witnesses Nazis burning disfigured villagers. He is chased by a dog and forced to hide in a truck carrying dead bodies into the church. Sneaking out of the truck, Boyce discovers an underground base that houses a radio operating room and a laboratory where the Germans perform experiments on the villagers involving a serum and a pit of black tar. Boyce takes a syringe containing the serum and rescues Rosenfeld, another member of the paratrooper squad, who was captured alive. They escape through the base's sewers.
Boyce and Rosenfeld get back to Chloe's house, where Tibbet and Chase have already returned. Wafner refuses to explain what the serum does, even as Ford tortures him. As the squad prepares to attack the church, Wafner attempts to escape, and fatally shoots Chase. Boyce, having seen a dead man supposedly resurrected by the serum in the lab, injects Chase with the syringe. Chase is resurrected, but mutates and turns violent. A scuffle ensues, ending with Boyce bludgeoning Chase to death. A patrol responding to the carnage arrives, and a shootout erupts in which he dies and Ford blows half of Wafner's face off. Wafner escapes with Paul as a hostage and injects himself with two doses of the serum in the lab.
Boyce proposes infiltrating the base and destroying the tower from the inside, which would also destroy the laboratory. The other privates support him, and Ford grudgingly agrees. Splitting up, Rosenfeld and Tibbet launch a frontal assault as a distraction, while Ford, Boyce, and Chloe enter the base using the sewers. Boyce and Ford plant the explosives, while Chloe looks for Paul. Chloe finds Paul, sends him back to the village, and kills a mutated test subject who corners her. She returns to the village, where Tibbet and Rosenfeld are pursued by the base's defenders. Tibbet is wounded while shielding Paul from gunfire. Chloe kills the remaining Germans and treats Tibbet's wounds.
Wafner, now mutated and possessing superhuman strength and resilience, overpowers Ford and impales him on a meat hook. The serum was made by using the villagers' bodies to distill the power of the black tar, which had been running under the village for centuries. The aim was to create immortal and invincible soldiers to serve the Reich. As Boyce distracts Wafner, Ford pulls the hook out and injects himself with the serum to heal himself. He holds off Wafner long enough for Boyce to set off an oxygen tank, which sends Wafner falling into the pit. As he begins to mutate, Ford orders Boyce to leave him behind and detonate the explosives, believing neither side should possess the serum. Boyce complies, and escapes as the church and jamming tower collapse behind him, killing Ford, Wafner, and the test subjects. He joins the others as a radio announces that the D-Day invasion concluded in a victory for the Allies.
In his report, Boyce credits Ford for the decision to plant the bombs inside the church. The commanding officer questions Boyce regarding rumors of an underground lab under the church. Boyce, sharing Ford's view, denies seeing anything worth digging up. The officer seemingly accepts his story, and reveals that they will be reassigned to C Company as the war continues.
The initial story for the film was conceived by J. J. Abrams and screenwriter Billy Ray, with Ray penning the script. Paramount acquired the film in 2017, and Mark L. Smith was brought in to polish the script.[9] On February 1, 2017, Bad Robot and Paramount Pictures announced that Julius Avery would direct the film.[9] On January 18, 2018, the film was initially reported as being the fourth installment in the Cloverfield film series, though Abrams denied this at CinemaCon on April 25, 2018.[10] [11]
In April 2017, Jovan Adepo and Wyatt Russell were the first actors to be cast in the film. In May 2017, Mathilde Ollivier, John Magaro, Gianny Taufer, Pilou Asbæk, and Bokeem Woodbine were cast in supporting roles.
Principal photography began in September 2017 and wrapped in January 2018.[12] [13] Visual effects for the film were provided by Industrial Light & Magic, Image Engine, Rodeo FX, Pixomondo, Mr X, Southbay and Nzviage. Mark Bakowski, Julian Foddy, Dan Seddon, Stefano Trivelli and Pauline Duvall served as visual effects supervisors.[14]
The official motion picture soundtrack was released on digital only on November 9, 2018 by Paramount Music Corporation. The soundtrack was composed by Australian singer-songwriter and film composer Jed Kurzel, known for his previous work on the sci-fi film . This film is Kurzel's second collaboration with director Julius Avery, having previously worked together on Son of a Gun. Playing over the film's credits is the song "Bridging the Gap" by the rapper Nas, though this does not appear on the soundtrack.
Overlord was originally scheduled to be released on October 26, 2018. However, in July 2018, it was pushed back to November 9, 2018.[15]
Footage premiered at CinemaCon in April 2018, and the first trailer was released on July 18, 2018.[16] The film premiered at Fantastic Fest 2018 on September 22.[17]
The film was released on DVD and Blu-ray on February 19, 2019 and was available on Digital HD from Amazon Video and iTunes on February 18, 2019.[18]
Overlord grossed $21.7 million in the United States and Canada, and $20 million in other territories, for a total worldwide gross of $41.7 million, against a production budget of $38 million.[2]
In the United States and Canada, Overlord was released alongside The Girl in the Spider's Web and The Grinch, and was projected to gross $8–13 million from 2,859 theaters in its opening weekend.[19] It made $3 million on its first day, including $900,000 from Thursday night previews. It went on to debut to $10.1 million, finishing third at the box office.[20] The film fell 62% in its second weekend to $3.9 million, finishing eighth.[21]
On review aggregator Rotten Tomatoes, the film holds an approval rating of 82% based on 228 reviews and an average rating of 6.71/10. The website's critical consensus reads, "Part revisionist war drama, part zombie thriller, and part all-out genre gorefest, Overlord offers A-level fun for B-movie fans of multiple persuasions."[22] On Metacritic, the film has a weighted average score of 60 out of 100 based on 28 critics, indicating "mixed or average reviews".[23] Audiences polled by CinemaScore gave the film an average grade of "B" on an A+ to F scale, while PostTrak reported film-goers gave it three out of five stars.
Amy Nicholson of Variety wrote "Even at its most suspenseful, when Jed Kurzel's cello score stabs at the eardrums, Overlord feels familiar, a collage of cinematic nightmares checking off its influences: a woman wielding a flamethrower like Ripley in Aliens, a cruel SS officer (the terrifically hissable Pilou Asbæk) who grins like a Batman villain, and enough of a Castle Wolfenstein video-game vibe that its fans may find themselves reaching for the controls out of habit."[24] John DeFoe of The Hollywood Reporter gave the film a positive review, writing: "As the team moves in on the laboratory and the radio tower above it, Avery balances the truly disgusting with more comic-book-like action...Still, the movie's tone holds together, with the lurid colors of opening scenes (the cinematic equivalent of a gory, pre-code war comic book) setting the stage for heightened action to come."[25]
While most reviews were positive, Michael Ordoña of the San Francisco Chronicle gave a rather scathing review, writing that the "enjoyment" one expects from GIs fighting zombies is "stunted by the film's lack of energy and imagination," and goes on to explain, "Director Julius Avery goes to the startle-scare early and often. Every turn, every beat feels too familiar. The writers didn't bother researching period lingo. Characters do idiotic things to enable plot devices. The screaming and gunfire seem excessive for a stealth mission. And the whole undead thing simply doesn't pay off." Although he does admit, "At least the makeup effects are quite good."[26]
Corey Plante of Inverse addressed the films reluctance to “lean into stereotypes or depict racism for the sake of historical accuracy” with an interview with star Jovan Adepo. “We’re not trying to make a historical movie,” Adepo said, “casting was less about race and more about who has those characteristics that help put together the strongest cast possible.” [27]
| Category | Recipient(s) | Result | |
|---|---|---|---|
| Academy of Science Fiction, Fantasy & Horror Films, USA | Best Horror Film | Overlord | |
| Best Make-Up | Tristan Versluis, Naomi Donne, Duncan Jarman | ||
| Fangoria Chainsaw Awards | Best Wide-Release Film | Julius Avery | |
| Hawaii Film Critics Society | Best Makeup | Tristan Versluis, Naomi Donne, Duncan Jarman | |
| Best Sci-Fi/Horror Film | Overlord | ||
| Toronto After Dark Film Festival | Best Cinematography | Laurie RoseFabian Wagner | |
| Best Sound Design | Robert Stambler |
David Brin's science fiction short story, "Thor Meets Captain America", contains a similar premise, though it in addition features deities of the Norse pantheon, which are not present in this film's story.