Our English Coasts Explained

Our English Coasts, 1852 ('Strayed Sheep')
Medium:Oil on canvas
Artist:William Holman Hunt
Height Metric:76
Width Metric:122
City:London
Museum:Tate Britain

Our English Coasts, also known as Strayed Sheep, is an oil-on-canvas painting by William Holman Hunt, completed in 1852. It has been held by the Tate Gallery since 1946, acquired through The Art Fund.

Painter

William Holman Hunt[1] was a British painter, who co-founded the Pre-Raphaelite Brotherhood (1848), along with Dante Gabriel Rossetti and John Everett Millais. The Pre-Raphaelite Brotherhood advocated a return to spirituality and sincerity of the arts, despising academic painting, which they considered a mere repetition of clichés.[2] [3] Despite these beliefs, the group created a number of works for institutes of higher learning in England. Under the Victorian era (1837–1901) the conservative academic aspect was represented by the Royal Academy. Among the more radical options was the movement Arts and Crafts, led by William Morris. William Holman Hunt was somewhere in the middle. Although he studied at the Royal Academy of Arts, he rejected the style imposed by its founder Sir Joshua Reynolds.[4] [5]

Painting

After Holman Hunt's painting The Hireling Shepherd was acquired by William Broderip, this work was commissioned by Broderip's cousin, Charles Theobald Maud, as a reproduction of the sheep in the background. Maud was persuaded to accept a more adventurous composition. He worked en plein air at the location depicted between August and December 1852, despite cold and rainy weather. The painting combines features from different vantage points, with butterflies added in the studio modelled from life.[6]

The painting depicts a flock of sheep lining the picturesque coast of Sussex. The scenic location painted rests on the cliffs at Fairlight Glen, beside Covehust Bay near Hastings, called the Lovers' Seat.[7]

The painting is painted in many layers, with brilliant colours, as many of Hunt's paintings are painted.[8]

It was exhibited at the Royal Academy summer exhibition in 1853 under the title Our English Coasts, but the frame bore the inscription "The Lost Sheep", and it was renamed Strayed Sheep when it was exhibited at the Exposition Universelle in Paris in 1855. It was acquired by the Tate Gallery in 1946, through The Art Fund.

On 30 July 2019, after the British Prime Minister, Boris Johnson visited Wales, cartoonist Steve Bell parodied the painting in The Guardian newspaper.[9]

External links

Notes and References

  1. Web site: william-holman-hunt. /www.preraphaelites.org. Birmingham Museums and Art Gallery. 30 July 2019. 7 October 2010. https://web.archive.org/web/20101007115114/http://www.preraphaelites.org/the-collection/artist-biography/william-holman-hunt/. dead.
  2. Web site: Pre-Raphaelitism and the Pre-Raphaelite Brotherhood. WorldCat. 30 July 2014.
  3. Web site: The Pre-Raphaelites. 19 May 2019. The Victorian Web. 30 July 2019.
  4. Web site: Pre-raphaelites Victorian avant-garde. Tate Britain. www.tate.org.uk. 30 July 2019.
  5. Web site: Preraphaelites. www.artlex.com.
  6. http://www.tate.org.uk/art/artworks/hunt-our-english-coasts-1852-strayed-sheep-n05665/text-summary Our English Coasts, 1852 (‘Strayed Sheep’)
  7. Web site: our-english-coasts-1852-strayed-sheep. 30 July 2014.
  8. Historical Painting Techniques, Materials, and Studio Practice. Academia. January 1995. The J Paul Getty Trust. 30 July 2019. Katz. Melissa R..
  9. News: Steve Bell on Boris Johnson's visit to Wales – cartoon. Bell. Steve. 30 July 2019. The Guardian. 30 July 2019. en-GB. 0261-3077.