| Ouida Bergère | |
| Birth Name: | Eunie Branch |
| Birth Date: | December 14, 1886 |
| Death Place: | New York City, New York, U.S. |
| Spouse: |
|
| Children: | Cynthia Rathbone |
| Occupation: | Actress, screenwriter |
Ouida Bergère (born Eunie Branch; December 14, 1886 – November 29, 1974) was an American screenwriter and actress.
Eunie Branch was born in Madrid, Spain, the daughter of Stephen W. and Ida Branch, both natives of Tennessee. Her early years were spent in Madrid, Paris and England. She came to the U.S. at eight years of age. Her father was a merchant who later worked as a railroad timekeeper. By the time of the taking of the 1900 Federal Census she was living with her brother's family in Searcy, Arkansas as Eunie Branch.[1]
A decade later she is listed in the census with her parents in Little Rock, Arkansas as Eula Burgess. Her marital status then was recorded as divorced and occupation, actress.[2] [3] [4] In January of that year she appeared as Ouida Bergère playing the stenographer in the play Via Wireless and was one of few cast members to receive positive reviews in the production.[5]
Bergère began her career as an actress. Playwright Winchell Smith gave her her first role, but she eventually abandoned her stage career and turned her attention to writing. She wrote for the New York Herald and for various magazines, and wrote the stories for silent film productions.[6]
She wrote most of the stories for the films of Elsie Ferguson, and many for Mae Murray, including On With the Dance. She also wrote for Pola Negri, Corinne Griffith, Bert Lytell, and Betty Compson, many of which were directed by her second husband George Fitzmaurice. In 1920, she wrote the screen version of Peter Ibbetson, starring Elsie Ferguson and Wallace Reid. During this time, she met Basil Rathbone, who was playing the lead role in the stage production of the play, and they eventually married in 1926.[7]
As well as the United States, Bergère worked on films in England, France and Italy. While in Rome, she wrote a screenplay titled The Eternal City (1923), based on the Hall Caine novel, directed by her husband George Fitzmaurice, and released by the Samuel Goldwyn Company. The film enlisted the assistance of the Fascists, and of Mussolini, with the help of the American ambassador in Rome. The film included a scene in which Mussolini appeared writing a letter and summoning a man to post it. 10,000 Blackshirts appeared in the Coliseum scenes for the film.[8] [9]
After her marriage to actor Basil Rathbone on April 18, 1926,[10] Bergère gave up her film work to assist him in his work and in the management of his business affairs. Their first child died in infancy in 1928. They adopted a daughter named Cynthia Rathbone (1939–1969), and raised Ouida's niece, Ouida Branch, who married David Bruce Huxley, brother of Julian Huxley, Aldous Huxley, and Andrew Huxley.[11]
Bergere died about two weeks shy of her 88th birthday at Roosevelt Hospital in New York from complications after falling and breaking her hip. She was survived by her younger brother Bernice C. Branch.[12] She is buried next to Rathbone at Ferncliff Cemetery in New York.
| Year | Films | Credit | Notes |
|---|---|---|---|
| 1915 | The Esterbrook Case | Short Lost film | |
| 1915 | Saints and Sinners | Short | |
| 1915 | At Bay | Scenario | Lost film |
| 1915 | Via Wireless | Scenario | |
| 1915 | Wasted Lives | Short | |
| 1916 | New York | Scenario | Lost film |
| 1916 | Virtue Triumphant | Lost film | |
| 1916 | Big Jim Garrity | Scenario | |
| 1916 | Arms and the Woman | Scenario | Lost film |
| 1916 | The Romantic Journey | Scenario | Lost film |
| 1917 | Kick In | Scenario | |
| 1917 | The Iron Heart | Story | Lost film |
| 1917 | The On-the-Square Girl | Scenario | |
| 1918 | The Hillcrest Mystery | Scenario | Lost film |
| 1918 | Innocent | Scenario | Lost film |
| 1918 | More Trouble | Scenario | Lost film |
| 1918 | A Japanese Nightingale | Scenario | |
| 1918 | The Narrow Path | Scenario | Lost film |
| 1919 | Common Clay | Scenario | Lost film |
| 1919 | The Cry of the Weak | Story | Lost film |
| 1919 | The Profiteers | Scenario | Lost film |
| 1919 | The Avalanche | Scenario | Lost film |
| 1919 | Our Better Selves | Scenario | Lost film |
| 1919 | A Society Exile | Scenario | Lost film |
| 1919 | The Witness for the Defense | Scenario | |
| 1919 | Counterfeit | Scenario | Lost film |
| 1919 | The Broken Melody | Story | Lost film |
| 1920 | On With the Dance | Scenario | Lost film |
| 1920 | The Right to Love | Scenario | |
| 1920 | Idols of Clay | Story | |
| 1921 | Paying the Piper | Scenario | Lost film |
| 1921 | Peter Ibbetson | Scenario | Lost film |
| 1922 | Peacock Alley | Story | Lost film |
| 1922 | To Have and to Hold | Scenario | Lost film |
| 1922 | Three Live Ghosts | Scenario | |
| 1922 | The Man from Home | Scenario | |
| 1923 | Kick In | Adaptation | |
| 1923 | Bella Donna | Scenario | |
| 1923 | The Rustle of Silk | Scenario | Lost film |
| 1923 | The Cheat | Adaptation | Lost film |
| 1923 | Six Days | Adaptation | |
| 1923 | The Eternal City | Scenario | Lost film |