| Oswald Morris | |
| Birth Name: | Oswald Norman Morris |
| Birth Date: | 22 November 1915 |
| Birth Place: | Ruislip, Middlesex, England |
| Death Place: | Fontmell Magna, Dorset, England |
| Nationality: | British |
| Occupation: | Cinematographer |
| Years Active: | 1932–1982 |
Oswald Norman Morris, (22 November 1915 – 17 March 2014) was a British cinematographer. Known to his colleagues by the nicknames "Os" or "Ossie",[1] Morris's career in cinematography spanned six decades.
Morris was raised in Middlesex (now the London borough of Hillingdon) and attended the Bishopshalt School. His interest in film began at an early age; during summer vacations, he would work as a projectionist at the local cinema. After leaving school in 1932, he began working in the film industry at Wembley Studios as an unpaid gofer for Michael Powell, among others, eventually graduating to the positions of clapper boy and camera assistant on quota quickies. By his 20s, Morris was a camera operator, first at Wembley, and later at Elstree Studios.[2]
His career was interrupted by World War II, during which he served as a radio operator and navigator before becoming a bomber pilot with the Royal Air Force,[3] [4] [5] flying Lancaster bomber raids over Italy, France and Germany. He completed 30 operational tours before being transferred to Transport Command for the duration of the war. Prior to his discharge and the resumption of his career, Morris participated in the Berlin Airlift.[2] He achieved the rank of flight lieutenant and winning both the Distinguished Flying Cross and the Air Force Cross.[2] [6] [7]
After his war service, Morris worked at Pinewood Studios as an assistant to such people as Ronald Neame and David Lean at their company, Cineguild. He was the camera operator for Lean's Oliver Twist (1948). He first acted as director of photography on Golden Salamander (1950). Neame called Morris "probably the greatest cameraman in the world."[1]
Morris collaborated with director John Huston on eight films, beginning with Moulin Rouge (1952) and also including Moby Dick (1956). Although his previous experience with Technicolor had been limited, Morris devised many stylish effects for Moulin Rouge by employing diffused and filtered light, fog and bold color choices, and his innovations drew critical praise. For Moby Dick, Morris developed what David Peloquin has called a "retro-silvered pictorial" that "was designed to capture the look of nineteenth-century whaling prints with their muted colors and silver sheen."[8] Morris wrote in his autobiography that he and Huston wanted a "soft wash" effect "in which we would etch in the characters." To achieve this, in prints for the original release, colour was effectively printed over a black-and-white image using two negatives.[9] As cinematographer for John Osborne's The Entertainer (1960), his name was incorporated into the story in a scene in which a radio transmission mentions the fictional Sergeant Ossie Morris.
Morris received three nominations for the Academy Award for Best Cinematography for his work on the musicals Oliver! (1968), Fiddler on the Roof (1971) and The Wiz (1978), winning for Fiddler on the Roof. Morris' brother Reginald H. Morris was also a cinematographer based in Canada.[10]
Morris was a fellow of the Royal Photographic Society and was named an officer of the Order of the British Empire in 1998. He published his memoirs, Huston, We Have a Problem: A Kaleidoscope of Filmmaking Memories, in 2006. In his later years, Morris participated in a film course at Bournemouth University.[2]
Morris was married twice. His first marriage to the former Connie Sharp produced three children, Gillian, Christine and Roger. The marriage lasted from 1939 until she died in 1963.[11] In 1966, Morris married Lee Turner, a member of the continuity production staff on the Franco Zeffirelli film of The Taming of the Shrew (1967). This marriage lasted until she died in 2003.
Morris was among the interviewees in the book Conversations with Cinematographers by David A. Ellis.
Morris died on March 17, 2014, at the age of 98 at his home in Fontmell Magna, Dorset, England.[12] His survivors included his three children, 10 grandchildren, and 18 great-grandchildren.[2]
In June 2009, the recently completed central building of the National Film and Television School was officially named the Oswald Morris Building in his honour.