| Orange Blossoms | |
| Music: | Victor Herbert |
| Lyrics: | Buddy DeSylva |
| Basis: | The Marriage of Kitty by Fred de Gresac |
| Premiere Date: | September 19, 1922 |
| Premiere Location: | Fulton Theatre, Broadway |
| Setting: | Contemporary Paris and Cannes |
Orange Blossoms is a 1922 musical comedy with music by Victor Herbert, lyrics by Buddy DeSylva, and a book by Fred de Gresac, based on her own 1902 French play La Passerelle which had also been translated and staged on Broadway in 1903 as The Marriage of Kitty.[1] [2]
It ran for 95 performances at the Fulton Theatre on Broadway between September 19 and December 9, 1922. Produced and directed by Edward Royce, the cast included Alta King, Pat Somerset, Queenie Smith, Edith Day, Hal Skelly, Nancy Welford, and Jack Whiting. The setting is contemporary France with the action taking place in Paris and Cannes.
Setting: Lawyer's Office, Paris and Kitty's Villa at Cannes.
Baron Roger Belmont's aunt has recently died, leaving him her inheritance if he marries within a year of her death.[3] He is in love with Helene de Vasquez, but is unable to marry her as his aunt's will specifies he cannot marry a divorcee. His lawyer, Tillie Jones, suggests Belmont enter into a marriage of convenience with her niece Kitty, allowing him to receive his full inheritance before divorcing Kitty and marrying Helene. However, Belmont and Kitty do end up falling in love.
Although the Broadway production closed after three months, unable to recoup its investment, the show went on to tour, first stopping for two weeks at the Colonial Theatre in Boston.
In 2014 the Light Opera of New York put on a revival of the show,[4] with revised lyrics by Michael Phillips and Cynthia Edwards, and orchestra reconstructions by Brian Kerns and Christian Smythe, conducted by Evans Haille at the piano. The revised production had only two acts, instead of the original three.
The Victor Herbert Renaissance Project (VHRP) put on a production of the show in 2018, directed by Alyce Mott, with musical direction by Michael Thomas, William Hicks on piano, and choreography by Emily Cornelius.[5]
| Lawyer Brassac | Pat Somerset | David Kelleher-Flight | David Seatter | |
| Tillie Jones | Queenie Smith | Lisa Flanagan | Alexa Devlin | |
| Octave | Maurice Darcy | |||
| Roger Belmont | Robert Michaelis | Glenn Seven Allen | Bray Wilkins | |
| Kitty Savary | Edith Day | Natalie Ballenger | Joanie Brittingham | |
| Jimmy "J.J." Flynn | Hal Skelly | Ben Liebert | Drew Bolander | |
| Helene de Vasquez | Phyllis Le Grand | Sarah Callinan | Sarah Caldwell Smith | |
| Auguste | Robert Fischer | Jonathan Fox Powers | ||
| Ninetta | Nancy Welford | Sarah Best | Joanna Geffert | |
| Bressac's clients |
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| Gentlemen in the case |
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The original Broadway production was generally well-received, with positive reviews from the Brooklyn Daily Eagle, Brooklyn Life, the Los Angeles Times, the New York Evening World, the New York Herald, the New York Journal, the New York Telegraph, and the New York Times.