| Opéra Sauvage | |
| Type: | soundtrack |
| Artist: | Vangelis |
| Cover: | Opera Sauvage.jpg |
| Released: | 1979 |
| Recorded: | 1978–79 |
| Studio: | Nemo Studios, London[1] |
| Genre: | Electronic |
| Length: | 43:06 |
| Label: | Polydor |
| Producer: | Vangelis |
| Prev Title: | Odes |
| Prev Year: | 1979 |
| Next Title: | See You Later |
| Next Year: | 1980 |
Opéra Sauvage is a soundtrack album by the Greek electronic composer Vangelis, released in 1979. It is the score for the nature documentary of the same title by French filmmaker Frédéric Rossif. It is considered one of Vangelis' best albums and is his second most successful album in the USA, reaching #42 in the album charts.[1]
Vangelis produced this album during his electro-acoustic period, which was one of the most productive in his musical career. Opéra Sauvage is more akin to his classic sound than his earlier nature scores for the same director, Frédéric Rossif, such as L'Apocalypse des animaux and La Fête sauvage. A later collaboration with Rossif in the style of Opéra sauvage was Sauvage et Beau.
"Hymne" was re-recorded in choral version for the 1991 Eureka concert by Vangelis in Rotterdam.
The album reached #42 in the Billboard 200, and stayed in the charts for 39 weeks.[2]
Vangelis plays several synthesizers, piano, Fender Rhodes electric piano (featured extensively on "Rêve"), drums, percussion, xylophone, as well as acoustic and bass guitar ("Chromatique"). Jon Anderson is credited with playing harp on "Flamants Roses".[1]
The album is full of classical-based and warm melodies, orchestrated with Yamaha CS-80 sounds.[3] "Hymne", "L'Enfant", "Mouettes" and "Irlande" build on fairly simple themes that are developed instrumentally. "Rêve" is, indeed, as the title suggests, a dreamy calm piece with the hint of jazz in the climax. "Chromatique" has a chromatic instrumental line with chords on an acoustic guitar. "Flamants Roses", finally, consists of several parts, from slow to upbeat, and finishing off with a bluesy finale; Jon Anderson features prominently on harp.[1]
In the Allmusic review it is described as "rich, electronic orchestrations range from grandly symphonic to simple and serene" and as an "excellent introduction to his music".