| Only God Forgives | |
| Director: | Nicolas Winding Refn |
| Music: | Cliff Martinez |
| Cinematography: | Larry Smith |
| Editing: | Matthew Newman |
| Distributor: | Scanbox Entertainment (Scandinavia) Wild Side Films (France)[1] |
| Runtime: | 90 minutes[2] |
| Language: | English Thai |
| Budget: | $4.8 million[3] [4] |
| Gross: | $10.6 million[5] |
Only God Forgives is a 2013 action film[6] [7] written and directed by Nicolas Winding Refn and stars Ryan Gosling, Kristin Scott Thomas and Vithaya Pansringarm.[6] [7] [8] It was shot on location in Bangkok, Thailand, and as with the director's earlier film Drive it was also dedicated to Chilean director Alejandro Jodorowsky. The film competed for the Palme d'Or at the 2013 Cannes Film Festival.[9] [10] [11] [12]
Only God Forgives was released at the 2013 Cannes Film Festival to polarized reviews from critics who praised its soundtrack, action sequences and Winding Refn's traditional style, but was heavily criticised for its screenwriting and characterization.
Julian and Billy are brothers and American expatriates, who run a Muay Thai boxing club in Bangkok as a front for drug dealing. One night, Billy goes looking for sex and visits a brothel, saying he wants a 14-year-old girl, but the brothel-keeper refuses. Enraged, Billy attacks him with a wine bottle and breaks into the room where the prostitutes are on display and attacks one of them. At another location, Billy later assaults and kills an underage prostitute where he is cornered by Thai police. Chang, who is a vigilante-type police lieutenant, brings the girl's father Choi to identify his daughter's body and allows Choi to beat Billy to death. Chang later severs Choi's right forearm with his sword for allowing his daughter to be a prostitute.
Upon discovering Billy's death, Julian and his crew confront Choi, but Julian spares his life. However, Julian and Billy's mother Crystal arrives in Bangkok and demands that he kill the man responsible for Billy's death. Julian refuses, believing Choi's revenge was justified. After having Choi killed, Crystal learns of Chang's involvement, where she meets with a rival drug dealer named Byron and offers to cut him into her drug operation in exchange for a hit on Chang. Chang investigates Choi's murder and concludes Julian is not the killer. That evening, Julian brings Mai as his girlfriend to meet Crystal at a restaurant. However, Crystal discovers the ruse, where she insults Mai and demeans Julian.
Two hitmen hired by Byron attempt to kill Chang with machine guns at a restaurant, causing the deaths of numerous customers and two of Chang's men. Chang kills one and also brutally tortures the other one. The hitman leads Chang to Li Po, who has resorted to arranging hits to pay for his disabled son. Chang kills the hitman with his sword but spares Li Po. Chang finds Byron in a club and tortures him to death but cannot find the person who ordered the hit. After recognizing Chang as the man from his visions and failing to follow him, Julian eventually finds Chang and challenges him to a fight at his boxing club. Chang quickly defeats Julian, who cannot land a single blow. Afterwards, Crystal tells Julian that Chang has figured out that she ordered the hit, where she pleads with Julian to kill Chang.
Crystal promises that after Julian eliminates Chang, they can go back home and she will be a true mother to him. Julian and his associate Charlie infiltrate Chang's home and plan to ambush him. After learning that Charlie was instructed to execute the entire family, Julian kills Charlie before he can kill Chang's daughter. Chang confronts Crystal in her hotel room, where she tells him about Julian's violent behaviour. Chang stabs Crystal in the throat. Later, Julian returns to the hotel and finds his mother's corpse, where he cuts open her abdomen and shoves his hand inside it. Julian later stands in a field with Chang, offering him his hands voluntarily so he can cut them off with the same weapon with which he killed Crystal. Later, Chang performs a song in a karaoke club filled with fellow police officers.
Refn has said that "[f]rom the beginning, [he] had the idea of a thriller produced as a western, all in the Far East, and with a modern cowboy hero."[3] He originally planned to direct Only God Forgives directly after Valhalla Rising (2009), but he accepted Gosling's request to direct Drive instead.[24] Gosling has described the script of Only God Forgives as "the strangest thing I've ever read and it's only going to get stranger." Like Drive, the film was largely shot chronologically and scenes were often edited the day they were shot.
Footage was screened at the 2012 Cannes Film Festival.[25] Refn drew a connection between Only God Forgives and Drive, saying that "[''Only God Forgives''] is very much a continuation of that language"—"[i]t's based on real emotions, but set in a heightened reality. It's a fairy tale."[24]
The film received a very divided response at its Cannes press screening; it was booed by many of the audience of journalists and critics while also receiving a standing ovation.[26] [27] It received a polarized response from mainstream critics: review aggregator Rotten Tomatoes gives the film a score of 41% based on reviews from 163 critics, with a weighted average of 5.30/10. The site's consensus states: "Director Refn remains as visually stylish as ever, but Only God Forgives fails to add enough narrative smarts or relatable characters to ground its beautifully filmed depravity."[28] Metacritic assigns the film a weighted average rating of 37 out of 100 based on the reviews of 39 professional critics, indicating "generally unfavorable reviews".[29]
Robbie Collin of The Daily Telegraph reflected concerns over the film in a three out of five star review. "The film's characters are non-people; the things they say to each other are non-conversations, the events they enact are non-drama," he wrote. But he praised Refn for following up his commercially successful film Drive with "...this abstruse, neon-dunked nightmare that spits in the face of coherence and flicks at the earlobes of good taste".[30]
Peter Bradshaw of The Guardian gave it five out of five stars, calling it gripping and praising the "pure formal brilliance" of every scene and frame, though he notes that it will "have people running for the exits, and running for the hills" with its extreme violence.[31] In an alternative review published in The Guardian, John Patterson was highly critical of the film, citing its lack of originality and the low degree of focus on plot: "Somewhere in here is a story that Refn can hardly be bothered to tell... I feel the ghosts of other movies—his influences, his inspirations—crowding in on his own work, suffocating him, and somehow leaving less of him on screen."
Bill Gibron of PopMatters wrote "David Lynch must be laughing. If he had created something like Only God Forgives, substituting his own quirky casting for the rather staid choices made by actual director Nicolas Winding Refn, he would have walked away from Cannes 2013 with yet another Palme d'Or, another notch in his already sizeable artistic belt, and the kind of critical appreciation that only comes when a proven auteur once again establishes his creative credentials."[32]
Richard Roeper of the Chicago Sun-Times gave this film a positive review, giving it three and a half stars saying: "Refn's follow-up effort to the similarly polarizing Drive (which I thought was flat-out great) is even more stylized and daring. Drive star Ryan Gosling (who is clearly interested in carving out a career with at least as many bold, indie-type roles as commercial, leading-man fare) strikes a Brando pose playing Julian, a smoldering, seemingly lethal American who navigates the seediest sides of Bangkok."[33]
In 2015, the film was included in The Guardians top 50 films of the decade so far.[34]
The film won the Grand Prize at the Sydney Film Festival.[35]