Olive Lewin OD OM (28 September 1927 – 10 April 2013) was a Jamaican author, social anthropologist, musicologist, and teacher. She is best known for her recorded anthologies of old Jamaica folk songs, researched and collected over her lifetime.
Olive Lewin was born in Vere, in Clarendon, Jamaica, to teachers.[1] She studied music and ethnomusicology in the United Kingdom. She is a Fellow of Trinity College, London, and an Associate of the Royal Academy of Music and the Royal School of Music. She also held the position of Director of Arts and Culture at the office of the Prime Minister of Jamaica as well as that of Director of the Jamaica Institute of Folk Culture. From 1983 she directed the Jamaica Orchestra for Youth. http://portal.unesco.org/culture/en/ev.php-URL_ID=3565&URL_DO=DO_PRINTPAGE&URL_SECTION=201.html
Lewin was the author of several books and has made numerous recordings of folk music, performed by the Jamaican Folk Singers, which she founded.[2] She was honoured by the Government of Jamaica, the United Nations, the Organization of American States, the Government of France and by academia for her outstanding lifelong contribution to the arts. In 2001 she was awarded the Jamaican Order of Distinction.[3]
She preferred to present her collections of old Jamaican folk songs through concerts, and useful recordings are difficult to find. Some of her collected folk songs can be found on the internet[4] but most of the few original recordings are very difficult to find since the original reel-to-reel tapes have deteriorated and the 33rpm records are now scarce. In 1987 she was awarded the Musgrave Gold Medal by the Institute of Jamaica.[5]
Lewin died in a Kingston hospital on 10 April 2013. She was 85.[6] She was given a State funeral at the University Chapel in St Andrew on Saturday, 27 August 2013. Her body was interred in the churchyard of the St James Anglican Church in Hayes, Clarendon. Edward Seaga tribute to her was as follows-
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"I asked her to take up the assignment of collecting the folk music that was not yet recorded so as to complete the inventory of our musical soul," said Seaga. "She set about the task with a fervent mission. Every parish was her stomping ground. After several years of compiling a rich collection, she completed that phase of her mission. The next phase was the performance of the music, to open the door wider to this cultural wonderland."
"I wish, [and] I could feel it in my heart, that she was fully recognized in her own life," said Seaga, breaking into tears as his wife Carla moved to comfort him at the podium."She goes to her grave only partly covered in the glory she deserves.
"But God knows this woman of grace, this missionary of our music, this cultural ambassador was a heavenly icon, and he will do the rest to grace her soul as she deserves," Seaga continued, bidding condolence to Lewin's family.[7]
In October 2013 Lewin was posthumously awarded the Order of Merit by the Jamaican government.
Olive Lewin Heritage Foundation was dedicated to Dr. Olive Lewin on Saturday, 31 May 2014, starting at 4:30 p.m., at The Steele Auditorium, Nova Southeastern University, Law Center, located at 3200 South University Drive in Davie, Florida. It was launched by Edward Seaga, former Prime Minister, who had worked extensively in the preservation of Jamaican folk culture, with Olive Lewin.[8]
I. Introduction
1. The Making of a Musician
2. Slavery:
3. Conflicting Concepts of Wealth
II. Non-Cult Traditional Jamaican Music
4. Music for Work, Play and the Spirit
5. Mento and Other Styles for Dance, Entertainment and Ceremony
III. Cults and Cult Music in Jamaica
6. Maroon, Tambo, Goombeh, Ettu, Nago
7. Revivalism and Rastafarianism
IV. Kumina and Queenie Kennedy
8. The Kumina Cult
9. Queenie Kennedy: Her Life
10. Queenie Kennedy: Her Teachings and Her Work
11. Conclusion