| Off White | |
| Type: | studio |
| Artist: | James White and the Blacks |
| Border: | yes |
| Released: | 1979 |
| Recorded: | September–December 1978 |
| Genre: | No wave, art punk, punk jazz, post-disco |
| Length: | 42:06 |
| Label: | ZE |
| Producer: | James Chance |
| Next Title: | Sax Maniac |
| Next Year: | 1982 |
Off White is a 1979 album by American no wave band James White and the Blacks.
In late 1978, ZE Records co-founder Michael Zilkha approached James Chance and offered Chance $10,000 to record a disco album.[1] Zilkha gave little direction and asked the band for its own take on the genre.[2] Anya Phillips, Chance's manager and girlfriend, came up with the idea to rename James Chance and the Contortions to James White and the Blacks for the album.[1] An alternate name, James White and His Blacks, was rejected by Zilkha. Phillips and the band put together outfits resembling 1960s soul singers.[3]
Chance said that he was interested in the monotonous sound of disco music because it "doesn't have beginnings and ends".[4] His persona is an homage to soul and funk musician James Brown.[5] Chance was also intrigued by the shock value of a punk group embracing disco.[6] He received disco records for free and passed time listening to a record for several seconds before throwing it out a window.[7] Chance wrote a piece for the first issue of East Village Eye, praising disco and denouncing "outdated, cornball 'new/no wave' drivel".[6] [8]
Off White includes contributions from Lydia Lunch, Robert Quine, and Vivienne Dick.[9] The band spent most of their budget recording the album's first side and used instrumentals for the second side.[10] The album often discusses racial issues, and most of its titles are references to race.[11] Some responded to the Off White with accusations of racism.[12] Chance later responded, "I was the one that brought black music onto the whole punk scene, and I took a lot of shit for it…I was just playing with my whole image of a white person doing black music."[13]
James White and the Blacks promoted the album with a February 1979 performance at Club 57 in the East Village, Manhattan.[12] ZE rented Irving Plaza for the album's launch party, where the band lip synced its songs. The band's live performances included two teenage dancers called the Disco Lolitas.[3]
The band released "Contort Yourself" as a 12" vinyl single.[9] The song originally appeared on Buy, and the group re-recorded it with a disco beat. Chance observed that the tempo was too fast to be played in discos, so ZE labelmate August Darnell created a remix of it. Darnell used a slower tempo and wrote a new guitar part.[14] James White and the Blacks' version of "Contort Yourself" was later included in ZE's 1981 Mutant Disco compilation,[15] its 2003 NY No Wave compilation,[16] Strut Records' 2008 Disco Not Disco 3,[17] and ZE's 2009 compilation for its 30th anniversary.[18]
Upon the album's release, Billboard magazine said that it "commands attention" and described the music as "savage, uncompromising, sometimes dissonant, but always interesting".[5] Village Voice critic Robert Christgau described it as "pretty good to dance to" but added that "like so much disco music it gets tedious over a whole side." AllMusic characterized Off White as "an acquired taste" containing "some of the most challenging, intriguing music to emerge from the post-punk era." The Guardian included Off White in its list of "1000 albums to hear before you die".[19]