| Octet | |
| Music: | Dave Malloy |
| Lyrics: | Dave Malloy |
| Productions: | 2019 Signature Theatre Company 2022 Berkeley Repertory Theatre |
| Awards: | Drama Desk Award for Outstanding Music Lucille Lortel Award for Outstanding Musical Obie Award for Collaboration on Music & Sound |
Octet is a chamber choir musical written and composed by Dave Malloy and directed by Annie Tippe. The show "explores addiction and nihilism within the messy context of 21st century technology."[1]
Eight Internet addicts gather in a support group called "Friends of Saul" in a church basement and share their stories, in a score for an a cappella chamber choir and an original libretto inspired by internet comment boards, scientific debates, religious texts, and Sufi poetry.[2]
The musical is structured around a series of hymns and "shares," as the group members explain their relationship to technology. Each song corresponds to one of the Major Arcana cards in a tarot deck.[3] Part 1
Part 2
The piece premiered on May 19, 2019, at Off-Broadway at the Signature Theatre in New York City. It was extended three times in June, ultimately finishing on June 30.[4]
The production was Directed and Choreographed by Annie Tippe, with Music Supervision & Music Direction by Or Matias, Scenic Design by Amy Rubin & Brittany Vasta, Costume Design by Brenda Abbandandolo, Lighting Design by Christopher Bowser, Sound Design by Hidenori Nakajo, and Production Stage Management by Jhanaë Bonnick[5]
Octet had its West Coast premiere at Berkeley Repertory Theatre on April 20, 2022, once again directed by Annie Tippe. It ran until May 29, 2022.[6]
| Character | Off-Broadway (2019) | West Coast Premiere (2022) | |
|---|---|---|---|
| Ed | Adam Bashian | ||
| Karly | Kim Blanck | ||
| Paula | Starr Busby | Isabel Santiago | |
| Henry | Alex Gibson | ||
| Toby | Justin Gregory Lopez | ||
| Marvin | J.D. Mollison | ||
| Jessica | Margo Seibert | ||
| Velma | Kuhoo Verma | ||
The program's bibliography cites several sources of inspiration, including:
Text
Douglas Adams, The Hitchhiker’s Guide to the Galaxy; Sherwood Anderson, Winesburg, Ohio; John Cage, Silence; Nicholas Carr, The Shallows; Chuang-Tzu
Theater
Caryl Churchill, Love and Information; Marvin Hamlisch, Edward Kleban, James Kirkwood Jr. & Nicholas Dante, A Chorus Line; Stephen Sondheim & George Furth, Company
Tarot
The Rider–Waite–Smith Tarot
Film
Altered States
Podcasts
Reply All
Games
Candy Crush
Music
Robert Ashley, Perfect Lives; Luciano Berio, Sinfonia; Philip Glass, Einstein on the Beach; Meredith Monk, Dolmen Music; Nico Muhly, Two Boys, Mothertongue; Sacred Harp
The piece was well received by the New York press. Ben Brantley of the New York Times calling it "a sublime chamber opera" that "promises to be the most original and topical musical of the year." He praised the performers as "uniformly excellent" and whose "layered and contrapuntal voices produce a dazzling spectrum of effects".[8] Sara Holdren of Vulture wrote that "Octet is that rare and thrilling thing: a new musical that really does feel new. Formally, it’s both unique and invigorating — and it’s rigorous and straightforward enough in its structure for its ideas to spiral into rich, dense fractals. In the face of a virtual world where “there’s no coming back / No rehabilitation / No nuance / Just noise,” it takes a bravely unequivocal yet generous stand. It sings of darkness, blindness, and fear, but it sings also of complexity, connection, redemption, and hope."[9] Adam Feldman of Time Out New York gave Octet 5 ouf of 5 stars and wrote: "Under Annie Tippe’s taut direction, all eight bits of Octet’s byte-size cast perform Malloy’s challenging compositions with exceptional skill, abetted by Or Matias’s musical direction and Hidenori Nakajo’s sound design. As Broadway shows increasingly rely on massive spectacle, Octet proves that well-polished pieces of eight are enough."[10] David Cote of Observer wrote that it was not only "one of the most thought-provoking and soul-stirring musicals I’ve seen in ages, it has an ingeniously woven, harmonically lush score that you’ll want to revisit."[11]
| Year | Award | Category | Nominee | Result |
|---|---|---|---|---|
| 2020 | Lucille Lortel Awards[12] | Outstanding Musical | ||
| Outstanding Director | Anne Tippe | |||
| Outstanding Featured Actor in a Musical | Alex Gibson | |||
| Outstanding Featured Actress in a Musical | Kuhoo Verma | |||
| Outstanding Sound Design | Hidenori Nakajo | |||
| Drama Desk Awards[13] | Outstanding Musical | |||
| Outstanding Director of a Musical | Anne Tippe | |||
| Outstanding Music | Dave Malloy | |||
| Outstanding Lyrics | ||||
| Outstanding Book of a Musical | ||||
| Outstanding Orchestrations | Or Matias and Dave Malloy | |||
| Outstanding Scenic Design of a Musical | Amy Rubin and Brittany Vasta | |||
| Outstanding Sound Design in a Musical | Hidenori Nakajo | |||
| Outstanding Ensemble | Adam Bashian, Kim Blanck, Starr Busby, Alex Gibson, Justin Gregory Lopez, J.D. Mollison, Margo Seibert, and Kuhoo Verma | |||
| Drama League Awards[14] | Outstanding Production of a Musical | |||
| Outer Critics Circle Award | Outstanding New Off-Broadway Musical | |||
| Outstanding New Score | Dave Malloy | |||
| Obie Award[15] | Collaboration on Music & Sound | Dave Malloy, Or Matias, Hidenori Nakajo | ||
A cast recording was released on November 15, 2019[16] following a Kickstarter campaign.[17]