Octagon House (novel) explained

Octagon House is a 1937[1] serialized novel by Phoebe Atwood Taylor that was distributed by the Associated Press and appeared in multiple newspapers in the United States.[2]

Plot

Octagon House tells the story of a New England town so scandalized by the offensive mural installed in their new post office that they paint over it. The novel focuses on government incompetence in general; a large and luxurious post office is built in a Cape Cod town with only 800 year-round residents. The mural, painted on the ceiling by Jack Lorne, a local painter who had stolen the commission through cronyism, is titled The History and Customs of Cape Cod. Asey Mayo, the protagonist, is called in to solve the murder of Lorne's wife Marina. Multiple local prominent citizens are "viciously caricatured" in the painting.[3]

Reactions to the mural take center stage to the solving of the mystery, as the townspeople are aghast at what it depicts:

Eventually postal staff misplace a key to the building and the mural is painted over after hours.

Style

The novel was one of a series of Asey Mayo Mysteries set in the fictional Cape Cod town of Quanomet; Karal calls the protagonist of the series a "plain-spoken rustic" and the villains various "suave tourists" outwitted by the common-sense hero. In Octagon House, Taylor uses Asey Mayo to comment on the vagaries of government-commissioned art.

Cultural references

At the time the book was written, New Deal programs were funding murals in hundreds of post offices throughout the United States. Art historian Karal Ann Marling wrote:

In 1937, after the unveiling of Dangers of the Mail, a post office mural that attracted widespread objections, Washington's Evening Star immediately called the mural "Art at its Worst", said it had "shocked all who have seen it", accused "government doles" of "foster[ing]...radicalism in art", and accompanied its review with a recounting of the plot of Octagon House.

Popularity

The novel was serialized and distributed by the Associated Press and had, according to art historian Karal Ann Marling, "enjoyed a vast circulation".

Reception

The New York Times said "it is the author's keen sense of humor that is the main attraction".

See also

Further reading

Notes and References

  1. Web site: Taylor, Phoebe Atwood . 2022-11-13 . Encyclopedia.com.
  2. Book: Marling, Karal Ann . Wall-to-wall America : a cultural history of post-office murals in the Great Depression . 1982 . 0-8166-1116-5 . Third Printing, 1992 . Minneapolis . 257,259–63,278,280,306 . 8223038.
  3. Web site: Anderson . Isaac . 29 August 1937 . Octagon House . New York Times.