| O Superman | |
| Cover: | OSuperman.JPG |
| Alt: | O Superman (For Massenet) |
| Type: | single |
| Artist: | Laurie Anderson |
| Album: | Big Science |
| B-Side: | Walk the Dog |
| Released: | October 1981 (UK)[1] |
| Recorded: | 1981, The Lobby, New York City[2] |
| Length: | 8:21 |
| Label: | Warner Bros. |
| Producer: | Laurie Anderson |
| Next Title: | Sharkey's Day |
| Next Year: | 1984 |
"O Superman", also known as "O Superman (For Massenet)", is a 1981 song by performance artist and musician Laurie Anderson. The song became a surprise hit in the United Kingdom after it was championed by DJ John Peel, rising to number 2 on the UK Singles Charts in 1981.[3] Prior to the success of this song, Anderson was little known outside the art world. First released as a promotional single, the song also appeared on her debut album Big Science (1982)[4] and as part of her live album United States Live (1984).
In the 1981 Village Voice Pazz & Jop poll, critics voted "O Superman" the best single of the year.[5] [6]
In writing the song, Anderson drew from the aria "Ô Souverain, ô juge, ô père" ("O Sovereign, O Judge, O Father") from Jules Massenet's 1885 opera Le Cid, that she had heard in the voice of tenor Charles Holland.[7] The first lines ("O Superman / O Judge / O Mom and Dad") echo the aria.[8] Susan McClary suggests in her book Feminine Endings that "O Superman" may also have been inspired by Massenet's 1902 opera Le jongleur de Notre-Dame.
Anderson's lead vocals are overlaid on a sparse background of two alternating chords formed by the repeated spoken syllable "ha" created by looping with an Eventide Harmonizer. A Roland VP-330 vocoder was used on Anderson's voice to sound "like a Greek chorus".[9] [10] A saxophone is heard as the song fades out, and a flute line and sample of bird calls appear at various points within the track. The two chords of the song are A major and C minor, the repeating "ha" syllable acting as a harmonic drone on C.
The song's introduction consists of a repetition of the "O Superman / O Judge / O Mom and Dad" stanza. The rest of the song's lyrics are loosely structured around a phone conversation between the narrator and a mysterious voice. At first, the voice leaves a message claiming to be the narrator's mother but, upon not receiving a response, reveals itself as someone whom the narrator "doesn't know" but who "knows" the narrator. The narrator finally responds, asking "who is this really?" The voice then identifies itself as "the hand that takes" and informs the narrator that the "American planes" are coming. The song concludes with the stanza "When love is gone, there's always justice / and when justice is gone, there's always force / and when force is gone, there's always mom", with the narrator pleading to be held in her mom's long petrochemical, military, electronic arms.
As part of the larger work United States, the text addresses issues of technology and communication, quoting answering machine messages and the United States Postal Service motto "Neither snow nor rain nor gloom of night shall stay these couriers from the swift completion of their appointed rounds" (which Anderson interprets into American Sign Language in the music video). In a 2022 60 Minutes interview, Anderson summarized the song as being about how "technology cannot save you".[11]
The lines "'Cause when love is gone, there's always justice / And when justice is gone, there's always force / And when force is gone, there's always Mom" derive from the fourth sentence of Chapter 38 of the Tao Te Ching: "When Tao is lost, there is goodness. When goodness is lost, there is kindness. When kindness is lost, there is justice. When justice is lost, there is ritual. Now ritual is the husk of faith and loyalty, the beginning of confusion."
In an interview with the Australian magazine Bulletin in 2003, Anderson erroneously stated that the song was connected to the Iran–Contra affair,[12] but she had meant to refer to the earlier Iran hostage crisis and the failure of Operation Eagle Claw in 1980.[13] [14]
First released as a single by B. George's One Ten Records, the song's unexpected popularity led to Anderson signing a distribution contract with Warner Records, which would reissue the single and later release her debut album Big Science in 1982. A live version of the song also appears on Anderson's 1984 live album United States Live.[15]
With DJ John Peel frequently playing "O Superman" on BBC Radio 1, the song reached number two on the UK Singles Chart and was ranked among the top ten "Tracks of the Year" for 1981 by NME.[16] [17]
"O Superman" did not appeal to all listeners. According to the 1982 book The Rock Lists Album, compiled by John Tobler and Allan Jones, polls conducted by several unidentified British newspapers saw "O Superman" voted readers' least favourite hit single of 1981.[18]
Although Anderson had dropped the song from her performance repertoire almost two decades earlier, she revived the piece in 2001 during a concert tour that included a retrospective look at some of her older pieces, an idea conceived by her romantic partner Lou Reed. A live performance of "O Superman" was recorded in New York City shortly after the September 11 attacks, which some, including Anderson, felt gave the song's lyrics a new topical resonance.[19] This performance would appear on Anderson's 2002 album Live in New York.[20]
The B-side of the original single was a spoken word piece titled "Walk the Dog", which would also appear on United States Live. The studio version of the track was included on the Warner Bros. compilation Attack of the Killer B's (1983),[21] but was never issued on any studio album until the twenty-fifth anniversary reissue of Big Science in 2007.[22]
The 2018 interactive film includes an ending scored by "O Superman".[23]
In November 2023, an audio clip from "O Superman," centered on the lyrics "Well, you don’t know me / But I know you,” went viral as a sound on TikTok.[24]
The Italian Ministry of Health used the song in a series of public service announcements on HIV prevention from 1988 to the early 90's.[25]
Words and music written by Laurie Anderson.
| Chart (1981) | Peak position |
|---|---|
| Australia (Kent Music Report)[30] | 28 |
| South Africa (Springbok Radio)[31] | 16 |