The Nuremberg rallies (officially , meaning Reich Party Congress) were a series of celebratory events coordinated by the Nazi Party in Germany. The first Nazi Nuremberg rally took place in 1923.[1] This rally was not particularly large and did not have much impact; however, as the party grew in size, the rallies became more elaborate and featured larger crowds. They played a seminal role in Nazi propaganda events, conveying a unified and strong Germany under Nazi control. The rallies became a national event once Adolf Hitler rose to power in 1933, when they became annual occurrences. Once the Nazi dictatorship was firmly established, the party's propagandists began filming them for a national and international audience. Nazi filmmaker Leni Riefenstahl produced some of her best known work including Triumph of the Will (1934) and The Victory of Faith (1933), both filmed at the Nazi party rally grounds near Nuremberg.[2] The party's 1938 Nuremberg rally celebrated the Anschluss that occurred earlier that year. The 1939 scheduled rally was cancelled just before Germany's invasion of Poland and the Nazi regime never held another one due to the prioritization of Germany's efforts in the Second World War.
The first Nazi Party rallies took place in 1923 in Munich and in 1926 in Weimar. From 1927 on, they took place exclusively in Nuremberg. The Party selected Nuremberg for pragmatic reasons: it was in the center of the German Reich and the local Luitpoldhain (converted parkland) was well suited as a venue. In addition, the Nazis could rely on the well-organized local branch of the party in Franconia, then led by German: [[Gauleiter]]|italic=no Julius Streicher. The Nuremberg police were sympathetic to the event.
Later, the location was justified by the Nazi Party by putting it into the tradition of the Imperial Diet of the Holy Roman Empire, with the Nazi dictatorship cast as its successor. After 1933, the rallies took place near the time of the Autumn equinox, under the title of German: Reichsparteitage des deutschen Volkes (The German people's National Party days), which was intended to symbolize the solidarity between the German people and the Nazi Party. This point was further emphasized by the annual growth in the number of participants, which finally reached over half a million from all sections of the party, the army, and the state.
Each rally was given a programmatic title, which related to recent national events:
Official films for the rallies began in 1927, with the establishment of the NSDAP (Nazi Party) film office. The most famous films were made by Leni Riefenstahl for the rallies between 1933 and 1935. Relating to the theme of the rally, she called her first movie Victory of Faith (German: [[Der Sieg des Glaubens]]). This movie was taken out of circulation after the Night of the Long Knives, although a copy survived in Britain and has recently been made available on the Internet Archive for public viewing. The rally of 1934 became the setting for the award-winning Triumph of the Will (German: Triumph des Willens). Several generals in the German: [[Wehrmacht]] protested over the minimal army presence in the film: Hitler apparently proposed modifying the film to placate the generals, but Riefenstahl refused his suggestion. She did agree to return to the 1935 rally and make a film exclusively about the German: Wehrmacht|italic=no, which became German: [[Tag der Freiheit: Unsere Wehrmacht]].
The rallies for 1936 and 1937 were covered in German: [[Festliches Nürnberg]], which was shorter than the others, only 21 minutes.
There were two sets of official or semi-official books covering the rallies. The "red books" were officially published by the NSDAP and contained the proceedings of the "congress" as well as full texts of every speech given in chronological order.
The "blue books" were published initially by Julius Streicher, the German: [[Gauleiter]]|italic=no of Nuremberg, later by Hanns Kerrl, not by the party press. These were larger scale books that included the text of speeches and proceedings, as well as larger photographs.
In addition to these, collections of Heinrich Hoffman's photographs were published to commemorate each Party congress, as well as pamphlets of Hitler's speeches. Both series of books are much sought after by collectors.[7]
Hoffman created 100-image series on the 1936, 1937, and 1938 rallies in stereoscopic 3D through his Raumbild-Verlag outfit.