Northern Ballet Explained

Northern Ballet
Founders:Laverne Meyer
Founding Person Type:Patron
Founding Person Name:The Duke of Edinburgh
Website:northernballet.com
Artistic Director:Federico Bonelli
Executive Director:David Collins[1]
Orchestra:Northern Ballet Sinfonia
Associated Schools:Academy of Northern Ballet

Northern Ballet, formerly Northern Ballet Theatre, is a dance company based in Leeds, West Yorkshire, England, with a strong repertoire in theatrical dance productions where the emphasis is on story telling as well as classical ballet. The company tours widely across the United Kingdom.

History

Northern Dance Theatre, the name by which the company was originally known, was founded in 1969 by Canadian-born Laverne Meyer; a dramatic dancer whose formative years were spent with Bristol-based, Western Theatre Ballet, the first ever British dance company to be based outside London. The company's first performance was on 28 November 1969 at the University Theatre, Manchester, with the orchestra being supplied by musicians of the Royal Northern College of Music.

In the first six years, the repertory included significant revivals, Kurt Jooss's The Green Table and Andrée Howard's Death and the Maiden, alongside new works by Peter Wright, John Chesworth, Charles Czarny, and Clover Roope. The board of directors began to doubt the experimental focus Meyer had chosen and in 1975, in meeting described as "brutal", Simon Towneley, the board's chairman, invited Meyer to resign immediately.[2]

Robert de Warren

Robert de Warren was appointed artistic director in 1976. A classically-trained dancer, he had previously worked with the Royal Ballet, as well some of the larger West German ballet companies. He renamed the company Northern Ballet Theatre (NBT) and began to work on full-length classical ballets, rediscovered works and brand new dance-drama creations. During 11 years as artistic director he expanded the company to more than 30 dancers and the orchestra to 25 players under Maestro David Garforth and staged works by such diverse choreographers as August Bournonville, Michael Fokine, Walter Gore, John Cranko, Gillian Lynne and Royston Maldoom. Among other collaborators were composers Carl Davis and Joseph Horovitz and stage designers Clive Lavagna and Philip Prowse, then director of Glasgow's experimental Citizens Theatre.

De Warren's creative drive brought many artistic collaborations to the company including choreographers Andre Prokovsky and Geoffrey Cauley who was given space to experiment on such on-off, site-specific, works as "Paradise Lost" and who made what was for many years the company's signature dance-drama piece, Miss Carter wore Pink, music by Joseph Horovitz, based on the autobiographical books of Helen Bradley, with live narration by actress Patricia Phoenix and designs by Philip Prowse.

De Warren brought Dame Alicia Markova to the company as coach on productions of French: [[Les Sylphides]] and Giselle. He secured Rudolf Nureyev as artistic laureate and guest artist, and Princess Margaret as the company's Royal Patron.

The last of his collaborative works for the company was "A Simple Man", based on the life and paintings of L.S. Lowry: Choreographer Gillian Lynne, Music Carl Davis. The piece brought Northern Ballet's future Artistic Director Christopher Gable to the company to create the role of Lowry. "A Simple Man" remained in the repertoire for a decade and was seen throughout the world in repeated showings of the BBC Television filmed version. De Warren left the company in 1987 to go to the Scala, Milan.

Christopher Gable

The appointment of Christopher Gable as NBT's third artistic director in 1987 saw the company gain a reputation for imaginative new works and for impressive revivals of old classics.

His appointment owed much to chance. In 1987, for the centenary of the birth of the painter L. S. Lowry, Salford City Council commissioned Gillian Lynne to create a new ballet for the company to celebrate the life and work of the Salford-born artist. At this time the company was still under the artistic direction of Robert de Warren. The work with Lynne and Gable would be the last of his inspired artistic collaborations. Lynne was determined in her choice of dancer for the role of Lowry, enticing ex-Royal Ballet star Christopher Gable back to the dance stage for the first time in more than 20 years.

Gable's appointment as artistic director was popular with the company. He focused as much on the theatre as the ballet in the company's title. With the emphasis on classical dance drama, the success of A Simple Man was followed by full-length productions of Swan Lake, Romeo & Juliet, A Christmas Carol, the Brontes, Don Quixote, Dracula, Giselle and The Hunchback of Notre Dame.

Christopher Gable worked closely with Michael Pink who joined Northern Ballet Theatre as associate artistic director in 1993, where he remained until 1998. His choreographic work for the company included Attractions (1983), Memoire Imaginaire (1987), his first full-length work The Amazing Adventures of Don Quixote (1988), as well as acclaimed ballets such as The Hunchback of Notre Dame, Swan Lake, Giselle, and Dracula.

Throughout his 11 years with NBT, Gable remained artistic director of the Central School of Ballet, which he co-founded with Ann Stannard in London in 1982. The company was located at Spring Hall, Halifax briefly, in 1990.[3] Gable's death in 1998, from cancer at only 58, left the company with a reputation that was gaining steadily on the worldwide dance stage. Northern Ballet Theatre productions had been requested and performed by other companies including Norwegian National Ballet, Atlanta Ballet and the Royal New Zealand Ballet.

Stefano Giannetti

Stefano Giannetti became fourth Artistic Director after a career including dancing and creating principal roles at English National Ballet and Deutsche Oper Ballet. His first work was an adaptation of Charles Dickens' Great Expectations. However, he was to leave the company after only a year.

The fifth appointment to the role of Artistic Director was given to former National Ballet of Canada principal dancer David Nixon in August 2001.

In February 2002 he presented his revised version of Madame Butterfly. That was followed by his tribute to the music of George and Ira Gershwin, I Got Rhythm. Nixon's first full-length new work for the company was Wuthering Heights, a collaboration with composer Claude-Michel Schönberg. It premiered at the Bradford Alhambra Theatre in September 2002.

The company followed this original work with a production of Birgit Scherzer's Requiem!! and Nixon's a new production of A Midsummer Night's Dream, which also saw Northern Ballet perform at the West Yorkshire Playhouse for the first time. This was followed by new productions of Swan Lake, Peter Pan, The Three Musketeers, A Sleeping Beauty Tale, The Nutcracker and Hamlet. Autumn 2008 saw the company tour with another new ballet from Cathy Marston telling the classic Dickens story A Tale of Two Cities.

2009 was the company's 40th anniversary; on Monday, 6 September 2010, the company announced that it was changing its name to "Northern Ballet", dropping "theatre" from its title.

In 2011 Northern Ballet premiered two new works - Cléopâtre on 26 February 2011 and Beauty & the Beast on 17 December 2011 both choreographed by David Nixon OBE at Leeds Grand Theatre. In 2012 Ondine was added to the repertoire, originally created by David Nixon for Ballet du Rhin.

2013 also saw the creation of two new full-length ballets; The Great Gatsby and Cinderella. Both productions were choreographed by David Nixon and again received their world premieres at Leeds Grand Theatre.

In 2012 the company started producing ballet's created especially for young children. The first was Ugly Duckling choreographed by Company dancers Dreda Blow and Sebastian Loe. The second, Three Little Pigs choreographed by dancers Hannah Bateman and Victoria Sibson. The third, Elves & the Shoemaker was choreographed by Northern Ballet Ballet Master Daniel de Andrade with an original score by composer Philip Feeney. The three ballets for children have been adapted by the BBC for CBeebies; the adaptations kept the music and dance but also incorporated one of the channel's properties, Mr Bloom, into the production to make them more suitable for a television audience.

During 2013, most of the Channel 4 series Big Ballet was filmed at Northern Ballet.[4]

In 2015 Northern Ballet commissioned Barnsley-born choreographer Jonathan Watkins to create a ballet based on George Orwell's novel Nineteen Eighty-Four.[5] A recording of Nineteen Eighty-Four was commissioned by The Space and BBC.[6] It was broadcast on BBC Four on Sunday 28 February 2016.[7] In June 2016 1984 won the South Bank Sky Arts Award for Dance.[8]

In 2017 Northern Ballet produced three new full-length ballets, one based on the Casanova biography by Ian Kelly, the second based on The Boy in the Striped Pyjamas by John Boyne, and a third based on Hans Christian Andersen's The Little Mermaid.[9] [10]

In 2021 Northern Ballet announced David was stepping down as Artistic Director.

In 2022 David received a CBE for his services to dance.[11]

Federico Bonelli

Federico Bonelli was announced as Northern Ballet's new artistic director in January 2022 and he officially began on 3 May 2022.[12] [13]

Rehearsal and performance facility

In autumn 2010 the Northern Ballet moved to a new purpose-built dance and teaching facility in the Quarry Hill district of Leeds. Located in the center of the city adjacent to the Leeds College of Music the building is the largest dedicated space for dance outside London. The building was funded through a public / private partnership between Leeds City Council, a grant from Arts Council England and fundraising by the Northern Ballet.[14]

The building features seven dance studios including a 230-seat studio theatre. Six of the dance studios are installed with specialized harlequin floors. Shared with the contemporary dance company, Phoenix Dance Theatre it is the only facility for dance to house both a national classical and contemporary dance company alongside each another.[15]

Academy of Northern Ballet

Under the direction of ballet mistress Yoko Ichino the academy is housed within the company's Leeds headquarters. The academy offers open classes, an associate program and selective advanced level training for students up to sixteen years of age.[16]

Artistic staff

NameRoleNationality
Federico BonelliArtistic Director
Daniel de AndradeArtistic Associate
Yoko IchinoRehearsal Director
Christelle HornerRehearsal Director
Kenneth TindallAssociate Director for Digital & Choreographer in Residence
Northern Ballet staff[17]

Dancers

NamePositionNationalityTrainingOther companies
including guest performances
Abigail PrudamesPremier DancerRoyal Ballet School
Elmhurst Ballet School
Joseph TaylorPremier DancerJanice Sutton Theatre School
Elmhurst Ballet School
Ashley DixonPrincipal Character ArtistCentral School of Ballet
Amber LewisLeading SoloistEcole Studios
The Washington School of Ballet
Dominique LaroseLeading SoloistAyako School of Ballet
Tanz Akademie Zürich
Academy of Northern Ballet
Jonathan HanksLeading SoloistRoyal Ballet SchoolEstonian National Ballet
Kevin PoeungLeading SoloistEnglish National Ballet SchoolEnglish National Ballet
Sarah ChunLeading SoloistFaubourg School of Ballet
Joffrey Academy of Dance
Oklahoma City Ballet
Kansas City Ballet
Saeka ShiraiLeading SoloistYuki Ballet Studio
Royal Winnipeg Ballet School
Royal Winnipeg Ballet
Poznan Opera Ballet
Jackson DwyerFirst SoloistCanada's National Ballet School
The John Cranko School in Stuttgart
Rachael GillespieFirst SoloistJudith Hockaday School
Central School of Ballet
Scottish Ballet
Ballet Central
Filippo Di VilioJunior SoloistTeatro alla Scala Ballet School
English National Ballet School
Academy of Northern Ballet
Heather LehanJunior SoloistCanada's National Ballet School
Alessandra BramanteCoryphéeASDC Dietro le Quinte in Catania
Il Balletto di Castelfranco Veneto
John Cranko School in Stuttgart
Harriet MardenCoryphéeCentral School of Ballet
Academy of Northern Ballet
Harris BeattieCoryphéeDanscentre in Aberdeen
Central School of Ballet
Ballet Central
Helen BogatchCoryphéeTallinn Ballet SchoolEstonian National Ballet
Aerys MerrillDancerRichmond Ballet
Alvin Ailey Dance Theatre
Albert Gonzalez OrtsDancerEstudio de Danza María Carbonell
Academy of Northern Ballet
Alessia PetrosinoDancerEnglish National Ballet SchoolBallet de l’Opéra de Metz
Andrew TomlinsonDancerAcademy of Northern Ballet
Canada's National Ballet School
National Ballet of Canada
Antoni Cañellas ArtiguesDancerEnglish National Ballet SchoolNational Opera of Bucharest
Archie ShermanDancerHilton Hall Dance Academy
Royal Ballet School
Aurora MostacciDancerRoyal Conservatory of Dance Mariemma in SpainThe Washington Ballet
Finnish National Ballet
Aurora PiccininniDancerConservatory of Valencia
Bruno SerraclaraDancerEscola de Dansa Marisa Yudes, Barcelona
Académie Princesse Grace, Monte Carlo
The National Ballet of Canada
Gemma CouttsDancerAree School of Dance Arts, Bangkok
English National Ballet School
George LiangDancerNew Zealand School of Dance
Canada's National Ballet School
The National Ballet of Canada
Harry SkoupasDancerElmhurst Ballet SchoolAalto Ballett Theater
Opera Wrocławska
Julie NunèsDancerEcole Nationale Supérieure de Danse de Marseille
Central School of Ballet
Academy of Northern Ballet
Jun IshiiDancerState Ballet School BerlinStaatbellett Berlin
Kaho MasumotoDancerKishibe Ballet Studio
English National Ballet School
Kirica TakahashiDancerElmhurst Ballet School
English National Ballet School
Sena KitanoDancerSoda Ballet School
Dutch National Ballet Academy
Stefano VaraltaDancerBalletto di Verona
Tanz Akademie of Zürich at Zürcher Hochschule der Künste
European School of Ballet
Sources:[18] [19]

Notes and References

  1. Web site: New Executive Director. 26 September 2022.
  2. 100050. Kathrine Sorley. Walker. Meyer, Laverne Ignatius Henry.
  3. http://catalogue.wyjs.org.uk/Record.aspx?src=CalmView.Catalog&id=WYAS2702&pos=143 West Yorkshire Archive Service: WYAS2702 - Spring Hall, Skircoat, building plan (WYC:1260), WYC:1260
  4. Web site: Big Ballet at Northern Ballet. 28 December 2017.
  5. Web site: George Orwell's 1984 is not 'too dark' to be made into a ballet. https://ghostarchive.org/archive/20220621/https://www.independent.co.uk/arts-entertainment/theatre-dance/features/1984-ballet-based-on-george-orwells-dystopian-nightmare-is-not-too-dark-for-the-theatre-10476373.html . 21 June 2022 . subscription . live. . 28 August 2015. 28 December 2017.
  6. Web site: 1984 on BBC Four. 28 December 2017.
  7. Web site: Northern Ballet: 1984 - BBC Four. BBC. 28 December 2017.
  8. Web site: Doctor Foster and Catastrophe win at South Bank Sky Arts awards. John. Plunkett. 6 June 2016. 28 December 2017. www.theguardian.com.
  9. Web site: New works for Northern Ballet - Dancing Times. 19 September 2016. 28 December 2017.
  10. Web site: Ballet News September 2016. 28 December 2017.
  11. Web site: Former Northern Ballet Artistic Director awarded CBE. 20 April 2023.
  12. Web site: Announcing our new Artistic Director. Northern Ballet. 31 January 2022.
  13. Web site: Royal Ballet dancer Federico Bonelli named Northern Ballet artistic director. The Stage. 31 January 2022.
  14. Web site: Building Completion. Northern Ballet. 18 March 2018.
  15. Web site: Building Momentum . Building Momentum . 26 March 2010.
  16. News: Winter. Anna. Northern Ballet, the lean company that takes the road less travelled. 22 March 2018. The Stage. 10 February 2017.
  17. Web site: Our People. 1 June 2021.
  18. Web site: Northern Ballet dancers. 26 June 2023.
  19. Web site: Our dancers: Latest news. 26 June 2023.