Normana Wight Explained

Normana Wight
Birth Date:1936
Field:Painting, Printmaking
Training:Royal Melbourne Institute of Technology, Central School of Arts and Crafts
Movement:Abstract art

Normana Wight (born 1936 in Melbourne) is an Australian artist, best known as a painter and printmaker.

Early life and education

Wight studied painting at Royal Melbourne Institute of Technology (1954–57) and after a short time as a fabric designer and high school art teacher, later studied printmaking at Central School of Arts and Crafts, London (1962–63).[1] Upon returning to Australia in 1964 she moved to Sydney, then Mittagong, New South Wales. She returned to Melbourne in 1967 to teach at the Preston Institute of Technology.[2]

Career

Wight's initial work focused on abstract forms in fields of bright colour.

In 1967, Wight's work came to the attention of Brian Finemore and John Stringer, co-curators of the seminal exhibition The Field at the National Gallery of Victoria in 1968.[3] Wight is one of only three women artists to have work included in The Field, the others being Janet Dawson and Wendy Paramor. Wight was represented by a large painting in two parts hung vertically, 'Untitled' 1968 (cat. no. 74). She later had to destroy the work as it was too large and awkward to store. Wight's minimal abstraction was then largely forgotten for three decades until gallerist David Pestorius shone a light on it in the exhibitions Queensland Art 2009 and Normana Wight: Minimal Painting at his Brisbane gallery in 2009 and 2010 respectively.[4] In 2017, Wight remade her work for The Field for the National Gallery of Victoria's exhibition 'The Field Revisited' 2018, and the remade work was acquired by the Gallery.[5]

In the early 1970s, Wight shifted focus from and began using photographic sources for her works.[6] Whilst she had produced prints in conjunction with her abstract paintings in her earlier works, printmaking soon became her primary medium, and through her production of postcards and books she sought to challenge ideas of commodification and elitism.[6]

Between 1981 and 1986, Wight was printmaking lecturer at the University of Southern Queensland, Toowoomba.[7]

Wight later became interested in computer-generated imagery. In 2000, she collaborated with the Victorian Tapestry Workshop on their first portrait commission, a portrait of Dame Elisabeth Murdoch, AC, DBE for the National Portrait Gallery, Canberra. The image was composed by painter Christopher Pyett, adapted on computer by Wight and woven by Merrill Dumbrell.[8]

Wight has lived and worked in Brisbane since 2001, and is represented by Grahame Galleries + Editions, Brisbane.[7]

In 2014 Normana Wight was interviewed in a digital story and oral history for the State Library of Queensland's James C Sourris AM Collection.[9] In the interview Wight talks to Brisbane gallery owner, Noreen Grahame about her art, her artistic career, the influence computer technology has had on her art and her future aspirations.[10]

Work

Solo exhibitions

Group exhibitions

Public collections

Awards and nominations

External links

Notes and References

  1. Web site: Study for 'Untitled', (1968) by Normana Wight :: The Collection :: Art Gallery NSW. artgallery.nsw.gov.au. 2019-03-09.
  2. Web site: Eric Riddler, Joanna Mendelssohn and ecwubben, date created Jan. 1, 1999, last updated June 2, 2015, 'Wight, Normana'. Publisher: Design & Art Australia Online, date accessed 2019-03-09, daao.org.au, CC-BY-NC-SA. Design and Art Australia Online.
  3. Web site: Normana Wight::biography at::Design and Art Australia online . daao.org.au . Design & Art Australia Online . 2019-03-09 .
  4. Web site: David Pestorius Projects - Archive. 2020-06-29. en.
  5. Web site: Collection entry for 'Untitled' 1968, remade 2017.
  6. Book: Kirker. Anne. Shifting parameters. Gallery. Queensland Art. 1990. South Brisbane : Queensland Art Gallery. English.
  7. Web site: normana wight about artist Grahame Galleries. en-US. 2020-03-08.
  8. Web site: Dame Elisabeth Murdoch. Portrait magazine. 2020-03-08.
  9. Web site: James C Sourris AM Collection . State Library of Queensland.
  10. Web site: Normana Wight digital story, educational interview and oral history. . 18 May 2022 . State Library of Queensland..
  11. Book: Wight. Normana. Small ceremonies : Normana Wight 22 March - 23 April 2000. Burnett. David. 2000. Lismore Regional Art Gallery. English.
  12. Book: Wight, Normana. Work-in-progress : the balancing act. 1993. Queensland College of Art Gallery. 0-947317-25-2. Morningside, Qld.. 38336696.
  13. Book: Museum of Brisbane . Miranda Hine . Louise Martin-Chew . Renai Grace . New Woman : a century of women in brisbane art. 978-0-6485617-0-5. 1st. Brisbane, QLD. 1107441310.
  14. Book: Artists' books exhibition 16 October - 9 November 1991.. 1991. Grahame Galleries and Editions. Grahame Galleries.. 0-646-06294-8. Brisbane. 27539014.
  15. Book: Victoria, National Gallery of. The field : exhibition at the National Gallery of Victoria, August 21-September 28, 1968. 1968. Melb : National Gallery of Victoria. English.

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