| Norma Renault | |
| Birth Name: | Norma Jacqueline Renault |
| Birth Date: | 28 July 1923 |
| Birth Place: | Toronto, Ontario |
| Death Place: | Toronto, Ontario |
| Spouse: | Avrom Isaacs (m. 1956–1987) |
| Known For: | actress |
Norma Renault (July 28, 1923 – March 3, 2012) was a singer and actress who starred in theatre and film productions in Canada and London, England, including the musical Salad Days at the Crest Theatre in Toronto.[1]
Norma Renault was born in Toronto, Ontario on July 28, 1923. As a young woman, she sang with the Leslie Bell Singers, a female choir formed in 1939 from former pupils of Leslie Bell at Parkdale Collegiate Institute in Toronto, which became the Leslie Bell Singers in 1945.[2] She began to act with an amateur group called the Deep River Players in Deep River, Ontario.
Renault starred in productions in Canada and London, England, including the musical Salad Days at the Crest Theatre in Toronto as well as Epitaph for George Dillon at the Grand Theatre in London, Ontario. She is mentioned for her role in The Man Who Came to Dinner along with Amelia Hall (both "beloved Canadians") who prompted bouts of audience laughter during every exchange of dialogue. "Even Nathan Cohen admitted (perhaps somewhat inscrutably) that he found the production amazing".[3]
From 1950–1970, she worked in productions for various television shows, often for the Canadian Broadcasting Company. She appeared in four episodes of the TV series Folio (1955–1959),[4] The Unforeseen (1958), and Festival (1960–1969) which aired on CBC Television.[5] Renault was a cast member in the television documentary film A Further Glimpse of Joey (1961),[6] alongside Martha Henry in the CBC television drama Talking to a Stranger (1969) and in the three part miniseries You've Come a Long Way, Katie (1981).
| 1958 | Salad Days | Lady Raeburn, The Charlady, The Tarty Lady, Asphyxia (and the other arms), a Spinster, Marguerite | The Crest Theatre Foundation | ||
| 1959 | Ride A Pink Horse | Lorna Harvey, Immigration, Wanda McTavish | The Crest Theatre Foundation | The Crest Theatre | |
| 1959 | Under Milk Wood | Polly Garter, Mrs. Ogmore-Pritchard, Mrs. Cherry Owen, First Neighbour, Another Mother, Fourth Woman, 2nd Woman’s Voice | The Crest Theatre Foundation | The Crest Theatre | |
| 1959 | Mrs. Gibbons' Boys | Myra Hood | The Crest Theatre Foundation | The Crest Theatre | |
| 1959 | After Hours | The Stratford Festival | Mountain Playhouse and Festival Concert Hall | ||
| 1960 | Heartbreak House | Mrs. Hushabye | The Crest Theatre Foundation | The Crest Theatre | |
| 1960 | Honour Thy Father | Blanche | The Crest Theatre Foundation | The Crest Theatre | |
| 1962 | The American Dream | Granny | The Crest Theatre Foundation | The Grenville Street Playhouse | |
| 1980 | The Killing of Sister George | June Buckridge (Sister George) | Theatre London | McManus Theatre | |
| 1981-1982 | Blithe Spirit | Madame Arcati | Theatre London | ||
| 1983 | Later | Molly | Toronto Free Theatre |