Norildivoth Crallos-Lomrixth Urthiln | |
Type: | album |
Artist: | Orthrelm |
Cover: | Orthrelm Norildivoth Crallos Lomrixth Urthiln.jpg |
Released: | 2002 |
Recorded: | 2001 |
Studio: | Hebron, Maryland |
Genre: | Avant-garde, Experimental |
Length: | 27:57 |
Label: | Three One G 26 |
Chronology: | Orthrelm |
Prev Title: | Orthrelm II |
Prev Year: | 2001 |
Next Title: | Asristir Vieldriox |
Next Year: | 2002 |
Norildivoth Crallos-Lomrixth Urthiln (also referred to as 2nd 18/O4 Norildivoth Crallos-Lomrixth Urthiln) is an album by the experimental duo Orthrelm featuring guitarist Mick Barr and drummer Josh Blair. The band's first LP-length release, it was recorded in 2001, and was issued in 2002 by Three One G.[1] [2] [3] [4] [5]
In a review for AllMusic, Stewart Mason wrote: "there are elements of death metal in Mick Barr's ultra-shred guitar style and Josh Blair's neck-snapping tempos, but there's at least as much Sonny Sharrock and John Bonham, among other influences you wouldn't expect... This is a true rarity, an album that fans of Slayer, King Crimson and Eugene Chadbourne should be able to get into about equally."
In a year-end review of 2002's best releases, Brent Burton of the Washington City Paper commented: "In a good-to-great year of hard rockin' art-tweakage..., Orthrelm earns the top-10 nod for having the least comprehensible worldview. The D.C. instrumental duo's oeuvre all but defenestrates pop tradition in favor of constantly shifting streams of simultaneous guitar and drum solos."[6]
Author Adam Gnade stated that the album "is like if you took a band and chopped it up into tiny pieces with a chef's knife then glued it back together without any sense of design or a bit of aesthetic intention. Which sounds terrible, but it works. It's this wild, galloping, shuddering, formless-yet-precise speed-shred thing that is impossible to explain in words."[7]
A writer for Cleveland Scene remarked: "If Derek Bailey were crossed with Yngwie Malmsteen, the result would be Orthrelm's Mick Barr. What he does, most would never think to attempt."[8]
Writer Phil Freeman of Perfect Sound Forever selected the album as one of his favorite releases of 2002.[9]