Nontsikelelo Veleko Explained

Nontsikelelo "Lolo" Veleko
Birth Name:Nontsikelelo Veleko
Birth Date:19 August 1977
Birth Place:Bodibe, South Africa
Nationality:South African
Known For:Photography
Training:Market Theatre (Johannesburg)
Awards:Standard Bank Young Artist for Visual Art

Nontsikelelo "Lolo" Veleko (born 19 August 1977) is a South African photographer most noted for her depiction of black identity, urbanisation and fashion in post-apartheid South Africa.[1] [2]

Early life and education

Veleko was born on (19 August 1977 in Bodibe, North West (South African province)).[3] [4] She studied from 1995 to 2003 at the Cape Technikon in Cape Town[5] and attended Luhlaza High School in Khayelitsha.[6] In 1995, she studied graphic design at the Cape Technikon. After moving to Johannesburg, she studied photography at the Market Theatre Photo Workshop (1999–2004), the institution that was organized by David Goldblatt, who provide the formal training to young photographers.[4]

Work

In 2003, Veleko documented graffiti throughout Cape Town and Johannesburg, a series she titles The ones on top won't make it Stop! in her first solo exhibition at the Johannesburg Art Gallery. These photographs encapsulated the social and political atmosphere of post-apartheid South Africa.[7] This same year, Veleko was nominated for the MTN New Contemporaries Arts Awards. This competition identifies four rising South African artists and selects a winner. Throughout the next couple of years, her work was showcased in various exhibitions throughout South Africa, Europe and Australia.[8]

In 2006, her photographs were part of the group exhibition Snap Judgments: New Positions in Contemporary African Photography, at the International Center of Photography (ICP) in New York.[4] [9] This work portrays particularly, defines Veleko's contrats the stereotypes which are associated with gender and race[10] depicting South Africa street style from her series Beauty is in the Eye of the Beholder from (2003),[11] which focused on subjects born after 1994,[12] attracted a great deal of attention and international acclaim,[13] shifting previous perceptions of Africa as a whole on an international scale. Veleko explains that she looks at fashion “and how it creates identity, because fashion plays with identity”. In regards to the title of the series, she states: “I thought the way I see beauty and the way I perceive beauty might be different to someone else next to me...So the project is called Beauty is in the Eye of the Beholder, because for me they are beautiful.”[7] She even gives various reasons for this project. When people look at those people who have dressed differently they would ask: 'How can you dress up in yellow pants and a little green jersey with stripes? She perceives her views in a different way which is a project called Beauty Is In The Eyes Of The Beholder, because for her it was all about drawing attention around issues of beauty by capturing real people. It was also about street fashion that she did not think about that they are just promoting themselves, which she displays where she has lived it and used to be one of those people.[14] In short, it was clear that images were created by her because of the color choices and facial expressions of that characters held with the viewer.[15] Alongside this, Veleko has also included clothing in her projects "to deliberately challenge assumptions of identity based on appearances and historical background".[7] Such is evident in her more personal project from 2002, www.notblackenough.lolo, which depicted an exploration of mixed cultural and racial identity through different costumes of role play.[7]

In 2006, Veleko's work was also exhibited in Personae & Scenarios-the new African photography at the Brancolini Grimaldi Arte Contemporanea in Rome, Italy.[16] That same year, her photographs were displayed in the exhibition titled Olvida Quien Soy- Erase Me from Who I Am at the Centro Atlantico de Arte Mordeno in Las Palmas, Canary Islands.[1] In 2007, Veleko's work and reputation reached a larger international audience with her work being exhibited throughout Southern Africa, Europe, Asia, North and South America. She has also been a part of shows such as 7th Recontres Africaines de la Photographie exhibition.[17] During this year, she also received a two-month residency with the International Photographic Research Network (IPRN) in the UK where she explored the notions of work, identity and clothes.[1]

In 2008, Veleko was the second photographer to be awarded the Standard Bank Young Artist for Visual Art for her traveling exhibition Wonderland.[18] This focuses on familiar aspects of her previous work such as fashionable street-goers, primarily younger adults, as well as graffiti and personal spaces. Through exploration of such subjects Veleko continues to delve deeper and defy clichés of outdated perceptions of South Africans, and Africans in a larger context, that have been largely focused on the notions of fashion and the way of life. Wonderland not only displays the unique personalities of eclectically dressed urbanites but also captures the cosmopolitan nature of cities such as Cape Town, Johannesburg and Durban.[1]

Veleko's work presents a strong statement of a younger generation that is loud, self-expressive and daring; a collection of youth she strongly relates to. Such sentiments are evident in the photographs resulting from what she considers to be a "collaborative process".[6] The portraits are taken after being granted permission from the subjects. She gives copies of the photos to their rightful owners and invites them to the exhibition openings. For the ongoing series of graffiti shots The ones on top won't make it Stop, Veleko met the graffiti artists and continued to follow the progress of those whose style she favoured.[19]

Graffti, like photography is a form of visual communication. It is a vehicle which informs society about the range of socio-political issues that affect us; it gets people's messages across in a, public, 'in your face' way; it evokes powerful emotion. To me, it is more than merely a visual message...it is poetry...

— Nontsikelelo "Lolo" Veleko, These Words Are Like Swords...[20]

In 2017 Veleko co-curated 'Resist(e) – Printemps Photographique Afrique du Sud 2017' at Gallery NegPos in Nîmes, France with Patrice Loubon of Gallery NegPos.[21] In 2019, her work 'banned nudes,' Les nus interdits, was on exhibit in Les Docks in Aries, France after being shot on the Island of Reunion.[6] She was also a project manager/co-coordinator at the Market Photo Workshop, where she was previously a student.[22]

Personal life

Veleko, as of 2017, lives and works in France.[23]

Reception

In discussion of her photography, Mark Stevens wrote in the New York Magazine Art Review, "It was a shock- an awakening shock- to come upon the bursting contemporary colours worn by the fashion-struck people portrayed by Nontsikelelo "Lolo" Veleko on the streets of Johannesburg".[24] [7] Critic Leslie Camhi has related the fashion-savvy subjects of Veleko's street portraits to the widely recognisable image of "hipsters" "dressed in electric, Kool-Aid colours [whose] incorrigible chic and appropriations of Western icons...proclaim them heirs to Ke dandified Bamakois bourgeoisie".[7] Leslie Camhi of The Village Voice (2006) further noted:

If independence has a style, this is it—vivid, highly individualised, and a touch defiant. These images are antidotes to the prevailing view of the "dark continent" as a place of entropy and despair; these are people in charge of at least their own sartorial destiny.[25] [7]

Publications

Books

Catalogues

Exhibitions

Solo exhibitions

Group exhibition

Bibliography

Notes and References

  1. Web site: Maurice . Emile . Dodd . Rebecca . Ngwenya . Nhlanhla . March 2009 . Standard Bank: A Learner Resource on the art of Nontsikelelo Veleko . dead . https://web.archive.org/web/20181027234214/http://www.goodman-gallery.com/files/upload/news/23063Newsnontsikeleloveleko(1).pdf . 27 October 2018 . 27 October 2018 . Standard Bank . Goodman Gallery.
  2. Book: The Poetics of Cloth: African Textiles, Recent Art . Grey Art Gallery, New York University . 2008 . 978-0615220833 . Gumpert . Lynn . New York . 76 . 271451627 .
  3. Web site: 12 July 2018 . Nontsikelelo Veleko . live . https://web.archive.org/web/20221007223802/https://www.icp.org/browse/archive/constituents/nontsikelelo-veleko?all/all/all/all/0 . 7 October 2022 . 6 October 2023 . . en.
  4. Web site: 10 April 2019 . Veleko . live . https://web.archive.org/web/20231002032904/https://africanah.org/veleko/ . 2 October 2023 . 11 May 2021 . Africanah.org . en-US.
  5. Web site: Artists – Nontsikelelo "Lolo" Veleko . dead . https://web.archive.org/web/20210513094926/https://africa.si.edu/collections/view/objects/asimages/People@2601?t:state:flow=ef96e6f7-37c9-4b56-9f36-18efc658a7f3 . 13 May 2021 . 11 May 2021 . National Museum of African Art - Smithsonian Institution.
  6. Web site: 14 May 2019 . Thank you, Nontsikelelo Veleko! . usurped . https://web.archive.org/web/20210512152816/https://www.zammagazine.com/perspectives/blog/851-thank-you-nontsikelelo-velelo . 12 May 2021 . 11 May 2021 . ZAM Magazine . en-gb.
  7. Web site: Murinik . Tracy . February 2007 . Nontsikelelo 'Lolo' Veleko . live . https://web.archive.org/web/20231002032815/http://www.artthrob.co.za/07feb/artbio.html . 2 October 2023 . 1 May 2013 . Art Throb.
  8. Web site: 2 June 2010 . MTN New Contemporaries Arts Awards – bigger and better . live . https://archive.today/20140131103730/http://companies.mybroadband.co.za/mtn/2010/06/02/mtn-new-contemporaries-arts-awards-%E2%80%93-bigger-and-better/ . 31 January 2014 . 5 October 2023 . MTN Company News.
  9. Web site: 23 February 2016 . Snap Judgements: New Positions in Contemporary African Photography . live . https://web.archive.org/web/20230924105812/https://www.icp.org/exhibitions/snap-judgements-new-positions-in-contemporary-african-photography . 24 September 2023 . 6 October 2023 . . en.
  10. Web site: Veleko, Nontsikelelo . dead . https://web.archive.org/web/20210512152816/https://www.1-54.com/new-york/artists/nontsikelelo-veleko/ . 12 May 2021 . 11 May 2021 . 1-54 Contemporary African Art Fair.
  11. Fechik. Jennifer. 2013-03-15. Nontsikelelo Veleko: Capturing South African Identity. Africana Studies Student Research Conference.
  12. Book: Higgins, Jackie . The World Atlas of Street Photography . . 2014 . 9780300207163 . New Haven, CT . 243 . en . Nontsikelelo Veleko . 871788343.
  13. Web site: Nontsikelelo Veleko - Urban Life . live . https://archive.today/20231006030301/https://oodee.net/books/nontsikelelo-veleko-urban-life/ . 6 October 2023 . 23 March 2018 . oodee .
  14. Web site: 19 April 2013 . Post Democratic Identity – Nontsikelelo Veleko . live . https://web.archive.org/web/20231002032813/https://nladesignvisual.wordpress.com/2013/04/19/own-identity-nontsikelelo-veleko/ . 2 October 2023 . 11 May 2021 . NLA Design and Visual Arts . en.
  15. Web site: Veleko, Nontsikelelo (Lolo) . live . https://web.archive.org/web/20230321105552/https://www.walthercollection.com/en/collection/artists/veleko-nontsikelelo-lolo . 21 March 2023 . 12 May 2021 . Walther Collection.
  16. Web site: 2006 . Gallerie. Personae & Scenarios - The New African Photography . live . https://web.archive.org/web/20231006195257/https://www.nikonschool.it/sguardi/39/africanphoto.php . 6 October 2023 . 6 October 2023 . Nikon School . it.
  17. Sealy . Mark . Summer 2010 . Nontsikelelo Veleko . dead . Foam . 23 . 171-174 . https://web.archive.org/web/20181215230030/http://www.goodman-gallery.com/files/upload/news/4578News08037nontsikeleloveleko25mei01.pdf . 15 December 2018 . The Goodman Gallery.
  18. Web site: Nontsikelelo Veleko: Wonderland . live . https://web.archive.org/web/20230325103735/https://www.gallerybonbon.com/products/nontsikelelo-veleko-wonderland . 25 March 2023 . 6 October 2023 . Gallery Bon Bon . en.
  19. Book: Williamson, Sue . South African Art Now . HarperCollins . 2009 . 9780061343513 . New York . 300-301 . en . 262886306 . 3 May 2013 . https://web.archive.org/web/20140202201654/http://www.harpercollinscatalogs.com/TR/other/9780061343513_0_Extra_spread_1.pdf . 2 February 2014 . dead . HarperCollins.
  20. Veleko. Nontsikelelo. 2003. These Words Are like Swords.... Agenda: Empowering Women for Gender Equity. 57. 57. 62–64. 4066390.
  21. Web site: 23 January 2018 . Resist[e] - Politics of the body in photography ]. live . https://web.archive.org/web/20230326161446/https://artafricamagazine.org/resiste/ . 26 March 2023 . 6 October 2023 . Art Africa . en-GB.
  22. Web site: Nontsikelelo Veleko . dead . https://web.archive.org/web/20200217091325/http://www.afronova.com/artists/nontsikelelo-veleko-2/ . 17 February 2020 . 27 October 2018 . Afronova Gallery .
  23. Web site: 7 August 2017 . Sibyllines exhibition - Alliance Française of Johannesburg . dead . https://web.archive.org/web/20180324101547/https://za.ambafrance.org/Sibyllines-exhibition-Alliance-Francaise-of-Johannesburg . 24 March 2018 . 23 March 2018 . French Embassy to South Africa and Lesotho .
  24. Stevens . Mark . 29 March 2006 . What Does Africa Look Like? . . limited . https://web.archive.org/web/20230529024053/https://nymag.com/arts/art/reviews/16566/ . 29 May 2023 . 23 March 2018.
  25. News: Camhi . Leslie . 14 March 2006 . A Cacophonous Affair . . live . 6 October 2023 . https://web.archive.org/web/20231006203646/https://www.villagevoice.com/a-cacophonous-affair/ . 6 October 2023.
  26. Web site: 10 February 2017 . Nontsikelelo Veleko . live . https://web.archive.org/web/20231006204949/https://www.casafrica.es/es/persona/nontsikelelo-veleko . 6 October 2023 . 6 October 2023 . Casafrica . es.
  27. Web site: 2007 . Nontsikelelo Veleko at The Goodman Gallery Johannesburg . live . https://web.archive.org/web/20231006205843/https://artmap.com/goodmangallery/exhibition/nontsikelelo-veleko-2007 . 6 October 2023 . 6 October 2023 . Artmap.com.
  28. News: Gevisser . Mark . Mark Gevisser . 22 April 2011 . Figures & Fictions at the V&A . . London . live . 28 February 2017 . https://web.archive.org/web/20230820232236/https://www.theguardian.com/artanddesign/2011/apr/23/figures-and-fictions-mark-gevisser . 20 August 2023.

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