List of classical and art music traditions explained

"Classical music" and "art music" are terms that have been used to refer to music of different cultural origins and traditions. Such traditions often date to a period regarded as the "golden age" of music for a particular culture.

The following tables list music styles from throughout the world and the period in history when that tradition was developed:

Southeast Asian

StyleEarliest historical periodNotes
GamelanAt least 8th century AD.[1]
PinpeatAt least 6th century AD.
MahoriAt least 14th century AD.
Piphat
Pinphat

Indic

See main article: articles and Indian classical music.

StyleEarliest historical periodNotes
Carnatic musicAt least 6th century AD (as Indian classical music), split from Hindustani classical music in the 16th and 17th centuries.[2] [3]
Hindustani classical musicAt least 6th century AD (as Indian classical music), split from Carnatic music in the 16th and 17th centuries.
KlasikAt least 6th century AD (as Indian and Hindustani classical music), split from Hindustani classical music .The classical tradition of Afghanistan, ultimately a descendant of Hindustani classical music.[4] Developed in the 19th century by Indian musicians in Afghan courts. Along with Hindustani music theory and instruments, Afghan classical music also uses local Pashtun elements, especially in its performance practices.
Odissi musicAt least 6th century AD.

East Asian

See also: East Asian cultural sphere.

StyleEarliest historical periodNotes
Nanguan musicAt least 14th century CE.[5]
Gagaku6th century CE.
Jeongak5th century CE.[6]
Nhã nhạc13th century CE.
YayueAt least 2nd century BCE.

European

StyleEarliest historical periodNotes
Byzantine music4th century AD.
PibrochAt least the 17th century AD.[7]
Western classical music6th century AD.

Middle Eastern

StyleEarliest historical periodNotes
Persian classical musicAt least 3rd century AD, with drastic changes in the 16th century.[8] [9]
Arabic classical music
Andalusi classical music9th century AD.Likely practiced since the early 9th century, the musical tradition of Al-Andalus is notable for spreading Middle Eastern and North African musical instruments to Western Europe, where they would become staple instruments of Western tradition.[10] Now practiced in North Africa in the form of the Andalusi nubah,[11] this tradition has also had considerable effect on Ottoman classical music, especially in the Sephardic romance and Maftirim repertoire.[12]
Ottoman classical musicAt least 3rd century AD (as Persian traditional music), emerged as a unique tradition in the 17th century.Now known as Turkish Art Music or Turkish Classical Music
Shashmaqam

Syncretic

StyleEarliest historical periodNotes
American gamelan
Mahāgīta16th or 17th century AD.The classical tradition of Burma seems to have begun around the late Toungoo period,[13] with an expansion of Western-influenced repertoire during the colonial period. Organized into various forms based on tuning systems, melodic structure, rhythmic patterns and performance conventions, commonly played genres include the kyo, bwe, and .[14]

Further reading

Notes and References

  1. Web site: Learn the History Behind Gamelan, Indonesian Music and Dance. 2021-12-09. ThoughtCo. en.
  2. Subramaniam. L.. 1999. The reinvention of a tradition: Nationalism, Carnatic music and the Madras Music Academy, 1900–1947. Indian Economic & Social History Review. 36. 2. 131–163. 10.1177/001946469903600201. 144368744.
  3. Wallace . Dace . The Concept of "Rasa" in Sanskrit Dramatic Theory . Educational Theatre Journal . 15 . 3 . 249–254 . 1963 . 3204783 . 10.2307/3204783 .
  4. Doubleday, pg. 3
  5. Book: Thrasher, Alan Robert. Sizhu Instrumental Music of South China: Ethos, Theory and Practice. 2008. BRILL. 978-90-04-16500-7. en.
  6. Web site: 향악(鄕樂) . 2023-05-29 . . ko.
  7. Haddow, Alexander John (1982, 2003). The History and Structure of Ceol Mor – A Guide to Piobaireachd The Classical Music of the Great Highland Bagpipe. Glasgow: The Piobaireachd Society.
  8. Encyclopedia: 2016. MUSIC HISTORY. Encyclopaedia Iranica. Lawergren. Bo. online.
  9. Book: Feldman, Walter. Writing the History of "Ottoman Music". 2015. Ergon. 978-3-95650-703-8. Greve. Martin. 87–138. The Musical 'Renaissance' of Late Seventeenth Century Ottoman Turkey: Reflections on the Musical Materials of Ali Ufkî Bey (ca. 1610–1675), Hâfiz Post (d. 1694) and the 'Marâghî' Repertoire. 10.5771/9783956507038-87. free.
  10. Book: Farmer, Henry George. Henry George Farmer. 1978. Historical Facts for the Arabian Musical Influence. Ayer Publishing. 978-0-405-08496-6. 137.
  11. Book: María Rosa Menocal . Raymond P. Scheindlin . Michael Sells . 2000 . The Literature of Al-Andalus . The Cambridge History of Arabic Literature 5, series edited by Alfred Felix and Landon Beeston . Cambridge University Press . 978-0-521-47159-6 . 72–73.
  12. Book: Ensemble Bîrûn. I maftirîm e le opere degli ebrei sefarditi nella musica classica ottomana. 2016. Fondazione Giorgio Cini. 978-88-6163-143-4. it. The maftirîms and the Works of Sephardic Jews in Ottoman Classical Music. CORE.
  13. Web site: CHING. TAN LI. 2008-07-29. Transmission of Burmese Classical Music. 2018-09-14. scholarbank.nus.edu.sg. en.
  14. Inoue. Sayuri. 2014-12-01. Written and Oral Transmission of Burmese Classical Songs. The Journal of Sophia Asian Studies. 32. 41–55.