Noah Creshevsky Explained

Noah Creshevsky (January 31, 1945 – December 3, 2020) was a composer and electronic musician born in Rochester, New York. He used the term hyperrealism to describe his work.[1]

Biography

Noah Creshevsky was born Gary Cohen in Rochester, New York, to Joseph and Sylvia Cohen. He changed his surname to Creshevsky in order to honor his maternal grandparents. At the same time he also changed his first name because, he said, "I never felt like a Gary."[2] He studied in the preparatory division of the Eastman School of Music from the age of 6 until 1961, then earned a B.F.A. degree at the State University of New York at Buffalo in 1966, studying with Lukas Foss.

Trained in composition by Nadia Boulanger in Paris and Luciano Berio at the Juilliard School (earning a master's degree in 1968), Creshevsky lived and worked in New York beginning in 1966.[3] There, he founded the New York Improvisation Ensemble. He taught at Brooklyn College of the City University of New York for 31 years, serving as Director of the Brooklyn College Center for Computer Music (BC-CCM) from 1994 to 1999.[4] He also served on the faculties of Juilliard and Hunter College, and was a visiting professor at Princeton University during the 1984 academic year.

Creshevsky began composing electronic music in 1971. His musical vocabulary used bits of words, songs, and instrumental sounds. By fusing opposites—such as music and noise, comprehensible and incomprehensible vocal sources–Creshevsky attempted to make music that sounded both Western and non-Western, ancient and modern, familiar and unfamiliar.[5]

This alliance of opposites is heard both in his text-sound compositions (1973-1986)—Pop Art works in which extreme and unpredictable juxtapositions of iconographic sonic materials establish links between music and society [6] —and in later pieces, in which the integration of electronic and acoustic sources and processes “creates virtual ‘superperformers’ by using the sounds of traditional instruments pushed past the capacities of human performance.” [7] Creshevsky’s most recent compositions are examples of "Hyperrealism", a term he uses to describe an electroacoustic language constructed from sounds found in our shared environment that he handles in ways that are exaggerated or intense.

Collections of Creshevsky's scores and sound recordings are held at the music libraries of Northwestern University.[8] and the New York Public Library for the Performing Arts[9]

Creshevsky, who died of bladder cancer, was interred on Hart Island at his own request. Usually burials on Hart Island are for the homeless or poor and unclaimed bodies. According to his husband David Sachs (a teacher and book editor who lived with Creshevsky for 42 years), Creshevsky intended to protest the trappings and cost of traditional funerals.[10] [11]

Discography

CDs

Man & Superman (1992) Centaur Records CRC 2126

Who (1993) Centaur Records CRC 2476

Auxesis Electronic Music by Charles Amirkhanian and Noah Creshevsky (1995) Centaur Records CRC 2194

Hyperrealism (2003) Mutable Music Mutable 17516-2

The Tape Music of Noah Creshevsky, 1971-1992 (2004) EM Records (Japan) EM 1042CD

To Know and Not to Know (2007) Tzadik Tzadik-8036

Favorite Encores, Music of Noah Creshevsky and If, Bwana, (2008) Pogus Pogus 21049-2

The Twilight of the Gods (2010) Tzadik Tzadik-8069

Rounded With A Sleep (2011) Pogus Pogus 21063-2

The Four Seasons (2013) Tzadik Tzadik-8097

Hyperrealist Music, 2011-2015 (2015) EM Records (Japan) EM 1140CD

Sleeping Awake (2019) Open Space Open Space CD 37

Compilation albums

LPs

Dedications

Articles and reviews

Further reading

External links

Notes and References

  1. Web site: Báthory-Kitsz . Dennis . A Language We Already Understand: Noah Creshevsky's Hyperrealism . NewMusicBox . June 13, 2007 . New Music Usa . 12 December 2020 . https://web.archive.org/web/20201203162853/https://nmbx.newmusicusa.org/a-language-we-already-understand-noah-creshevskys-hyperrealism/ . 3 December 2020.
  2. News: Smith . Steve . 2020-12-12 . Noah Creshevsky, Composer of 'Hyperreal' Music, Dies at 75 . en-US . The New York Times . 2023-11-17 . 0362-4331.
  3. http://www.voxnovus.com/composer/Noah_Creshevsky.htm Biography on Vox Novus
  4. http://www.brooklyn.cuny.edu/bc/spotlite/news/index.php?link=102405 Brooklyn College City University of New York
  5. Creshevsky, Noah. “Hyperrealism, Hyperdrama, Superperformers and Open Palette.” Arcana II, John Zorn, editor. Hips Road / Granary Books, forthcoming.
  6. [Richard Kostelanetz]
  7. http://www.villagevoice.com/music/0427,gann,54855,22.html, Kyle Gann, Village Voice, July 6, 2004
  8. http://www.library.northwestern.edu/music/archival-collections/creshevsky.pdf Finding aid to the Noah Creshevsky Collection at Northwestern University
  9. http://www.nypl.org/archives/3408 New York Public Library
  10. News: She died in a Manhattan penthouse but was buried on an island for the poor . Mary . Jordan . . 2022-07-02 . 2022-07-03.
  11. Web site: 2023-10-17 . It's not a place many people choose to be buried — but it was perfect for him . 2023-11-17 . WKU Public Radio The Public Radio Service of Western Kentucky University . en.

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