Noa Steimatsky Explained

Occupation:Film academic
Alma Mater:
Awards:Guggenheim Fellowship (2019)
Thesis Title:The Earth Figured: an Exploration of Landscape in the Italian Cinema
Thesis Year:1995
Thesis Url:https://www.proquest.com/openview/1d42301b79c31a1479e403328cc42727/1
Doctoral Advisor:Richard Allen
Discipline:Film studies
Sub Discipline:Cinema of Italy
Father:Avigdor Stematsky
Spouse:Paolo Barlera
Work Institutions:

Noa Steimatsky is an American film academic. Originally working as an assistant in the arts, she graduated from the Hebrew University of Jerusalem and moved to the United States, where she got her PhD at the New York University. A faculty professor at the Yale University and University of Chicago, she has received awards and fellowships for her scholarship in the cinema of Italy, including a 2019 Guggenheim Fellowship, and she wrote the books (2008) and The Face on Film (2017).

Biography

Noa Steimatsky was the daughter of painter Avigdor Stematsky and Tamar Gotlieb-Steimatsky.[1] She worked as a post-production assistant in the 1983 film Diary. She studied at the Hebrew University of Jerusalem (where she got her BA in English Literature in 1984) and New York University (NYU) (where she got her MA in English Literature in 1986 and, at the Tisch School of the Arts, PhD in Cinema Studies in 1995);[2] her dissertation, The Earth Figured: an Exploration of Landscape in the Italian Cinema (1995), was supervised by Richard Allen.[3]

During her early career, she worked at the Hillel Art Gallery in Jerusalem and the Dia Art Foundation.[2] After working as an adjunct professor at the Tisch School of the Arts and School of Visual Arts, she moved to the Yale University Department of the History of Art as a visiting assistant professor in 1997, and was promoted to assistant professor in 1998 and associate professor in 2005. She moved to the University of Chicago Department of Cinema and Media Studies in 2008, remaining associate professor there until 2015. She later served as a visiting professor afterwards intermittently, including at the University of California, Berkeley, Sarah Lawrence College, and NYU.

As an academic, she specializes in film studies, with most of her published work being on cinema of Italy.[2] She was a research consultant for the 2001 BBC series The Human Face.[2] In 2005, she was an American Academy in Rome Fellow in Modern Italian Studies.[4] In 2008, she published the book . In 2017, she published The Face on Film, a book on the role of the human face in film history and theory;[5] she won the 2018 Honorable Mention for the Katherine Singer Kovács Book Award and the 2018 Limina Award for Best International Film Studies Book for the book.[6] [7] She was awarded an ACLS Fellowship in 2017 and a Guggenheim Fellowship in 2019, both for academic projects on the history of the Italian studio Cinecittà.[8] [9]

Steimatsky lives in New York City. Her husband, Paolo Barlera,[10] is a vice-consul at the Consulate-General of Italy, Sydney.[11]

Filmography

YearTitleNoteRef.
1983 Diary Post-production assistant
2001 The Human Face Research consultant

Works

Notes and References

  1. Steimatsky . Noa . The Earth figured: An exploration of landscapes in Italian cinema . 1995 . 2024-08-20 . PhD . New York University .
  2. Web site: Steimatsky . Noa . Abridged Curriculum Vitæ . 2024-08-24 . noasteimatsky.com.
  3. Web site: Steimatsky, Noa . 2024-08-20 . Martin Scorsese Department of Cinema Studies.
  4. 2004 . Rome Prize Winners 2004-2005 . Society of Fellows News . American Academy in Rome . 15.
  5. Web site: The Face on Film . 2024-08-20 . Oxford University Press.
  6. News: 2018-03-04 . Premio Limina 2018 . 2024-08-20 . Consulta Universitaria del Cinema . it-IT.
  7. Web site: 2018 SCMS Awards . 2024-08-20 . Society For Cinema and Media Studies.
  8. Web site: Noa Steimatsky . 2024-08-20 . American Council of Learned Societies.
  9. Web site: Noa Steimatsky . 2024-08-20 . John Simon Guggenheim Memorial Foundation . en.
  10. Besserman . Lawrence . 2006 . Imitatio Christi in the Later Middle Ages and in Contemporary Film: Three Paradigms . Florilegium . en . 23 . 1 . 223–249 . 10.3138/flor.23.013 . 2369-7180.
  11. Web site: Foreign embassies and consulates in Australia . 2024-08-20 . Australian Department of Foreign Affairs and Trade . en.
  12. News: Baetans . Jan . 2008 . Italian Location: Reinhabiting the Past in Postwar Cinema . 2024-08-20 . Leonardo On-Line.
  13. Duncan . D. . 2009-12-01 . Cinema and Fascism: Italian Film and Society, 1922-1943 * Italian Locations: Reinhabiting the Past in Postwar Cinema . Screen . 50 . 4 . 465–468 . 10.1093/screen/hjp036 . 0036-9543 . Oxford University Press.
  14. Rowin . Michael Joshua . 2017 . Steimatsky . Noa . Head On: The Meaning of Miens . Film Comment . 53 . 1 . 92–93 . 44991029 . 0015-119X . JSTOR.
  15. Martin . Adrian . 2020 . Review of The Face on Film . Cinéaste . 45 . 2 . 71–72 . 26891928 . 0009-7004 . JSTOR.
  16. News: Stewart . Tyson . 2004-07-26 . Face, Flesh, Film: The Face on Film by Noa Steimatsky . 2024-08-20 . Senses of Cinema . en-US.