| No Time for Tears | |
| Caption: | British theatrical poster |
| Director: | Cyril Frankel |
| Producer: | W.A. Whittaker |
| Based On: | an original story by Anne Burnaby |
| Starring: | Anna Neagle George Baker Sylvia Syms Anthony Quayle |
| Music: | Francis Chagrin |
| Cinematography: | Gilbert Taylor |
| Editing: | Gordon Pilkington |
| Studio: | Associated British Picture Corporation |
| Distributor: | Associated British-Pathé (UK) |
| Runtime: | 86 minutes |
| Country: | United Kingdom |
| Language: | English |
No Time for Tears is a 1957 British drama film directed by Cyril Frankel in CinemaScope and Eastman Color and starring Anna Neagle, George Baker, Sylvia Syms and Anthony Quayle.[1] The staff at a children's hospital struggle with their workload.[2]
The interwoven dramas of staff and patients in Mayfield Children's Hospital, where the doctors and nurses are in the business of restoring children's lives. One small child risks losing his sight, while twin boys fool the doctors over which one has appendicitis. Meanwhile, behind the scenes, new nurse Margaret Collier suffers pangs of unrequited love for houseman Dr. Nigel Barnes.
Herbert Wilcox tried to get the rights to the story but they were obtained by Associated British. That company offered a lead role to Wilcox's wife Anna Neagle. It was the first film she appeared in that was not directed by Wilcox for twenty years.[3]
According to Kinematograph Weekly the film was "in the money" at the British box office in 1957.[4]
Monthly Film Bulletin said "No Time for Tears neglects none of the characteristic incidents of the hospital picture: the doctor-nurse affair, the touch-and-go operation, a miraculous recovery, supervision by an all-seeing matron, and medical-student humour are all exploited. But the perfunctory way in which the film assembles its material, its shameless reliance on easy emotionalism and disjointed narrative style, make this little more than a hospital soap opera. It is by no means incompetently made, and within its cosy conventions adequately played; its picture of hospital life, though, conveys a sense less of devotion and dedication than of sickly sweetness."[5]
The Observer called it "sentimental but not often silly ... its overall tone is kind, the atmosphere cheerful."[6]
The Evening Sentinel said "there's just about every clinical cliche on the chart."[7]
Variety called it "a routine comedy-weepie".[8]
Sky Movies gave the film two out of five stars, and wrote, "this is standard medical soap fare and could be mistaken for a bumper edition of Casualty":[9] while TV Guide rated the film three out of four stars, and wrote, "Though the situations are clearly out of the movie medical bag, the ensemble manages to rise above clichés and stereotypes. Neagle carries the film as the head nurse, with good support from Syms as the new nurse on her staff".[10]
Filmink said it "needed less subplots and more soap, but it’s not bad and Syms’ character sings and dances in a random dance number at the end."[11]
Leslie Halliwell said: "Totally predicatable British tearjerker with a happy ending."[12]
In British Sound Films: The Studio Years 1928–1959 David Quinlan rated the film as "good", writing: "Hospital soap opera largely steers clear of stickiness into warmth."[13]
The Radio Times Guide to Films gave the film 2/5 stars, writing: "What else could you call a film whose sole intention is to have you blubbing your eyes out from the off? Anna Neagle stars in this mawkish account of life in a children's hospital. If the triumphs and tragedies of the kiddies don't have you reaching for tissues, then the torrid love life of nurse Sylvia Syms certainly will. The members of the cast work minor miracles despite the string of clichés."[14]