| No Longer Human | |
| Title Orig: | 人間失格 |
| Orig Lang Code: | ja |
| Author: | Osamu Dazai |
| Country: | Japan |
| Language: | Japanese |
| Publisher: | Chikuma Shobō |
| Release Date: | 1948 |
| English Pub Date: | 1958 |
| Media Type: | |
| Preceded By: | A Cherry |
| Followed By: | Goodbye |
, also translated as A Shameful Life, is a 1948 novel by Japanese author Osamu Dazai. It tells the story of a troubled man incapable of revealing his true self to others, and who, instead, maintains a facade of hollow jocularity, later turning to a life of alcoholism and drug abuse before his final disappearance. The original title translates as "Disqualified as a human being"[1] or "A failed human".[2] The book was published one month after Dazai's suicide at the age of 38. No Longer Human is considered a classic of postwar Japanese literature[3] and Dazai's masterpiece.[4] It enjoys considerable popularity among younger readers[5] and ranks as the second best-selling novel by publishing house Shinchōsha, behind Sōseki Natsume's Kokoro.
No Longer Human is told in the form of notebooks left behind by the principal character . These are divided into three chapters which chronicle Ōba's life from his early childhood to his late twenties. The notebooks are bookended by a preface and an epilogue by a nameless narrator, who is given Ōba's notebooks by a mutual acquaintance ten years after they had been written.
Afflicted with an intense feeling of alienation and otherness and finding it nearly impossible to understand those who surround him, Ōba resorts to buffoonery in his early years to establish interpersonal relationships. Establishing the mood of the rest of the book, Ōba describes humans as if he is separate from them, describing them foolishly and perplexedly. He also describes numerous times that his antics are a way to not anger humans and to not be taken seriously to avoid reprimands. He is sexually abused by a male servant and a female servant during his childhood but decides that reporting it would be useless.
Ōba becomes increasingly concerned over the potential penetrability of his cheerful facade when his schoolmate Takeichi sees through one of his false buffooneries. Ōba befriends him to prevent Takeichi from revealing his secret. Inspired by a painting of Van Gogh that Takeichi shows him, he starts to paint to express his inner agony through art. Ōba paints a self-portrait which is so dreadful that he dares not show it to anyone except Takeichi, who predicts him a future as a great artist.
After finishing high school, Ōba is sent to Tokyo to visit the university. Influenced by a fellow artist, Horiki, whom he meets at a painting class, Ōba descends into a pattern of drinking, smoking and harlotry, and attends communist meetings without being a staunch follower. After spending the night with a married woman, he attempts to commit shinjū (double suicide) with her by drowning. He survives and she dies, leaving him with an excruciating feeling of guilt.
Ōba is expelled from university and comes under the care of a friend of the family. He tries to have a normal relationship with a single mother, serving as a surrogate father to her little girl, but soon he returns to his drinking habits and his fear of humanity and abandons them. He then lives with the madam of a bar before he meets Yoshiko, a young and inexperienced woman who wants him to stop drinking.
Thanks to Yoshiko's grounding influence on his life, Ōba stops drinking and finds gainful work as a cartoonist. Then Horiki shows up, turning Ōba to self-destructive behavior again. Worse, at the moment of recalling Crime and Punishment by Dostoevsky while he discusses the antonym of crime with Horiki, Yoshiko is sexually assaulted by a casual acquaintance. The terror and despair brought on by this incident estranges Ōba from his wife and leads him to another suicide attempt with soporific drugs.
Released from the hospital where he was taken after his suicide attempt, Ōba becomes a morphine addict. He is confined to a mental institution and, upon release, moves to an isolated place with his brother's help, concluding the story with the comment that he feels neither happy nor unhappy now.
The novel, narrated in first person, is categorized under the semi-autobiographical genre since the characters in the book are all fictional. The novel presents recurring themes in the author's life, including suicide, social alienation, and depression.[6] Much like the protagonist Yōzō, Dazai attempted suicide a total of five times in his lifetime, with consorts, until ultimately succeeding in taking his own life with his lover at the time, a woman named Tomie Yamazaki.[7]
In his 2014 review of No Longer Human, William Bradbury of The Japan Times called it a timeless novel, saying that the "struggle of the individual to fit into a normalizing society remains just as relevant today as it was at the time of writing." He also pointed out that the "blunt" style distanced the book from the tone of an actual autobiography, despite the similarities to Dazai's own personal life.[8] Serdar Yegulalp of Genji Press noted (in 2007) the strength of Dazai in portraying the situation of the protagonist, describing the novel as "bleak in a way that is both extreme and yet also strangely unforced".[9]
One modern analyst, Naoko Miyaji, has proposed Dazai was suffering from complex post-traumatic stress disorder when he wrote the book.[10]
The novel was first translated into English by Donald Keene as No Longer Human, published 1958 by New Directions in Norfolk, Connecticut. This translation was published in the UK by Peter Owen Publishers in 1959.[11]
The novel received another English translation in 2018 by Mark Gibeau as A Shameful Life, published by Stone Bridge Press.[12]
For 2024, Tuttle Publishing announced a new translation by Juliet Winters Carpenter.[13]