| Ninetet (Yoshi's) 1997 Vol. 4 | |
| Type: | Live album |
| Artist: | Anthony Braxton |
| Cover: | Nintet (Yoshi's) 1997 Vol 4.jpg |
| Released: | 2002 |
| Recorded: | August 22, 1997 |
| Venue: | Yoshi's, Oakland, CA |
| Genre: | Jazz |
| Length: | 114:50 |
| Label: | Leo CD LR 500/501 |
| Producer: | Anthony Braxton, Leo Feigin |
| Chronology: | Anthony Braxton |
| Prev Title: | Ninetet (Yoshi's) 1997 Vol. 3 |
| Prev Year: | 1997 |
| Next Title: | Sax Quintet (NY) 1998 |
| Next Year: | 1998 |
Ninetet (Yoshi's) 1997 Vol. 4 is a live album by composer and saxophonist Anthony Braxton with a ninetet, recorded at the Yoshi's in 1997 and released on the Leo label in 2007 as a double CD.[1] [2] [3]
The Allmusic review by arwulf arwulf stated "When in August 1997 the Anthony Braxton Ninetet performed live at Yoshi's in Oakland, California, the methodology he called Ghost Trance Music still contained elements of its "first species" stage, in which the primary rhythmic pulse was generated in honor of the First Nation Native American drum ritual tradition. Although by this time Braxton's Ghost Trance Music had been evolving for little more than two years, greater systematic variability is evident throughout the intricate and complex "Composition N. 213" and "Composition N. 214," which may reflect GTM's other primal influence, the Indonesian Shadow Puppet Theater tradition. ... This is the Braxton Ninetet's fourth and final recording made during that five-day engagement at Yoshi's in 1997". On All About Jazz, John Eyles noted "As this release is the fourth volume of the Yoshi's recordings, it seems unlikely to attract listeners who have not already heard the previous volumes. The scored music is entirely consistent with those preceding releases; highly structured and rhythmically tight, it gets into a groove and then stays there for a long time. There are solos on top of the repeated patterns that define each composition, but that is where they are—on top".[4]
All compositions by Anthony Braxton
Disc one
Disc two