| Night Hostess | |
| Director: | Winchell Smith |
| Setting: | The lounge of the Little Casino, New York City |
| Place: | Martin Beck Theatre |
| Orig Lang: | English |
| Subject: | Nightclub melodrama |
| Genre: | Dramatic comedy |
Night Hostess is a 1928 play in three acts written by Philip Dunning. Its author called it a Dramatic comedy, but most contemporary reviewers said it was a melodrama.[1] [2] It has a large cast, fast pacing, and one setting. The main storyline concerns a crooked nightclub manager who is robbing customers and cheating the owner, complicated by two murders and a romantic triangle.
Produced by John Golden and staged by Winchell Smith, it starred Norman Foster, Ruth Lyons, Averell Harris, Maurice Freeman, and Gail DeHart.[3] After tryouts in Atlantic City and Minneapolis-St. Paul during July and August, it ran on Broadway from September through December 1928. Night Hostess drew unfavorable comparisons from critics with the author's earlier Broadway.[4] [5]
Katharine Hepburn made her Broadway debut in Night Hostess, playing a bit part as one of the "Other Hostesses". She was billed under her own name (spelled as "Katherine") for the tryout in Minneapolis,[6] but according to IBDb took the stage name of "Katherine Burns" for the Broadway run.
Lead
Supporting
Featured
Bit players and Walk-ons
Chris Miller, manager of the Little Casino nightclub has been cheating the proprieter, Ben Fischer, for some time. Miller's girlfriend Julia, and his henchmen Hardware Herman and Hennessy have been setting up "chumps" for rolling after a big win. Miller is getting interested in hostess Buddy Miles, who also sings for the customers a ditty called Everybody's Buddy. One night a rolling goes wrong, and the chump is murdered, with Julia leaving her cigarette case behind in the apartment. Meanwhile, Ben Fischer has been getting suspicious about the club's income dip when it is busy every night. He sends for Rags Conway, a vaudeville performer, to be his secret informant in the club. Rags and Buddy have had a relationship going, but Miller has gotten Buddy's attention by promising her a part in a Chicago stage show in which he has an interest.
Julia, whose substance abuse has led her to a near breakdown, becomes jealous of Buddy, and threatens to spill about the murder. Miller kills her and stuffs her body in a trunk. Tom Hayes, assigned to investigate the killing, recognizes the cigarette case as belonging to his estranged wife, Julia. He questions Miller about her whereabouts, but gets no satisfaction. Miller, panicking, has some hoodlums shift the trunk with Julia's body several times. This draws the attention of Conway and Hayes, who finally are able to find the trunk. Miller sends for some hoodlums to take out Conway and Hayes, but the doorman Tish won't pass them thru into the club. Pursued by Hayes, Miller meets his literal downfall courtesy of an open elevator shaft.
Philip Dunning's 1926 play Broadway had been a success, for which George Abbott received much credit for rewriting and directing. However, Dunning went solo on the writing for Night Hostess. A reporter at the second tryout said Dunning made note of audience reactions to specific lines and adjusted the dialogue.[7]
Producer John Golden managed an empire of touring stage and vaudeville companies. He advertised his productions extensively, and rather than trot out his players for the press, he cultivated journalists by giving personal interviews.[8] [9] He had a long-standing partnership with playwright-director Winchell Smith.
The production was on hiatus from July 30 through August 25, 1928, and again from December 17 through December 23, 1928.
| Role | Actor | Dates | Notes and sources |
|---|---|---|---|
| Rags Conway | Ross Alexander | Jul 23, 1928 - Jul 28, 1928 | He was just 17 when cast in the first tryout. |
| Norman Foster | Aug 26, 1928 - Dec 29, 1928 | Foster replaced Alexander when the latter was injured in an auto accident just before the second tryout. | |
| Buddy Miles | Marguerite Churchill | Jul 23, 1928 - Jul 30, 1928 | She was just 18 when cast in the first tryout. |
| Ruth Lyons | Aug 26, 1928 - Nov 03, 1928 | She left the production to take a lead in Jimmies Women.[10] | |
| Kay Carlin | Nov 05, 1928 - Dec 29, 1928 | [11] | |
| Chris Miller | Averell Harris | Jul 23, 1928 - Dec 29, 1928 | |
| Ben Fischer | Maurice Freeman | Jul 23, 1928 - Dec 29, 1928 | |
| Julia Barnes | Gail DeHart | Jul 23, 1928 - Dec 29, 1928 | |
| Tish | Porter Hall | Jul 23, 1928 - Dec 29, 1928 | |
| Tom Hayes | Charles Laite | Jul 23, 1928 - Dec 29, 1928 | |
| Hardware Herman | John L. Kearney | Jul 23, 1928 - Dec 29, 1928 | |
| Hennessy | Francis O'Relley | Jul 23, 1928 - Dec 29, 1928 | |
| Peggy | Louise Kirtland | Jul 23, 1928 - Dec 29, 1928 | |
| Joe | Norvell Keedwell | Jul 23, 1928 - Jul 28, 1928 | |
| Henry Lawrence | Aug 26, 1928 - Dec 29, 1928 | ||
| Frank Wardell | Harold Woolf | Jul 23, 1928 - Dec 29, 1928 | |
| Dot | Lilian Lyndon | Jul 23, 1928 - Dec 29, 1928 | |
| Rita | Jane Allyn | Jul 23, 1928 - Dec 29, 1928 | |
| First Chump | J. S. Boatsman | Jul 23, 1928 - Dec 29, 1928 | |
| Second Chump | Chester De Whirst | Jul 23, 1928 - Dec 29, 1928 | |
| Cyril Keane | Graham Velsey | Jul 23, 1928 - Dec 29, 1928 | |
The play was first presented at the Apollo Theatre in Atlantic City for a one-week run beginning July 23, 1928.[12] The local reviewer gave the storyline and identified some cast members, but limited their opinions to general praise for the production.
A. G. Bainbridge Jr., who leased the Metropolitan theaters in Minneapolis and St. Paul, struck a deal with John Golden to host the second tryout at his theaters.[13] Bainbridge agreed to pay for the round-trip cost of transporting the company from Atlantic City to Minneapolis, where the play would open at his Metropolitan Theatre on August 26, 1928. After one week there, it would then move to the Metropolitan Theatre in St. Paul, Minnesota for another week-long run.
When the play opened as scheduled, one local reviewer noted that it was either a "sequel" or "twin" to Broadway: "The resemblance between Broadway and Night Hostess is striking. Nearly every element in the former show has a counterpart in the second".[14] This same reviewer praised Averell Harris as the villain, and Norman Foster as "the juvenile lead",[15] but thought "a stronger feminine lead" would help.
Merle Posner wrote in his review that the theatre for the unusual Sunday opening night was "only partially filled", but the audience gave an "enthusiastic reception" to the play. He also reported that author Dunning was making notes throughout the performance, and that Ruth Lyons as Buddy Miles would be more convincing with less refinement.
Night Hostess had its Broadway premiere on September 12, 1928, at the Martin Beck Theatre. Brooks Atkinson of The New York Times, who subtitled his review 'Foiling the Palukas',[16] labelled Night Hostess as a "farrago", and said "It might well be the end of the Broadway formula in low-life melodrama". He acknowledged the five leads performed their parts creditably, but said "Night Hostess seemed too much like forced and synthetic entertainment".
Arthur Pollock in the Brooklyn Daily Eagle thought the only innovation in the play was to attempt an underworld melodrama without any salacious language, otherwise there was "no originality in either scene or dialogue". Rowland Field in the Brooklyn Times Union said Night Hostess stood the comparison with Broadway well enough. Burns Mantle was clear that Night Hostess might have benefited from the George Abbott touch, but considered it an exciting melodrama that pleased the opening night audience.
Night Hostess finished at the Martin Beck Theatre on Saturday, December 1, 1928, re-opening on Monday, December 3, 1928, at the Vanderbilt Theatre. It took a one-week hiatus from December 17, re-opening on December 24, 1928, only to close for good on December 29, 1928.