| Nick Hornby | |
| Birth Place: | London, United Kingdom |
| Nationality: | British |
| Alma Mater: | Slade School of Fine Art, University College London Chelsea College of Arts, University of the Arts London |
| Elected: | Royal British Society of Sculptors |
Nick Hornby (born 1980) is a British artist specialising in sculpture. He is known for his monumental site-specific works, that combine digital software with traditional materials such as bronze, steel, granite and marble. His work addresses historical critique, semiotics, digital technologies and queer identity.[1]
He received his education at the Slade School of Art, University College London and Chelsea School of Art a constituent college of the University of the Arts London. On graduating, he was awarded the "Clifford Chance/University of the Arts London Sculpture Award,"[2] described by ES Magazine as “The New Gormley” [3] and picked for the Evening Standard “Who to Watch in 2010”.[4] He is a Fellow of the Royal British Society of Sculptors.
"Power over others is Weakness disguised as Strength" was commissioned by Northacre and stands in the centre of Orchard Place, Westminster, London.[5] The 5-metre, 6.5 tonne equestrian work is Hornby’s first permanent sculpture in London. From one viewpoint, passers-by will see a man on horseback. As they walk around the work, this image dissolves into an abstract shape before morphing into a curling line inspired by a squiggle printed in the eighteen-century novel The Life and Opinions of Tristram Shandy, Gentleman, 1959.
"Twofold" was commissioned by Harlow Art Trust. It is the 100th piece in Harlow's public sculpture collection[6] which includes works by Auguste Rodin, Barbara Hepworth, Henry Moore, and Elizabeth Frink, among many others, so is a fitting environment for an artist whose subject is frequently the canon and its construction. For this commission, Hornby has crossed one of the most canonic of figurative sculptures, Michelangelo's David, with a curving line from a 1925 Kandinsky drawing. In one rotation, David is visible; in another, it is Kandinsky's abstract line.
Other notable commissions include a presentation of monumental sculpture at Glyndebourne Opera House[7] in the UK, and 'Bird God Drone,' Commissioned by Two Trees Management Co, in partnership with NYC Parks’ Art in the Parks program for outdoor presentation in DUMBO, Brooklyn, NY,[8]
He has exhibited his work in the UK, the US, Greece, and India, including Tate Britain (UK), Southbank Centre (UK), Eyebeam (New York, USA), The Museum of Arts and Design (New York, USA),[9] The Hub (Athens).
He has been reviewed in the New York Times,[10] Frieze,[11] Artforum,[12] and featured in Dazed, Wired, and Time Out, among others.