| New Last Name | |
| Type: | studio |
| Artist: | Courting |
| Cover: | Courting - New Last Name.png |
| Alt: | A gleaming silver dagger lying on a dark pink and brown cloth |
| Genre: |
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| Length: | 40:40 |
| Label: | PIAS |
| Producer: | Sean Murphy O'Neill |
| Prev Title: | Guitar Music |
| Prev Year: | 2022 |
New Last Name is the second studio album by British band Courting, released on 26 January 2024 through Lower Third and PIAS Recordings. The album was primarily produced by frontman Sean Murphy O'Neill and producer Robert Whiteley, with two tracks co-produced by Cribs members, twin brothers Gary and Ryan Jarman. It received positive reviews from critics.
New Last Name received a score of 71 out of 100 on review aggregator Metacritic based on four critics' reviews, indicating "generally favorable" reception. Kyle Kohner of The Line of Best Fit described the album as "a collection of their most infectious pop songs dusted with their inevitable experimental flair" as well as "an irresistible mess made with exploratory abandon and the demeanour to show off and articulate a thing or two about expectations and pandering". The Skinnys Vicky Greer wrote that the album "forgoes the eccentricities of Guitar Music in favor of music that more closely matches their lofty ambitions—out with sarcastic talk-singing, and in with sugar-sweet choruses".
NMEs Sophie Williams found that "the album's overall vibrancy doesn't dim on repeated listens. What's clear is that the playful, 'for the plot' vibe of a band that started on a lark is beginning to transform into something close to remarkable". Andy Steiner of Paste stated that "Courting condenses themselves on New Last Name into smaller, more straightforward indie rock. But the moments when they escape those confines exude with personality and color."
Ben Forrest, writing for Far Out panned the album, calling it "a derivative mess of indie landfill". Forrest said that "in an effort to diversify their sound, certain tracks hint at disco, but these often feel underwhelming and somewhat forced. Furthermore, the almost impressive lack of subtlety in O’Neill’s lyricism means you don’t have to think too hard about what the songs might mean, it’s all presented fairly obviously and without much depth".