New Hollywood Explained

New Hollywood
Yearsactive:	Mid-1960s to early 1980s
Country:	United States
Influences:	Classical Hollywood cinema French New Wave^[1] Italian cinema Japanese cinema Art film Experimental film Direct Cinema Golden Age of Television (1950s) B movies American independent film^[2]
Influenced:	Cinéma du look Poliziotteschi American Eccentric Cinema Peak TV^[3]

The New Hollywood, Hollywood Renaissance, American New Wave, or New American Cinema (not to be confused with the New American Cinema of the 1960s that was part of avant-garde underground cinema), was a movement in American film history from the mid-1960s to the early 1980s, when a new generation of filmmakers came to prominence. They influenced the types of film produced, their production and marketing, and the way major studios approached filmmaking.^[4] In New Hollywood films, the film director, rather than the studio, took on a key authorial role.

The definition of "New Hollywood" varies, depending on the author, with some defining it as a movement and others as a period. The span of the period is also a subject of debate, as well as its integrity, as some authors, such as Thomas Schatz, argue that the New Hollywood consists of several different movements. The films made in this movement are stylistically characterized in that their narrative often deviated from classical norms. After the demise of the studio system and the rise of television, the commercial success of films was diminished.

Successful films of the early New Hollywood era include Bonnie and Clyde, The Graduate,^[5] Rosemary's Baby, Night of the Living Dead, The Wild Bunch, and Easy Rider while films that failed at the box office such as New York, New York, Sorcerer, Heaven's Gate, They All Laughed and One from the Heart marked the end of the era.^[6]

History

Background

Following the Paramount Case (which ended block booking and ownership of theater chains by film studios) and the advent of television (where Rod Serling, John Frankenheimer, Arthur Penn, Paddy Chayefsky and Sidney Lumet^{[7] [8] [9] [10] [11] [12] [13]} worked in their earlier years) both of which severely weakened both the traditional studio system and Motion Picture Production Code (or the Hays Code) Hollywood studios initially used spectacle to retain profitability. Technicolor developed a far more widespread use, while widescreen processes and technical improvements, such as CinemaScope, stereo sound, and others, such as 3-D, were invented to retain the dwindling audience and compete with television. However, these were generally unsuccessful in increasing profits.^[14] By 1957, Life magazine called the 1950s "the horrible decade" for Hollywood. It was dubbed a "New Hollywood" by a press.^[15]

In the 1950s and early 1960s, Hollywood was dominated by musicals, historical epics, and other films that benefited from the larger screens, wider framing, and improved sound. However, audience shares continued to dwindle, and had reached alarmingly low levels by the mid-1960s. Several costly flops, including Tora! Tora! Tora!, Gene Kelly's adaptation of Hello, Dolly! and the Julie Andrews vehicle Star!, each failed attempts to replicate the success of Mary Poppins, Doctor Zhivago and The Sound of Music, put great strain on the studios.

By the time the Baby Boomer generation started to come of age in the 1960s, "Old Hollywood" was rapidly losing money; the studios were unsure how to react to the much-changed audience demographics. The change in the market during the period went from a middle-aged high school-educated audience in the mid-1960s to a younger, more affluent, college-educated demographic: by the mid-1970s, 76% of all movie-goers were under 30, 64% of whom had gone to college. European films, both arthouse and commercial (especially the Commedia all'italiana, the French New Wave, the Spaghetti Western), and Japanese cinema were making a splash in the United States – the huge market of disaffected youth seemed to find relevance and artistic meaning in movies like Michelangelo Antonioni's Blowup, with its oblique narrative structure and full-frontal female nudity.^{[16] [17]}

The desperation felt by studios during this period of economic downturn, and after the losses from expensive movie flops, led to innovation and risk-taking, allowing greater control by younger directors and producers. Therefore, in an attempt to capture that audience that found a connection to the "art films" of Europe, the studios hired a host of young filmmakers and allowed them to make their films with relatively little studio control. Some of whom, like actor Jack Nicholson and director Peter Bogdanovich, were mentored by "King of the Bs" Roger Corman^{[18] [2]} while others like celebrated cinematographer Vilmos Zsigmond worked for lesser-known B movie directors like Ray Dennis Steckler, known for the 1962 Arch Hall Jr. vehicle Wild Guitar^[19] and the 1963 horror musical flick The Incredibly Strange Creatures Who Stopped Living and Became Mixed-Up Zombies.^[20] This, together with the breakdown of the Hays Code^[21] following the Freedman v. Maryland court case in 1965 and the new ratings system in 1968 (reflecting growing market segmentation) set the scene for the New Hollywood.

Bonnie and Clyde

A defining film of the New Hollywood generation was Bonnie and Clyde (1967).^[22] Produced by and starring Warren Beatty and directed by Arthur Penn, its combination of graphic violence and humor, as well as its theme of glamorous disaffected youth, was a hit with audiences. The film eventually won Academy Awards for Best Supporting Actress (Estelle Parsons)^[23] and Best Cinematography.^{[24] [25]}

When Jack L. Warner, then-CEO of Warner Bros., first saw a rough cut of Bonnie and Clyde in the summer of 1967, he hated it. Distribution executives at Warner Brothers agreed, giving the film a low-key premiere and limited release. Their strategy appeared justified when Bosley Crowther, middlebrow film critic at The New York Times, gave the movie a scathing review. "It is a cheap piece of bald-faced slapstick comedy," he wrote, "that treats the hideous depredations of that sleazy, moronic pair as though they were as full of fun and frolic as the jazz-age cut-ups in Thoroughly Modern Millie..." Other notices, including those from Time and Newsweek magazines, were equally dismissive.^[26]

Its portrayal of violence and ambiguity in regard to moral values, and its startling ending, divided critics. Following one of the negative reviews, Time magazine received letters from fans of the movie, and according to journalist Peter Biskind, the impact of critic Pauline Kael in her positive review of the film (October 1967, New Yorker) led other reviewers to follow her lead and re-evaluate the film (notably Newsweek and Time). Kael drew attention to the innocence of the characters in the film and the artistic merit of the contrast of that with the violence in the film: "In a sense, it is the absence of sadism — it is the violence without sadism — that throws the audience off balance at Bonnie and Clyde. The brutality that comes out of this innocence is far more shocking than the calculated brutalities of mean killers." Kael also noted the reaction of audiences to the violent climax of the movie, and the potential to empathize with the gang of criminals in terms of their naiveté and innocence reflecting a change in expectations of American cinema.^[27]

The cover story in Time magazine in December 1967, celebrated the movie and innovation in American New Wave cinema. This influential article by Stefan Kanfer claimed that Bonnie and Clyde represented a "New Cinema" through its blurred genre lines, and disregard for honored aspects of plot and motivation, and that "In both conception and execution, Bonnie and Clyde is a watershed picture, the kind that signals a new style, a new trend." Biskind states that this review and turnaround by some critics allowed the film to be re-released, thus proving its commercial success and reflecting the move toward the New Hollywood. The impact of this film is important in understanding the rest of the American New Wave, as well as the conditions that were necessary for it.

These initial successes paved the way for the studio to relinquish almost complete control to these innovative young filmmakers. In the mid-1970s, idiosyncratic, startling original films such as Paper Moon, Dog Day Afternoon, Chinatown, and Taxi Driver, among others, enjoyed enormous critical and commercial success. These successes by the members of the New Hollywood led each of them in turn to make more and more extravagant demands, both on the studio and eventually on the audience.

Characteristics

The new generation of Hollywood filmmakers was most importantly, from the studios' view, young, therefore able to reach the youth audience they were losing. This collective of actors, screenwriters and directors, dubbed the "New Hollywood" by the press, briefly changed the business from the producer-driven Hollywood system of the past as Todd Berliner has written about the period's unusual narrative practices.

The 1970s, Berliner says, marks Hollywood's most significant formal transformation since the conversion to sound film and is the defining period separating the storytelling modes of the studio era and contemporary Hollywood. New Hollywood films deviate from classical narrative norms more than Hollywood films from any other era or movement. Their narrative and stylistic devices threaten to derail an otherwise straightforward narration. Berliner argues that five principles govern the narrative strategies characteristic of Hollywood films of the 1970s:

• Seventies films show a perverse tendency to integrate, in narrative incidental ways, story information and stylistic devices counterproductive to the films' overt and essential narrative purposes.
• Hollywood filmmakers of the 1970s often situate their film-making practices in between those of classical Hollywood and those of European and Asian art cinema.
• Seventies films prompt spectator responses more uncertain and discomforting than those of more typical Hollywood cinema.
• Seventies narratives place an uncommon emphasis on irresolution, particularly at the moment of climax or in epilogues, when more conventional Hollywood movies busy themselves tying up loose ends.
• Seventies cinema hinders narrative linearity and momentum and scuttles its potential to generate suspense and excitement.

Seventies cinema also dealt with masculine crises featuring flawed male characters, downbeat conclusions and pessimistic subject matters^{[28] [29] [30]} alongside hard-nosed depictions of a America reeling from tense conflicts like The Vietnam War and President Richard Nixon's Watergate scandal.

Thomas Schatz points to another difference with the Hollywood Golden Age, which deals with the relationship of characters and plot. He argues that plot in classical Hollywood films (and some of the earlier New Hollywood films like The Godfather) "tended to emerge more organically as a function of the drives, desires, motivations, and goals of the central characters". However, beginning with mid-1970s, he points to a trend that "characters became plot functions".

During the height of the studio system, films were made almost exclusively on set in isolated studios. The content of films was limited by the Motion Picture Production Code, and though golden-age film-makers found loopholes in its rules, the discussion of more taboo content through film was effectively prevented. The shift towards a "new realism" was made possible when the Motion Picture Association of America film rating system was introduced and location shooting was becoming more viable. New York City was a favorite spot for this new set of filmmakers due to its gritty atmosphere.^[31]

Because of breakthroughs in film technology (e.g. the Panavision Panaflex camera, introduced in 1972; the Steadicam, introduced in 1976), the New Hollywood filmmakers could shoot 35mm camera film in exteriors with relative ease. Since location shooting was cheaper (no sets need to be built) New Hollywood filmmakers rapidly developed the taste for location shooting, resulting in a more naturalistic approach to filmmaking, especially when compared to the mostly stylized approach of classical Hollywood musicals and spectacles made to compete with television during the 1950s and early 1960s. The documentary films of D.A. Pennebaker, the Maysles Brothers and Frederick Wiseman, among others, also influenced filmmakers of this era.^[32]

However, in editing, New Hollywood filmmakers adhered to realism more liberally than most of their classical Hollywood predecessors, often using editing for artistic purposes rather than for continuity alone, a practice inspired by European art films and classical Hollywood directors such as D. W. Griffith and Alfred Hitchcock. Films with unorthodox editing included Easy Riders use of jump cuts (influenced by the works of experimental collage filmmaker Bruce Conner^{[33] [34] [35]}) to foreshadow the climax of the movie, as well as subtler uses, such as those to reflect the feeling of frustration in Bonnie and Clyde, the subjectivity of the protagonist in The Graduate and the passage of time in the famous match cut from 2001: A Space Odyssey.^[36] Also influential were the works of experimental filmmakers Arthur Lipsett,^[37] Stan Brakhage, Bruce Baillie,^[38] Jordan Belson,^[39] John Whitney,^[40] Scott Bartlett,^[41] Maya Deren and Kenneth Anger^[42] with their combinations of music and imagery and each were cited by George Lucas, Francis Ford Coppola and Martin Scorsese as influences.^{[43] [44]} The New Hollywood generation of directors and screenwriters (each educated at either USC, UCLA, NYU and AFI) such as Coppola, Lucas, Scorsese, Steven Spielberg, John Milius and Paul Schrader^[45] were sometimes jokingly labeled as "Movie Brats" or "Young Turks".^[46]

The end of the production code enabled New Hollywood films to feature anti-establishment political themes, the use of rock music, and sexual freedom deemed "counter-cultural" by the studios. The youth movement of the 1960s turned anti-heroes like Bonnie and Clyde and Cool Hand Luke into pop-culture idols, and Life magazine called the characters in Easy Rider "part of the fundamental myth central to the counterculture of the late 1960s." Easy Rider also affected the way studios looked to reach the youth market. The success of Midnight Cowboy, in spite of its "X" rating, was evidence for the interest in controversial themes at the time and also showed the weakness of the rating system and segmentation of the audience.

Interpretations on defining the movement

For Peter Biskind, the new wave was foreshadowed by Bonnie and Clyde and began in earnest with Easy Rider. Biskind's book Easy Riders, Raging Bulls argues that the New Hollywood movement marked a significant shift towards independently produced and innovative works by a new wave of directors, but that this shift began to reverse itself when the commercial success of Jaws and Star Wars led to the realization by studios of the importance of blockbusters, advertising and control over production (even though the success of The Godfather was said to be the precursor to the blockbuster phenomenon).^[47]

Writing in 1968, critic Pauline Kael argued that the importance of The Graduate was in its social significance in relation to a new young audience, and the role of mass media, rather than any artistic aspects. Kael argued that college students identifying with The Graduate were not too different from audiences identifying with characters in dramas of the previous decade.^[48] She also compared this era of cinema to "tangled, bitter flowering of American letters in the 1850s".

Filmmaker Quentin Tarantino identified in his 2022 book Cinema Speculation that:^[6]

"regular moviegoers were becoming weary of modern American movies. The darkness, the drug use, the embrace of sensation-the violence, the sex, and the sexual violence. But even more than that, they became wear of the anti-everything cynicism... Was everything a bummer? Was everything a drag? Was every movie about some guy with problems?"

In 1980, film historian/scholar Robert P. Kolker examined New Hollywood film directors in his book A Cinema of Loneliness: Penn, Kubrick, Coppola, Scorsese, Altman, and how their films influenced American society of the 1960s and 1970s.^[49] Kolker observed that "for all the challenge and adventure, their films speak to a continual impotence in the world, an inability to change and to create change."^[50]

John Belton points to the changing demographic to even younger, more conservative audiences in the mid 1970s (50% aged 12–20) and the move to less politically subversive themes in mainstream cinema, as did Thomas Schatz, who saw the mid- to late 1970s as the decline of the art cinema movement as a significant industry force with its peak in 1974–75 with Nashville and Chinatown.

Geoff King sees the period as an interim movement in American cinema where a conjunction of forces led to a measure of freedom in filmmaking, while Todd Berliner says that 70s cinema resists the efficiency and harmony that normally characterize classical Hollywood cinema and tests the limits of Hollywood's classical model.

According to author and film critic Charles Taylor (Opening Wednesday at a Theater or Drive-In Near You), he stated that "the 1970s remain the third — and, to date, last — great period in American movies".^[51] Author and film critic David Thomson also shared similar sentiment to the point of dubbing the era "the decade when movies mattered".

Author A.D. Jameson (I Find Your Lack of Faith Disturbing), on the other hand, claimed that Star Wars was New Hollywood's finest achievement that actually embodied the characteristics of the respected "serious, sophisticated adult films".^{[52] [53]}

Steven Hyden, writing for Grantland, called the Movie Brats the "cinematic version" of classic rock (to the point of roll calling Spielberg as the Beatles, Scorsese as the Velvet Underground, Coppola as Bob Dylan, Lucas as Pink Floyd, Robert Altman as Neil Young, Brian De Palma as Led Zeppelin, Bogdanovich as the Beach Boys and Hal Ashby as the Kinks).

Criticism and legacy

Los Angeles Times article film critic Manohla Dargis described New Hollywood as the "halcyon age" of 1970s filmmaking, that "was less revolution than business as usual, with rebel hype".^[54] She also pointed out in her New York Times article that the era's enthusiasts insist this was "when American movies grew up (or at least starred underdressed actresses); when directors did what they wanted (or at least were transformed into brands); when creativity ruled (or at least ran gloriously amok, albeit often on the studio's dime)."^[55]

This era was also infamous for its excessive decadence and on-set mishaps.^{[56] [57] [58]} Incidents plaguing the behind-the-scenes of some of the horror films from this era (such as Rosemary's Baby, The Exorcist, and The Omen) were also the subjects for the docuseries Cursed Films.^{[59] [60] [61] [62]} Even Spielberg, who co-directed/co-produced Twilight Zone with John Landis, was so disgusted by the latter's handling of a deadly helicopter accident that resulted in the death of three actors, that he ended their friendship and publicly called for the end of New Hollywood. When approached by the press about the accident, he stated:^[63]

"No movie is worth dying for. I think people are standing up much more now, than ever before, to producers and directors who ask too much. If something isn't safe, it's the right and responsibility of every actor or crew member to yell, 'Cut!'

The films of New Hollywood influenced future mainstream and independent filmmakers such as Tarantino, Paul Thomas Anderson and Noah Baumbach. They also influenced both the Poliziotteschi genre films in Italy^[64] and a decade later the Cinéma du look movement in France.^[65] Todd Phillips's 2019 DC Comics adaptation Joker, alongside the film's period setting, was inspired by the Martin Scorsese classics Taxi Driver and The King of Comedy^[66] while Alexander Payne's 2023 film The Holdovers took inspiration from Ashby's works.^[67]

American Eccentric Cinema has been noted as influenced by this era. Both traditions have similar themes and narratives of existentialism and the need for human interaction. New Hollywood focuses on the darker elements of humanity and society within the context of the American Dream in the mid-1960s to the early 1980s, with themes that were reflective of sociocultural issues and were centered around the potential meaninglessness of pursuing the American Dream as generation upon generation was motivated to possess it. In comparison, American Eccentric Cinema does not have a distinct context, its films show characters who are very individual and their concerns are very distinctive to their own personalities.^[68]

Notable figures of the movement

Actors

• Woody Allen^[69]
• René Auberjonois^[70]
• Ned Beatty^[71]
• Warren Beatty^{[72] [29]}
• Candice Bergen^[69]
• Jacqueline Bisset^[69]
• Karen Black^{[73] [74]}
• Timothy Bottoms^[69]
• Peter Boyle^[73]
• Marlon Brando
• Beau Bridges^[75]
• Jeff Bridges^[69]
• Albert Brooks
• Mel Brooks^[76]
• Geneviève Bujold^[69]
• Ellen Burstyn^[69]
• James Caan^[69]
• Michael Caine^[69]
• Dyan Cannon^[69]
• Keith Carradine^[77]
• Diahann Carroll
• John Cassavetes^[69]
• John Cazale^[78]
• Julie Christie^[75]
• Jill Clayburgh^[79]
• Sean Connery^[69]
• Bud Cort^[80]
• Jamie Lee Curtis^{[69] [2]}
• Beverly D'Angelo^[69]
• Robert De Niro^[69]
• Bruce Dern^{[69] [2]}
• Danny DeVito^[81]
• Matt Dillon
• Michael Douglas^[69]
• Brad Dourif^[81]
• Richard Dreyfuss^{[69] [2]}
• Faye Dunaway^[69]
• Robert Duvall^[69]
• Shelley Duvall^{[69] [82]}
• Clint Eastwood^[69]
• Peter Falk^[83]
• Mia Farrow^[69]
• Louise Fletcher^[69]
• Jane Fonda^[69]
• Peter Fonda^[84]
• Harrison Ford^[69]
• Jodie Foster^[69]
• Teri Garr^[69]
• Ben Gazzara^[85]
• Richard Gere^[87]
• Elliott Gould^[69]
• Lee Grant^[88]
• Pam Grier^[69]
• Charles Grodin^[69]
• Gene Hackman^[69]
• Mark Hamill^[52]
• Goldie Hawn^[69]
• Dustin Hoffman^{[89] [29]}
• Anthony Hopkins^[69]
• Dennis Hopper^[90]
• Ron Howard^[2]
• Glenda Jackson^[69]
• James Earl Jones
• Madeline Kahn^[91]
• Carol Kane^[69]
• Diane Keaton^[69]
• Harvey Keitel^[69]
• Sally Kellerman^[69]
• Margot Kidder^[92]
• Kris Kristofferson^[75]
• Diane Ladd^[93]
• Jessica Lange^{[94] [2]}
• Cloris Leachman^[75]
• Paul Le Mat^[2]
• Walter Matthau
• Malcolm McDowell^[69]
• Liza Minnelli^[2]
• Paul Newman^[73]
• Olivia Newton-John^[69]
• Jack Nicholson^{[84] [29]}
• Warren Oates^[73]
• Ryan O'Neal^[69]
• Tatum O'Neal^[91]
• Peter O'Toole^[69]
• Al Pacino^[89]
• Mackenzie Phillips^[2]
• Sidney Poitier^[95]
• Richard Pryor
• Robert Redford^[69]
• Vanessa Redgrave^[96]
• Burt Reynolds^[69]
• Jason Robards^[97]
• Diana Ross
• Gena Rowlands^[69]
• Roy Scheider^[73]
• George Segal^[69]
• Martin Sheen^[69]
• Sam Shepard^[98]
• Cybill Shepherd^[69]
• Talia Shire
• Tom Skerritt^[99]
• Charles Martin Smith^[2]
• Sissy Spacek^[69]
• Sylvester Stallone^[69]
• Harry Dean Stanton
• Mary Steenburgen^[100]
• Meryl Streep^[69]
• Barbra Streisand^[69]
• Donald Sutherland^[69]
• Lily Tomlin^[101]
• Rip Torn^[102]
• John Travolta^[69]
• Cicely Tyson
• Jon Voight^[89]
• Sigourney Weaver^[103]
• Gene Wilder^[69]
• Billy Dee Williams
• Cindy Williams^[2]
• Paul Williams
• Joanne Woodward^[69]

Directors

• Robert Aldrich
• Woody Allen^{[104] [105]}
• Robert Altman

^{[106] [29]}

• Hal Ashby

^[29]

• John G. Avildsen^{[107] [2]}
• John Badham^[108]
• Ralph Bakshi
• Paul Bartel^[2]
• Robert Benton
• John Berry
• Peter Bogdanovich
• James Bridges^[109]
• Albert Brooks
• Mel Brooks
• John Boorman
• John Carpenter
• John Cassavetes
• Michael Cimino
• Shirley Clarke
• Larry Cohen
• Francis Ford Coppola
• Roger Corman^{[110] [111]}
• Wes Craven^[2]
• Michael Crichton
• Joe Dante^{[110] [2]}
• Jonathan Demme^[2]
• Brian De Palma
• Richard Donner^[112]
• Robert Downey Sr.^[2]
• Richard Fleischer
• Miloš Forman^[29]
• Bob Fosse^[113]
• John Frankenheimer
• William Friedkin^{[111] [104]}
• Sidney J. Furie^[114]
• Ulu Grosbard
• Monte Hellman^{[80] [110]}
• Buck Henry
• George Roy Hill^[108]
• Walter Hill^[115]
• Arthur Hiller^{[116] [117] [118]}
• Tobe Hooper
• Dennis Hopper^[111]
• John Huston
• Henry Jaglom^[93]
• Norman Jewison^[119]
• Irvin Kershner
• Stanley Kubrick^{[111] [29]}
• John Landis^[120]
• Tom Laughlin^[110]
• Richard Lester^[2]
• George Lucas^{[111] [2]}
• Sidney Lumet^{[73] [21]}
• David Lynch^{[113] [2]}
• Terrence Malick^{[89] [110]}
• Michael Mann
• Elaine May^{[79] [21]}
• Paul Mazursky^{[121] [122] [123]}
• John Milius^{[113] [2]}
• Robert Mulligan
• Floyd Mutrux
• Ralph Nelson^[75]
• Mike Nichols^{[111] [104] [29] [2]}
• Alan J. Pakula^[111]
• Gordon Parks^[124]
• Ivan Passer^[74]
• Sam Peckinpah
• Melvin Van Peebles
• Larry Peerce
• Arthur Penn^{[111] [104] [22] [29]}
• Frank Perry
• Roman Polanski
• Sydney Pollack^[73]
• Bob Rafelson^{[89] [125] [21]}
• Michael Ritchie^[2]
• Martin Ritt
• George A. Romero^{[126] [127] [2]}
• Stuart Rosenberg^[73]
• Alan Rudolph^[128]
• Richard C. Sarafian^[111]
• Franklin J. Schaffner^{[129] [2]}
• Jerry Schatzberg
• John Schlesinger^[111]
• Paul Schrader
• Martin Scorsese
• Ridley Scott
• Don Siegel^{[73] [105]}
• Joan Micklin Silver^[130]
• Steven Spielberg
• Mel Stuart
• James Toback^[131]
• Claudia Weill
• Haskell Wexler^[2]
• Peter Yates^{[73] [105]}
• David Zucker, Jim Abrahams and Jerry Zucker^[132]

Others

• Dede Allen^[133]
• John Alcott^{[134] [39]}
• Nestor Almendros^[110]
• John A. Alonzo^[110]
• Steven Bach^[135]
• Elaine and Saul Bass^[136]
• Bill Butler^[137]
• William Peter Blatty^[138]
• Wendy Carlos^{[139] [140] [141]}
• Michael Chapman^[134]
• Paddy Chayefsky^[142]
• Stewart Copeland^{[143] [144] [145]}
• Pino Donaggio^{[146] [143]}
• Tangerine Dream^{[147] [148] [149]}
• Bob Dylan^[150]
• Roger Ebert^{[151] [143]}
• Robert Evans^[152]

^{[153] [154] [58] [124]}

• Pablo Ferro^{[155] [156]}
• William A. Fraker^[157]
• Tak Fujimoto^[158]
• William Goldman^[5]
• Jerry Goldsmith^{[159] [143]}
• Berry Gordy^[114]
• Conrad L. Hall^[160]
• James Wong Howe^[161]
• Willard Huyck^[162]
• Quincy Jones^[163]
• Pauline Kael^{[164] [165]}
• Ring Lardner Jr.
• Barry Malkin^[167]
• Giorgio Moroder^{[143] [168] [169]}
• Ennio Morricone^[170]
• Walter Murch^[114]
• Harry Nilsson^{[171] [172]}
• Jack Nitzsche^{[173] [174]}
• Mike Oldfield^[175]
• Dan Perri^[176]
• Polly Platt^[177]
• Owen Roizman^[178]
• Waldo Salt
• Andrew Sarris^[165]
• John Sayles^[2]
• Lalo Schifrin^{[179] [180] [143]}
• Bert Schneider^[181]
• Thelma Schoonmaker^{[182] [183]}
• David Shire^{[184] [143]}
• Gene Siskel^{[151] [143]}
• Vittorio Storaro^[185]
• Robert Surtees^[5]
• Robert Towne^{[186] [2]}
• Donald Trumbull^{[39] [40]}
• Vangelis^[143]
• Tom Waits^{[187] [188] [189]}
• Haskell Wexler^[111]
• John Williams^{[190] [191]}
• Gordon Willis^{[111] [29]}
• Frank Yablans^[192]
• Vilmos Zsigmond^{[193] [194]}

List of notable films

The following is a chronological list of notable films that are generally considered to be "New Hollywood" productions.

• Mickey One (1965)^{[195] [196]}
• Seconds (1966)^[197] ≈
• Who's Afraid of Virginia Woolf? (1966)^[114] ≈
• The Wild Angels (1966)^[198]
• The Shooting (1966)^{[165] [2]}
• Ride in the Whirlwind (1966)^{[165] [2]}
• You're a Big Boy Now (1966)^[199]
• Portrait of Jason (1967)^[200] ≈
• In the Heat of the Night (1967)^{[200] [201]} ≈
• Bonnie and Clyde (1967)^{[202] [143] [21]} ≈
• The Graduate (1967)^{[202] [29] [21]} ≈
• Who's That Knocking at My Door? (1967)
• In Cold Blood (1967)^{[189] [203]} ≈
• Reflections in a Golden Eye (1967)^[29]
• The Dirty Dozen (1967)^[129]
• Dont Look Back (1967)≈
• Point Blank (1967)^[189] ≈
• The Trip (1967)^[195]
• David Holzman's Diary (1967)^[204] ≈
• Funny Girl (1968)^[114] ≈
• The Producers (1968)^[205] ≈
• The Swimmer (1968)^[206]
• Coogan's Bluff (1968)
• Greetings (1968)^[189]
• 2001: A Space Odyssey (1968)^[143] ≈
• Planet of the Apes (1968) ≈
• Petulia (1968)^[189]
• Rosemary's Baby (1968)^{[189] [201]} ≈
• The Thomas Crown Affair (1968)≈
• Faces (1968)^[204] ≈
• Targets (1968)^{[111] [2]}
• Bullitt (1968)^[207] ≈
• Night of the Living Dead (1968)^[204] ≈
• Head (1968)^{[208] [189]}
• Downhill Racer (1969)^[205]
• Alice's Restaurant (1969)^[189]
• Easy Rider (1969)^{[208] [202] [125] [2]} ≈
• Medium Cool (1969)^[205] ≈
• Midnight Cowboy (1969)^[189] ≈
• Putney Swope (1969)^[2] ≈
• The Rain People (1969)^[199]
• Goodbye, Columbus (1969)^[209]
• Take the Money and Run (1969)
• The Wild Bunch (1969)^[189] ≈
• Bob & Carol & Ted & Alice (1969)^[2]
• Butch Cassidy and the Sundance Kid (1969)≈
• They Shoot Horses, Don't They? (1969)^[205]
• Wanda (1970)^{[204] [32] [210] [211] [21] [212]} ≈
• Watermelon Man (1970)^[213]
• Hi, Mom! (1970)
• The Boys in the Band (1970)^{[209] [205]}
• Diary of a Mad Housewife (1970)^[205]
• Alex in Wonderland (1970)
• Husbands (1970)
• Catch-22 (1970)^[205]
• The Landlord (1970)
• MASH (1970)^{[214] [189] [29] [105]} ≈
• Love Story (1970)^[165]
• Airport (1970)^[165]
• Bloody Mama (1970)
• The Strawberry Statement (1970)^[2]
• Loving (1970)^[215]
• Kelly's Heroes (1970)^[129]
• Patton (1970)≈
• Five Easy Pieces (1970)^{[208] [29] [125]} ≈
• Little Big Man (1970)^[189] ≈
• Brewster McCloud (1970)^{[216] [195]}
• Joe (1970)^[2]
• Woodstock (1970)^{[165] [217]} ≈
• The Ballad of Cable Hogue (1970)^[195]
• Zabriskie Point (1970)^{[165] [217] [143] [2]}
• Gimme Shelter (1970)^[204]
• Where's Poppa (1970)
• A New Leaf (1971)^{[218] [219] [205]} ≈
• Drive, He Said (1971)^{[208] [74]}
• A Safe Place (1971)^{[208] [93]}
• Minnie and Moskowitz (1971)
• Fiddler on the Roof (1971)
• Willy Wonka and the Chocolate Factory (1971)^[2] ≈
• The Panic in Needle Park (1971)^{[215] [205] [2]}
• Play Misty for Me (1971)
• Shaft (1971)≈
• Klute (1971)^{[213] [205]}
• Vanishing Point (1971)
• The Beguiled (1971)^[220]
• McCabe & Mrs. Miller (1971)^{[143] [212] [105]} ≈
• Carnal Knowledge (1971)^{[221] [205]}
• Such Good Friends (1971)^[222]
• Taking Off (1971)^[29]
• Two-Lane Blacktop (1971)^{[51] [143] [195] [2]} ≈
• The Last Movie (1971)^[165]
• The Hired Hand (1971)^{[223] [224]}
• The Last Picture Show (1971)^{[208] [225] [125] [212] [219]} ≈
• The French Connection (1971)^{[212] [224]} ≈
• The Anderson Tapes (1971)
• A Clockwork Orange (1971)^{[226] [227]} ≈
• Dirty Harry (1971)≈
• Harold and Maude (1971)^{[165] [212] [205]} ≈
• Straw Dogs (1971)^[227]
• Sweet Sweetback's Baadasssss Song (1971)^[32] ≈
• THX 1138 (1971)^{[165] [143] [2]}
• Little Murders (1971)^[209]
• Vanishing Point (1971)^[165]
• Billy Jack (1971)^[110]
• Bananas (1971)^[228]
• Duel (1971)^[189]
• The Hospital (1971)^[205] ≈
• Born to Win (1971)^{[74] [229]}
• Dusty and Sweets McGee (1971)
• Johnny Got His Gun (1971)^[205]
• Lady Sings the Blues (1972)^[114]
• The Heartbreak Kid (1972)^{[21] [218]}
• Cabaret (1972)^[230] ≈
• Deliverance (1972)^[231] ≈
• Tomorrow (1972)^[232]
• Prime Cut (1972)
• Pocket Money (1972)^[220]
• Cisco Pike (1972)
• The Hot Rock (1972)
• The Getaway (1972)^[205]
• Bad Company (1972)^{[232] [124]}
• The Last House on the Left (1972)^[233]
• Fat City (1972)^{[234] [143] [205] [223]}
• Fritz the Cat (1972)
• Images (1972)
• The Poseidon Adventure (1972)
• Slaughterhouse-Five (1972)
• The Godfather (1972)^{[58] [124] [143]} ≈
• Super Fly (1972)≈
• Junior Bonner (1972)^[232]
• Boxcar Bertha (1972)^{[235] [2]}
• The King of Marvin Gardens (1972)^{[208] [125] [195] [21] [2]}
• What's Up, Doc? (1972)^[236]
• Hickey & Boggs (1972)
• Payday (1972)^[209]
• Sounder (1972)^[237] ≈
• The Candidate (1972)^[205]
• Heavy Traffic (1973)^[238]
• American Graffiti (1973)^{[21] [228] [237] [2]} ≈
• Badlands (1973)^{[143] [212]} ≈
• Dillinger (1973)^[205]
• Emperor of the North (1973)^{[239] [240]}
• Westworld (1973)^[129]
• The Friends of Eddie Coyle (1973)^[205]
• The Long Goodbye (1973)≈
• The Last Detail (1973)^{[241] [213] [205] [223]}
• Mean Streets (1973)^{[242] [205] [227]} ≈
• Paper Moon (1973)^{[243] [239] [240] [205]}
• Charley Varrick (1973)^[220]
• The Last American Hero (1973)^[220]
• Blume in Love (1973)^[229]
• Pat Garrett and Billy the Kid (1973)
• Breezy (1973)^{[195] [235]}
• Serpico (1973)^[244]
• Sisters (1973)^{[235] [21]}
• Save the Tiger (1973)^[205]
• Sleeper (1973)^[219]
• The Exorcist (1973)^[219] ≈
• Messiah of Evil (1973)^[245]
• The Way We Were (1973)^[237]
• Scarecrow (1973)^[204]
• The Sting (1973)^{[239] [240] [205]} ≈
• Electra Glide in Blue (1973)^{[220] [246]}
• Claudine (1974)^[247]
• Foxy Brown (1974)
• Daisy Miller (1974)^[124]
• Alice Doesn't Live Here Anymore (1974)^{[248] [189] [205]}
• Thieves Like Us (1974)^{[239] [240] [236]}
• Harry and Tonto (1974)^[189]
• Bring Me the Head of Alfredo Garcia (1974)
• Dark Star (1974)^{[143] [235] [2]}
• California Split (1974)^{[249] [213] [205] [229]}
• Chinatown (1974)^{[250] [189] [212] [239] [240] [219]} ≈
• The Yakuza (1974)
• The Gambler (1974)^[124]
• Phantom of the Paradise (1974)^[251]
• The Conversation (1974)^{[78] [114] [227] [192] [242]} ≈
• The Godfather Part II (1974)^[124] ≈
• The Sugarland Express (1974)^{[250] [110] [189] [235] [21]}
• The Parallax View (1974)^{[124] [219]}
• A Woman Under the Influence (1974)^{[54] [212] [21]} ≈
• The Towering Inferno (1974)^[201]
• Blazing Saddles (1974)≈
• Young Frankenstein (1974)≈
• Hearts and Minds (1974)^{[204] [252] [93]} ≈
• The Texas Chain Saw Massacre (1974)^[204]
• Caged Heat (1974)^[2]
• Lenny (1974)^{[235] [204]}
• Death Wish (1974)^{[204] [124]}
• Freebie and the Bean (1974)^[253]
• The Taking of Pelham One Two Three (1974)
• Thunderbolt and Lightfoot (1974)
• Hester Street (1975)^{[211] [218] [236]} ≈
• Aloha, Bobby and Rose (1975)^[254]
• One Flew Over the Cuckoo's Nest (1975)^[212] ≈
• Dog Day Afternoon (1975)^{[255] [225] [212] [219]} ≈
• Three Days of the Condor (1975)^{[256] [124]}
• The Eiger Sanction (1975)
• Rafferty and the Gold Dust Twins (1975)^[232]
• Jaws (1975)^{[58] [205] [2] [201]} ≈
• Nashville (1975)^{[189] [74] [227]} ≈
• Smile (1975)^[189]
• Night Moves (1975)^{[257] [143]}
• Shampoo (1975)^{[29] [205]}
• Hard Times (1975)^{[239] [240] [254]}
• The Day of the Locust (1975)^{[258] [235] [237]}
• Barry Lyndon (1975)^{[143] [227]}
• The Wind and the Lion (1975)
• At Long Last Love (1975)^{[259] [260]}
• Leadbelly (1976)^[124]
• Harlan County, USA (1976)^[218] ≈
• Not a Pretty Picture (1976)^[218]
• The Killing of a Chinese Bookie (1976)^[143]
• Mikey and Nicky (1976)^{[213] [218]}
• All the President's Men (1976)^{[261] [189] [212] [2]} ≈
• Welcome to L.A. (1976)
• Next Stop, Greenwich Village (1976)^{[222] [189]}
• Carrie (1976)^{[143] [228] [201]} ≈
• Obsession (1976)^{[262] [213] [21]}
• The Omen (1976)^{[263] [201] [112]}
• The Outlaw Josey Wales (1976)≈
• God Told Me To (1976)^[264]
• Assault on Precinct 13 (1976)^{[264] [21] [2]}
• Network (1976)^{[265] [189]} ≈
• Marathon Man (1976)^[124]
• Rocky (1976)^{[205] [2]} ≈
• Taxi Driver (1976)^{[250] [202] [227]} ≈
• Buffalo Bill and the Indians (1976)^{[266] [267] [205]}
• Bound for Glory (1976)^{[239] [240] [205] [2]}
• Futureworld (1976)^[129]
• The Last Tycoon (1976)^{[239] [240]}
• Opening Night (1977)
• Annie Hall (1977)^{[268] [212]} ≈
• Close Encounters of the Third Kind (1977)^[2] ≈
• Eraserhead (1977)^[212] ≈
• The Hills Have Eyes (1977)^[269]
• The Gauntlet (1977)
• High Anxiety (1977)
• The Late Show (1977)
• Handle with Care (1977)^{[222] [124] [254]}
• Looking for Mr. Goodbar (1977)^[270]
• New York, New York (1977)^{[271] [259] [260] [205]}
• Saturday Night Fever (1977)^{[124] [201]} ≈
• Sorcerer (1977)^{[272] [189] [58] [260]}
• Star Wars (1977)^{[271] [205] [208] [105] [2]} ≈
• 3 Women (1977)^{[143] [227]}
• Girlfriends (1978)^{[211] [218]} ≈
• The Wiz (1978)
• American Hot Wax (1978)^[254]
• An Unmarried Woman (1978)^[189]
• Eyes of Laura Mars (1978)^{[273] [254]}
• Blue Collar (1978)^{[189] [205]}
• Straight Time (1978)^{[195] [235] [205]}
• Superman (1978)^[112] ≈
• Grease (1978)^{[237] [201]} ≈
• Days of Heaven (1978)^{[264] [219] [228] [227]} ≈
• Heaven Can Wait (1978)^[124]
• The Deer Hunter (1978)^{[225] [143] [227]} ≈
• Coming Home (1978)^[205]
• Interiors (1978)^[273]
• Fingers (1978)^[131]
• Invasion of the Body Snatchers (1978)^[143]
• National Lampoon's Animal House (1978)≈
• Coma (1978)^[129]
• Who'll Stop the Rain (1978)^[264]
• Convoy (1978)
• The Driver (1978)^[274]
• Dawn of the Dead (1978)^[264]
• Halloween (1978)^{[21] [143]} ≈
• Chilly Scenes of Winter (1979)^[218]
• Alien (1979)≈
• All That Jazz (1979)^{[275] [228]} ≈
• Hardcore (1979)^{[143] [202] [205]}
• Apocalypse Now (1979)^{[250] [189] [58] [212] [227]} ≈
• Being There (1979)^[205] ≈
• Real Life (1979)^[124]
• The China Syndrome (1979)^[276]
• Norma Rae (1979)^[276] ≈
• Kramer vs. Kramer (1979)^{[143] [205] [276]}
• Manhattan (1979)^{[189] [273] [228]} ≈
• Wise Blood (1979)^[189]
• The Warriors (1979)^[277]
• Over the Edge (1979)^[278]
• 1941 (1979)^[279]
• Gloria (1980)^{[280] [273]}
• Melvin and Howard (1980)^[189]
• The Shining (1980)^[143] ≈
• Popeye (1980)^{[281] [58]}
• Bronco Billy (1980)
• Raging Bull (1980)^{[189] [205]} ≈
• The Empire Strikes Back (1980)^{[282] [283]} ≈
• American Gigolo (1980)^{[143] [276]}
• Cruising (1980)^{[284] [205] [276] [273]}
• Dressed to Kill (1980)^{[280] [273]}
• Brubaker (1980)^[280]
• Urban Cowboy (1980)^[280]
• Airplane! (1980)≈
• Stardust Memories (1980)^{[189] [205]}
• Heaven's Gate (1980)^{[285] [286] [287] [58] [212] [6]}
• History of the World, Part I (1981)
• Blow Out (1981)^{[189] [280] [201]}
• Raiders of the Lost Ark (1981)^{[283] [228]} ≈
• Cutter's Way (1981)^{[189] [280]}
• Escape from New York (1981)^[273]
• Reds (1981)^[189]
• They All Laughed (1981)
• Thief (1981)^[288]
• The Postman Always Rings Twice (1981)^[2]
• The Thing (1982)^[289]
• Blade Runner (1982)^[143] ≈
• Cat People (1982)^[276]
• E.T. the Extra-Terrestrial (1982)^[290] ≈
• First Blood (1982)^[201]
• One from the Heart (1982)^{[291] [292] [189] [271] [259] [58]}
• The King of Comedy (1982)^{[293] [294] [205]}
• Return of the Jedi (1983)^[282] ≈
• Rumble Fish (1983)^{[143] [280]}
• The Outsiders (1983)^[280]
• Star 80 (1983)^[276]
• (1983)^[63]
• Body Double (1984)^[288]

Notes

• ≈ indicates a National Film Registry inductee

See also

• Counterculture of the 1960s
• Golden Age of Television (2000s–present) – similar to New Hollywood in content
  • List of shows considered as Peak TV
• A Decade Under the Influence – the 2003 documentary about the New Hollywood
• Easy Riders, Raging Bulls – Peter Biskind's controversial account of this era of filmmaking
• – 2004 documentary about the troubled life of programmer Jerry Harvey and his California-based movie channel that aired director's cut editions of films such as The Wild Bunch and Heaven's Gate
• Cinephilia
• Exploitation film – popular during that time
• Vulgar auteurism
• Modernist film
• European art cinema – popular with audiences during this time period
• L.A. Rebellion – alternative African-American cinema in the 1970s–1980s
• Midnight movie – popular during this era
• Postmodernist film and television
• Minimalist and maximalist cinema
• Hippie exploitation films
• Blaxploitation
• Video essay

References

Bibliography

• Book: Biskind, Peter . Peter Biskind . 1998 . Easy Riders, Raging Bulls: How the Sex-Drugs-And Rock 'N Roll Generation Saved Hollywood . Simon & Schuster . New York . 978-0-684-85708-4 . Easy Riders, Raging Bulls .
• Biskind, Peter (1990). The Godfather Companion: Everything You Ever Wanted to Know About All Three Godfather Films (HarperPerennial)
• Book: Belton, John . 1993 . American Cinema/American Culture . McGraw/Hill . New York .
• Book: Berliner, Todd . 2010 . Hollywood Incoherent: Narration in Seventies Cinema . Austin, TX . University of Texas Press .
• Cook, David A. "Auteur Cinema and the film generation in 70s Hollywood", in The New American Cinema. Ed. by Jon Lewis. NY: Duke University Press, 1998, pp. 1–37
• Book: Harris, Mark. Pictures at a Revolution: Five Movies and the Birth of the New Hollywood. registration. Penguin Press. New York. 2008. 978-1-594-20152-3.
• Harris, Mark. Scenes from a Revolution: The Birth of the New Hollywood. Canongate Books, 2009.
• James, David E. Allegories of Cinema: American Film in the Sixties. NY: Princeton University Press, 1989, pp. 1–42
• Kael, Pauline. "Bonnie and Clyde", in For Keeps. Ed. by Pauline Kael. NY: Plume, 1994, pp. 141–57.
• Kael, Pauline. "Trash, Art, and the Movies", in Going Steady: Film Writings 1968–69. NY: Marion Boyers, 1994, pp. 87–129
• Kanfer, Stefan, "The Shock of Freedom in Films", Time Magazine, December 8, 1967, Accessed April 25, 2009, https://web.archive.org/web/20110421081549/http://www.time.com/time/magazine/article/0,9171,844256-7,00.html
• Book: King, Geoff . New Hollywood Cinema: An Introduction . . London . 2002 . 9781860647499 .
• Book: Kirshner, Jonathan. 2012. Hollywood's Last Golden Age: Politics, Society, and the Seventies Film in America. Cornell University Press. Ithaca, New York. 978-0-801-46540-6.
• Book: Krämer, Peter. The New Hollywood: From Bonnie and Clyde to Star Wars. 2005. Wallflower Press. 978-1-904764-58-8. registration.
• Book: Langford, Barry . Post-classical Hollywood: Film Industry, Style and Ideology Since 1945 . Edinburgh University Press . 2010 . 978-0748638574 .
• Road Trip to Nowhere: Hollywood Encounters the Counterculture, Jon Lewis, 2022
• Book: Monaco, Paul . 2001 . The Sixties, 1960–69, History of American Cinema . University of California Press . London .
• Book: Schatz, Thomas . 1993 . The New Hollywood . Film Theory goes to the Movies . limited . Jim Collins, Hilary Radner and Ava Preacher Collins . Routledge . New York . 8–37 .
• Book: Thompson. Kristin. Bordwell. David. amp. Film History: An Introduction. McGraw–Hill. 2nd. 2003 .
• New Wave, New Hollywood: Reassessment, Recovery and Legacy, Nathan Abram and Gregory Frame, 2021

External links

• "The First Five Years of the 70s" episode of Siskel and Ebert
• The American Revolution – DGA
• "The Film School Generation" episode of American Cinema at Annenberg Learner

Notes and References

1. Web site: New Hollywood: American New Wave. www.newwavefilm.com.
2. Web site: Film History of the 1970s. www.filmsite.org.
3. https://www.theguardian.com/film/2019/aug/09/francis-ford-coppola-apocalypse-now-is-not-an-anti-war-film Francis Ford Coppola: 'Apocalypse Now is not an anti-war film'|The Guardian
4. Web site: 50 best movies from the 1970s. Stacker.
5. https://lamag.com/news/the-top-10-underrated-movies-and-10-classics-wed-like-to-forget The Top 10 Underrated Movies ... and 10 Classics We'd Like to Forget – LAmag
6. https://www.youtube.com/watch?v=NM0VsX1mdL8 How One Movie Killed The 1980s – Patrick (H) Willems on YouTube
7. http://wcftr.commarts.wisc.edu/exhibits/golden-age-television/sharper-picture-revisiting-anthology-drama A Sharper Picture: Revisiting Anthology Drama|wcftr.commarts.wisc.edu
8. http://wcftr.commarts.wisc.edu/exhibits/golden-age-television/tele-playwrights The Tele-Playwrights|wcftr.commarts.wisc.edu/
9. https://www.dvdtalk.com/dvdsavant/s3063tele.html DVD Savant Review: The Golden Age of Television – DVD Talk
10. https://www.learner.org/series/american-cinema/film-in-the-television-age/ Film in the Television Age – Annenberg Learner
11. https://www.history.com/news/classic-tv-shows-1950s-i-love-lucy-milton-berle The Most Influential Classic Shows from TV's ‘Golden Age’|HISTORY
12. Web site: Playhouse 90 and the End of the Golden Agewcftr.commarts.wisc.edu . 2023-12-30 . 2022-05-22 . https://web.archive.org/web/20220522113319/https://wcftr.commarts.wisc.edu/exhibits/golden-age-television/playhouse-90-and-end-golden-age . dead .
13. http://wcftr.commarts.wisc.edu/exhibits/golden-age-television The Golden Age of Television|wcftr.commarts.wisc.edu
14. David E James, Allegories of Cinema, American Film in the Sixties, Princeton University Press, New York, 1989, pp. 14–26
15. Amid Ruins of an Empire a New Hollywood Arises . Life . June 10, 1957 . April 22, 2012 . Hodgins, Eric . 146.
16. David A Cook, "Auteur Cinema and the film generation in 70s Hollywood", in The New American Cinema by Jon Lewis (ed), Duke University Press, New York, 1998, pp. 1–4
17. Web site: Arthur Penn's 'Bonnie and Clyde': A New Style of Film – TIME. April 21, 2011. https://web.archive.org/web/20110421081549/http://www.time.com/time/magazine/article/0,9171,844256-7,00.html . 2011-04-21 .
18. https://www.criterion.com/current/posts/8472-roger-corman-hectic-maddening-but-fun Roger Corman: “Hectic, Maddening, but Fun”|Current|The Criterion Collection
19. https://books.google.com/books?id=VKhqh3HFH8AC&q=wild%20guitar From the Arthouse to the Grindhouse – Google Books (pg.192)
20. News: Patterson . John . January 6, 2016 . Vilmos Zsigmond: the cinematographer who transformed how films look. The Guardian . London, United Kingdom . November 1, 2018.
21. https://www.backstage.com/magazine/article/new-hollywood-movies-explained-77096/ New Hollywood: Movies, Directors, and Influences of the Era|Backstage
22. Web site: AFI Silver Theatre and Cultural Center. www.afi.com.
23. Web site: Estelle Parsons winning Best Supporting Actress. March 29, 2011 . www.youtube.com.
24. Web site: Burnett Guffey winning the Oscar® for Cinematography for "Bonnie and Clyde". November 7, 2013 . www.youtube.com.
25. Web site: The 40th Academy Awards | 1968. Oscars.org | Academy of Motion Picture Arts and Sciences. October 4, 2014 .
26. Web site: New Hollywood: American New Wave Cinema (1967–69). www.newwavefilm.com.
27. Pauline Kael, "Bonnie and Clyde" in, Pauline Kael, For Keeps (Plume, New York, 1994) pp. 141–57. Originally published in The New Yorker, October 21, 1967
28. https://filmschoolrejects.com/john-frankenheimers-seconds-the-loneliest-studio-film-of-the-1960s-92cfac80c1ff/ John Frankenheimer's 'Seconds': The Loneliest Studio Film of the 1960s – Film School Rejects
29. https://variety.com/2023/awards/spotlight/armageddon-time-inspection-1235483354/ How New Hollywood Spirit Lives in ‘Armageddon Time,’ ‘The Inspection’ and ‘Vengeance’ – Variety
30. https://reverseshot.org/features/3023/cinema_spec_QT Features - Reverse Shot
31. Web site: The 11 Best Gritty New York Films from the 1970s. J. W.. McCormack. May 1, 2018. Culture Trip.
32. Web site: Filmmuseum – Program SD. www.filmmuseum.at.
33. News: An Artist of the Cutting-Room Floor. Manohla. Dargis. The New York Times . July 12, 2008.
34. Web site: Bruce Conner: The Artist Who Shaped Our World. June 25, 2011. DangerousMinds.
35. Web site: Bruce Conner: Father of the Music Video – Utne. October 2, 2013. www.utne.com.
36. Web site: Why '2001: A Space Odyssey' was a masterpiece so ahead of its time. David Canfield. April 02. 2018 at 10:15 am. EDT. EW.com.
37. Web site: Arthur Lipsett: Inside His Disturbed & Disturbing Collage Films. October 5, 2016.
38. News: Bruce Baillie, 'Essential' Avant-Garde Filmmaker, Dies at 88. J.. Hoberman. The New York Times . April 10, 2020.
39. https://www.cinematheque.fr/expositions-virtuelles/kubrick/item.php?id=23&lang=en Stanley Kubrick, at the Crossroads of a Work - La cinémathèque française
40. https://movingimage.org/feature/2001-a-space-odyssey/ Kubrick's Space Odyssey - Museum of the Moving Image
41. https://www.spectacletheater.com/scott-bartlett/ SCOTT BARTLETT: THE MEANING OF THE UNIVERSE - Spectacle Theater
42. https://jonathanrosenbaum.net/2022/07/new-hollywood-and-the-60s-melting-pot/ “New Hollywood” and the 60s Melting Pot|Jonathan Rosenbaum
43. Web site: Martin Scorsese: Champion Of The Underground. January 20, 2010. Underground Film Journal.
44. https://nofilmschool.com/2016/11/watch-how-new-hollywood-created-the-american-indie Watch: How New Hollywood Created the American Indie – No Film School
45. Book: Pye, Michael . The movie brats: how the film generation took over Hollywood . Myles . Lynda . 1979 . Faber . 978-0-571-11383-5 . London [etc.] . 7-9.
46. News: Petit . Chris . 2003-04-05 . Beyond Hollywood . 2024-10-22 . The Guardian . en-GB . 0261-3077.
47. Web site: A Century in Exhibition—The 1970s: A New Hope. November 27, 2020. Boxoffice.
48. Pauline Kael, "Trash, Art, and the Movies" in Going Steady, Film Writings 1968–69, Marion Boyers, New York, 1994, pp. 125–7
49. Aleiss . Angela . December 1981 . Review: A Cinema of Loneliness by Robert Phillip Kolker . Comparative Literature . . 96 . 5 . 1257–1260 . 2906265 . May 7, 2022 .
50. Book: Palmer, R. Barton . The Philosophy of Stanley Kubrick . The Shining and Anti-Nostalgia: Postmodern Notions of History . Abrams . Jerold J. . 2007 . 201–218 . . j.ctt2jcpb1.15 . 9780813124452 . May 7, 2022 .
51. Web site: 'Opening Wednesday' Dusts Off Some Overlooked Cinematic Treasures. Genevieve. Valentine. June 7, 2017. NPR.
52. Web site: "Star Wars" didn't kill American cinema. Is it New Hollywood's greatest achievement?. Erin. Keane. May 4, 2018. Salon.
53. News: 'I Find Your Lack of Faith Disturbing' Review: The Geeks Strike Back. Brian P.. Kelly. Wall Street Journal . June 7, 2018. www.wsj.com.
54. News: Dargis . Dargis . August 17, 2003 . The '70s: Get over it . March 12, 2018 . Los Angeles Times.
55. News: Dargis . Manohla . November 12, 2010 . '60s Hollywood, the Rebels and the Studios: Power Shifted (or Did It?) . July 19, 2018 . The New York Times.
56. Web site: October 1, 2009 . Decade of decadence: Nicholson, Polanski and Hollywood in the Seventies . The Independent.
57. Web site: April 17, 2020 . Cursed Films' 'Twilight Zone: The Movie' is a devastating account of a tragedy that shook Hollywood to the core | MEAWW . meaww.com.
58. https://collider.com/the-cotton-club-francis-ford-coppola-production/ This Disastrous Francis Ford Coppola Production Is Something Out of The Godfather|Collider
59. Web site: August 19, 2020 . CURSED FILMS Interviews: Director Jay Cheel and Occult Writer Mitch Horowitz Talk Horror Movies . ScreenAnarchy.
60. Web site: Fowler . Matt . April 18, 2020 . Shudder's Cursed Films: Season 1 Review . IGN.
61. Web site: April 9, 2020 . Cursed Films: The Omen | A Shudder Original Series . www.youtube.com.
62. Web site: Romanchick . Shane . March 25, 2022 . 'Cursed Films' Season 2 Trailer Reveals More Mysteries and Oddities From Famous Films . Collider.
63. Web site: October 19, 2020 . Deadliest horror movies ever made: Films surrounded by real-life death . gulfnews.com.
64. Web site: Violent Italy: A Poliziotteschi Primer. Phil Jr.. Nobile. September 13, 2015. Birth.Movies.Death..
65. Web site: 10 Essential Films For An Introduction To Cinema du Look. Cai. Ross. December 13, 2014 .
66. https://screenrant.com/joker-movie-settting-year-period-piece/ Why The Joker Movie Is A Period Piece Set in Late 1970s and Early 1980s – Screen Rant
67. https://collider.com/the-holdovers-new-hollywood-1970s/ 'The Holdovers' Gave Us Everything We Love About 1970s Movies|Collider
68. Book: Wilkins, Kim. American eccentric cinema. 978-1-5013-3694-2. 1090782214.
69. Web site: Actors of the '70s: Then and now . msn.com. July 19, 2018.
70. Web site: McCabe & Mrs. Miller (1971). Flickchart. July 21, 2018.
71. Web site: The Best Movies Starring Ned Beatty. Flickchart. July 21, 2018.
72. https://www.bfi.org.uk/lists/warren-beatty-10-essential-films Warren Beatty: 10 essential films. "He helped usher in New Hollywood with Bonnie and Clyde, and became one of the key actors of that 1970s golden age of American cinema."
73. Web site: New Hollywood. Flickchart. July 19, 2018.
74. https://midcenturycinema.org/2021/09/02/news-and-commentary-karen-black-the-new-hollywood-years/ News and Commentary – Karen Black: The New Hollywood Years – MidCenturyCinema
75. Web site: A HISTORY OF AMERICAN NEW WAVE CINEMA Part Three: New Hollywood (1970–1971) . newwavefilm.com. July 21, 2018.
76. Web site: Why 1974 Was Mel Brooks's Best Year. Best Movies by Farr.
77. Web site: The Best Movies Starring Keith Carradine. Flickchart. July 21, 2018.
78. Web site: The Conversation. www.flickchart.com.
79. Web site: BAMcinématek to Present A Different Picture: Women Filmmakers in the New Hollywood Era. TV News Desk. broadwayworld.com. July 21, 2018.
80. Web site: The 70s was the golden age of Hollywood. But why? Film. The Guardian. July 13, 2007. July 19, 2018.
81. Web site: 20 Movies That Prove That The 1970s Was The Best Decade For Film-Page 14-8. One Flew Over The Cuckoo's Nest . whatculture.com. January 7, 2015. July 19, 2018.
82. https://www.irishtimes.com/culture/film/2024/07/11/shelley-duvall-a-beloved-avatar-for-creative-individuality-who-defined-1970s-new-hollywood/ Shelley Duvall: A beloved avatar for creative individuality who defined 1970s New Hollywood|The Irish Times
83. Personal Criticism. August 3, 2009. The New Yorker.
84. Web site: Trends in 70's Cinema: New Hollywood. cinelinx.com. July 19, 2018. July 17, 2018. https://web.archive.org/web/20180717153950/https://www.cinelinx.com/movie-stuff/item/8330-trends-in-70-s-cinema-new-hollywood.html. dead.
85. https://www.spectacletheater.com/ben-gazzara-what-a-man/ BEN GAZZARA: WHAT A MAN - Spectacle Theater
86. ^[85]
87. Web site: The Best Movies Starring Richard Gere. Flickchart. July 21, 2018.
88. Web site: Oscar-winner Lee Grant talks classic films, the blacklist and being a female director in Hollywood. April 5, 2017. Los Angeles Times.
89. Web site: The Greatest Era in Film History: 10 Movies From '70s America . Paste Magazine. October 27, 2011. July 19, 2018.
90. https://www.slantmagazine.com/books/road-trip-to-nowhere-hollywood-encounters-the-counterculture-review-jon-lewis/ 'Road Trip to Nowhere: Hollywood Encounters the Counterculture' Review – Slant Magazine
91. Web site: Peter Bogdanovich, Between Old and New Hollywood – Harvard Film Archive. hcl.harvard.edu. July 21, 2018. https://web.archive.org/web/20130621172033/http://hcl.harvard.edu/hfa/films/2010janmar/bogdanovich.html. 2013-06-21. dead.
92. Web site: New Hollywood (1967–1977). jahsonic.com. July 19, 2018. November 18, 2018. https://web.archive.org/web/20181118162512/https://www.jahsonic.com/NewHollywood.html. dead.
93. Losers Take All: On the New American Cinema. The Nation. May 11, 2011. July 21, 2018. Hendershot. Heather. July 20, 2018. https://web.archive.org/web/20180720200259/https://www.thenation.com/article/losers-take-all-new-american-cinema/. dead.
94. Web site: All That Jazz (1979). Flickchart. July 21, 2018.
95. Web site: Guess Who's Coming to Dinner (1967). Flickchart. July 21, 2018.
96. Web site: Julia (1977). Flickchart. July 21, 2018.
97. Web site: The Best Movies Starring Jason Robards. Flickchart. July 21, 2018.
98. Web site: Days of Heaven (1978). Flickchart. July 21, 2018.
99. Web site: The Best Movies Starring Tom Skerritt. Flickchart. July 21, 2018.
100. Web site: Melvin and Howard (1980). Flickchart. July 21, 2018.
101. Web site: The Late Show (1977). Flickchart. July 21, 2018.
102. Web site: You're a Big Boy Now (1966). Flickchart. July 21, 2018.
103. Web site: 20 Movies That Prove That The 1970s Was The Best Decade For Film-Page 2-20.Alien . whatculture.com. January 7, 2015. July 19, 2018.
104. Web site: The 10 Greatest Directors of The New Hollywood Era « Taste of Cinema – Movie Reviews and Classic Movie Lists. www.tasteofcinema.com. December 26, 2015 .
105. https://networks.h-net.org/node/21708/reviews/21838/davies-bernardoni-new-hollywood-what-movies-did-new-freedoms-seventies Davies on Bernardoni, 'The New Hollywood: What the Movies Did with the New Freedoms of the Seventies'|H-Net
106. https://hollywoodsuite.ca/popeye-altman-robin-williams/ Popeye: The WTF Masterstroke in Robert Altman's Filmography – Hollywood Suite
107. Web site: The Best Movies Directed by John G. Avildsen. Flickchart. July 19, 2018.
108. Web site: 10 essential New Hollywood directors you should know . Little White Lies. July 19, 2018.
109. Web site: The China Syndrome (1979). Flickchart. July 21, 2018.
110. Web site: Hollywood's Major Crisis and the American Film "Renaissance". February 4, 2009. Michalis Kokonis. July 21, 2018.
111. Web site: A HISTORY OF AMERICAN NEW WAVE CINEMA Part Three: New Hollywood (1967–1969) . newwavefilm.com. July 19, 2018.
112. Web site: Richard Donner Appreciation: An Old-School Hit-Maker Who Emerged From New Hollywood. Alonso. Duralde. July 5, 2021.
113. Book: The New Hollywood: What the Movies Did with the New Freedoms of the Seventies. Bernardoni, J.. 2001. McFarland, Incorporated, Publishers. 9780786483075. 14. July 19, 2018.
114. https://www.google.com/books/edition/The_Hollywood_Renaissance/vCFZDwAAQBAJ?hl=en&gbpv=0 The Hollywood Renaissance: Revisiting American Cinema's Most Celebrated Era - Google Books
115. Web site: The Top 10 Movies Directed by Walter Hill. Flickchart. July 21, 2018.
116. Web site: Hollywood's Forgotten Gay Romance. Kate. Aurthur. BuzzFeed. February 17, 2017 .
117. Web site: News – A Never Ending (Love) Story?. www.kino-zeit.de.
118. Web site: 10 Great Overlooked Films From The 1970s. The Playlist. Staff. April 24, 2014. January 10, 2019. January 10, 2019. https://web.archive.org/web/20190110133730/https://www.indiewire.com/2014/04/10-great-overlooked-films-from-the-1970s-86740/. dead.
119. Web site: Hollywood has never matched the gritty masterpieces of the 1970s. https://ghostarchive.org/archive/20220112/https://www.telegraph.co.uk/culture/film/10076153/Hollywood-has-never-matched-the-gritty-masterpieces-of-the-1970s.html . 2022-01-12 . subscription . live. Telegraph. May 23, 2013 . July 21, 2018.
120. Web site: BOMB Magazine | Damaged Goods: John Landis. BOMB Magazine. November 22, 2011 .
121. Web site: New Hollywood: Paul Mazursky. Film Comment.
122. Web site: Variety's Scott Foundas Remembers Paul Mazursky: A Poetic Farceur of American Lives. Scott. Foundas. July 2, 2014.
123. https://www.nathanrabin.com/happy-place/2022/11/23/the-fractured-mirror-20-40-the-pickle-1993 The Pickle Exemplifies Everything That Made Paul Mazursky's Exhausting — Nathan Rabin's Happy Place
124. https://www.moma.org/calendar/film/5721 Paramount in the 1970s|MoMA
125. https://apnews.com/article/entertainment-martin-scorsese-obituaries-steven-spielberg-508d25aabfb6e8ec0c4818dad2dfb16a Bob Rafelson, New Hollywood era director, dies at 89| AP News
126. Web site: New Hollywood Rewind: The Birth of the Blockbuster. Anthony. Carioscia. December 27, 2018.
127. Web site: The Devil Inside: Watching Rosemary's Baby in the Age of #MeToo. Laura. Jacobs. HWD. May 31, 2018.
128. Web site: Alan Rudolph and Keith Carradine in Conversation. MUBI. June 18, 2018 .
129. Allegories of post-Fordism in 1970s New Hollywood: Countercultural combat films, conspiracy thrillers as genre-recycling (2004) Drehli Robnik. The Last Great American Picture Show. 333. July 19, 2018. Robnik. Drehli.
130. https://mubi.com/specials/joan-micklin-silver MUBI Special: Silver Linings: Films by Joan Macklin Silver|MUBI
131. Book: New Hollywood Cinema in the 1970s. 2004. Amsterdam University Press . j.ctt46mxhc . 9789053566312 . JSTOR.
132. https://www.jewthink.org/2020/11/04/its-shirley-something-to-remember-airplane-40-years-later/ It's 'Shirley' Something to Remember: Airplane! 40 Years Later – JewThink
133. News: Remembering Pioneering Film Editor Dede Allen . NPR.org. July 21, 2018.
134. Web site: The 30 Greatest Cinematographers of All Time « Taste of Cinema – Movie Reviews and Classic Movie Lists. tasteofcinema.com. July 3, 2015 . July 21, 2018.
135. Web site: My Year Of Flops Case File #81 Heaven's Gate. November 1, 2007. The A.V. Club.
136. https://www.artofthetitle.com/title/seconds/ Seconds (1966) – Art of the Title
137. http://www.efilmcritic.com/feature.php?feature=1426 eFilmCritic – Bill Butler, Cinematographer – Profile Interview Series Vol.7
138. Web site: Classic Hollywood: This will turn your head around: 'The Exorcist' turns 45 this month. October 20, 2018. Los Angeles Times.
139. Web site: Wendy Carlos – A Clockwork Orange: Wendy Carlos's Complete Original Score – Amazon.com Music. amazon.com. 1972 . July 21, 2018.
140. Web site: A Clockwork Orange – Complete Original Score (1971). www.soundtrack.net.
141. https://mubi.com/notebook/posts/notebook-soundtrack-mix-9-secret-synthesis-the-lost-worlds-of-wendy-carlos Notebook Soundtrack Mix #9: Secret Synthesis — The Lost Worlds of Wendy Carlos on Notebook|MUBI
142. Web site: What Paddy Chayefsky's Notes on 'Network' Teach Us about 'Parenting' a Screenplay . No Film School. April 24, 2018. July 21, 2018.
143. Web site: Notebook Soundtrack Mix #6: The New Hollywood Mixtape. MUBI. October 14, 2019 .
144. Web site: Stewart Copeland – Rumble Fish Album Reviews, Songs & More | AllMusic. www.allmusic.com.
145. Web site: Rumble Fish – Original Motion Picture Soundtrack. Amazon.
146. Web site: Blow Out Soundtrack (1981). soundtrack.net. July 21, 2018.
147. Web site: Sorcerer Film Review. Slant Magazine. May 23, 2014. July 21, 2018.
148. Web site: Sorcerer Soundtrack (1977). www.soundtrack.net.
149. https://www.bbc.com/culture/article/20230811-why-william-friedkins-undersung-masterpiece-sorcerer-represents-everything-hollywood-has-lost Hollywood's wildest ever thriller? – BBC
150. Web site: Pat Garrett & Billy the Kid (1973). Flickchart. July 21, 2018.
151. Web site: Watch: 'Siskel And Ebert' Discuss The Lost Classics Of the 1970s . theplaylist.net. August 2, 2018.
152. Web site: A Tribute to Robert Evans: The Producer Who Stayed in the Picture. Owen. Gleiberman. October 29, 2019.
153. Web site: Robert Evans: eloquent and passionate midwife to the Hollywood new wave | Peter Bradshaw. October 28, 2019. the Guardian.
154. https://www.nathanrabin.com/happy-place/2021/11/1/fractured-mirror-20-3-the-kid-stays-in-the-picture?rq=new%20hollywood Fractured Mirror 2.0 #3 The Kid Stays in the Picture (2002) — Nathan Rabin's Happy Place
155. https://www.artofthetitle.com/feature/pablo-ferro-a-career-retrospective-part-1/ Pablo Ferro: A Career Retrospective, Part 1 – Art of the Title
156. https://www.artofthetitle.com/feature/pablo-ferro-a-career-retrospective-part-2/ Pablo Ferro: A Career Retrospective, Part 2 – Art of the Title
157. Web site: William A. Fraker dies at 86; Hollywood cinematographer. Los Angeles Times. June 2, 2010.
158. Web site: Badlands (1973)- Articles -TCM.com. tcm.com. July 21, 2018.
159. Web site: Chinatown Soundtrack (1974). soundtrack.net. July 21, 2018.
160. Web site: The 30 Greatest Cinematographers of All Time « Taste of Cinema – Movie Reviews and Classic Movie Lists. tasteofcinema.com. July 3, 2015 . July 21, 2018.
161. https://www.nytimes.com/2022/05/27/movies/james-wong-howe-cinematographer.html James Wong Howe: A Gutsy Cinematographer Finally Gets His Due – The New York Times
162. https://elementsofmadness.com/2023/12/06/messiahofevil-hv/ The “Messiah of Evil” devours the screen with Radiance Films’s special edition release. - Elements of Madness
163. Web site: Quincy Goes to Hollywood. Carol. Cooper. The Criterion Collection.
164. Web site: Filmmaker's Handbook: What is the New Hollywood movement?. ScreenPrism. July 21, 2018.
165. Web site: A HISTORY OF AMERICAN NEW WAVE CINEMA Part Three: New Hollywood (1970–1971) . newwavefilm.com. July 19, 2018.
166. • Gloria Katz
     • László Kovács^[165]
167. https://variety.com/2019/film/news/barry-malkin-dead-dies-the-godfather-part-two-editor-1203182114/ Barry Malkin Dead: 'The Godfather Part II' Editor Was 80 – Variety
168. Web site: American Gigolo. July 20, 1980. Amazon.
169. Web site: Giorgio Moroder – Midnight Express [Original Soundtrack] Album Reviews, Songs & More | AllMusic]. www.allmusic.com.
170. Web site: Days Of Heaven Soundtrack (1978). soundtrack.net. July 21, 2018. July 20, 2018. https://web.archive.org/web/20180720225354/https://www.soundtrack.net/album/days-of-heaven-morricone/. dead.
171. Web site: Original Soundtrack – Midnight Cowboy Album Reviews, Songs & More | AllMusic. www.allmusic.com.
172. Web site: Midnight Cowboy. Amazon.
173. Web site: Jack Nitzsche, Jack Nitzsche – One Flew Over The Cuckoo's Nest: Original Soundtrack – Amazon.com Music. amazon.com. July 21, 2018.
174. Web site: One Flew Over The Cuckoo's Nest Soundtrack (1975). www.soundtrack.net.
175. Web site: The Exorcist Soundtrack (1973). soundtrack.net. July 21, 2018.
176. https://www.artofthetitle.com/designer/dan-perri/ Dan Perri – Art of the Title
177. Web site: 'You Must Remember This': How an Unfinished Memoir Reveals Polly Platt's Forgotten Hollywood Legacy. Kate. Erbland. May 28, 2020.
178. Web site: OWEN ROIZMAN Oscars.org Academy of Motion Picture Arts and Sciences. oscars.org. October 17, 2017. July 21, 2018.
179. Web site: Bullitt Soundtrack (1968). soundtrack.net. July 21, 2018.
180. Web site: Original Soundtrack – THX 1138 [Original Motion Picture Soundtrack] Album Reviews, Songs & More | AllMusic]. www.allmusic.com.
181. https://www.ucpress.edu/blog/58976/revisiting-an-oscar-night-controversy-in-1975/ Revisiting an Oscar Night Controversy – in 1975 – UC Press Blog
182. Web site: 13 Things You Didn't Know About Woodstock. November 25, 2013. HuffPost.
183. Web site: What's the Big Deal?: Raging Bull (1980). https://web.archive.org/web/20230408062404/https://www.mtv.com/news/1okrrz/whats-the-big-deal-raging-bull-1980. dead. April 8, 2023. MTV.
184. Web site: The Conversation Soundtrack (1974). soundtrack.net. July 21, 2018.
185. Web site: The 10 Most Influential Cinematographers of All Time « Taste of Cinema – Movie Reviews and Classic Movie Lists. tasteofcinema.com. January 30, 2018 . July 21, 2018.
186. Web site: 'The Last Detail': Hal Ashby and Robert Towne's Slice of the '70s America • Cinephilia & Beyond. cinephiliabeyond.org. April 26, 2016. July 21, 2018.
187. Web site: Tom Waits, Crystal Gayle – One from the Heart Album Reviews, Songs & More | AllMusic. www.allmusic.com.
188. Web site: One From The Heart Soundtrack (1982 / 2004). www.soundtrack.net.
189. Web site: One great New Hollywood film for every year (1967 to 82). BFI. August 17, 2017 .
190. Web site: John Williams Could Set Another Oscar Record. Jon Burlingame. Variety. January 10, 2018. July 21, 2018.
191. Web site: John Williams – Jaws [Original Score] Album Reviews, Songs & More | AllMusic]. www.allmusic.com.
192. https://www.google.com/books/edition/Post_Fordist_Cinema/P2NbDwAAQBAJ?hl=en&gbpv=0 Post-Fordist Cinema: Hollywood Auteurs and the Corporate Counterculture - Google Books (ch. "INTRODUCTION The Business of Auteur Theory")
193. Web site: Remembering Legendary Cinematographers Haskell Wexler and Vilmos Zsigmond . American Film Institute. July 21, 2018.
194. Michael Cimino, 'The Deer Hunter' Director, Dead at 77. Daniel. Kreps. Rolling Stone. July 2, 2016.
195. Web site: 15 Sleeper Films Of The New Hollywood Era That Are Worth Seeing. James. Davidson. June 12, 2014 .
196. https://midcenturycinema.org/2015/09/24/50-years-ago-this-week-arthur-penns-mickey-one/ 50 Years Ago This Week – Arthur Penn's Mickey One – MidCenturyCinema
197. https://offscreen.com/view/seconds-john-frankenheimer-1967-and-point-blank-john-boorman-1968 Seconds (John Frankenheimer, 1967) and Point Blank (John Boorman, 1968) – Offscreen
198. Web site: Nashawaty . Chris. Book Excerpt: Crab Monsters, Teenage Cavemen, and Candy Stripe Nurses. 2013.
199. https://www.34st.com/article/2024/04/francis-ford-coppola-megalopolis-godfather-apocalypse-now Francis Ford Coppola is Going All In Again|34th Street Magazine
200. https://www.hollywood.com/movies/looking-back-on-hollywoods-second-golden-age-60822140 Looking Back on Hollywood's Second Golden Age|Hollywood.com
201. https://collider.com/new-hollywood-movie-thrillers-best-ranked/ 10 Best New Hollywood Thrillers, Ranked|Collider
202. https://artreview.com/film-history-according-to-tarantino/ Film History According to Tarantino – ArtReview
203. https://www.filmcomment.com/blog/cinema-67-revisited-cold-blood/ Cinema '67 Revisited: In Cold Blood - Film Comment Magazine
204. Web site: 25 New Hollywood Era Films That Projected the Hopes and Fears of the Times. Josh. Schasny. March 4, 2016 .
205. https://www.robertcmorton.com/new-hollywood/ New Hollywood Era: How Visionary Filmmakers Transformed American Cinema from 1967–1980 – Robert C Morton
206. Web site: THE SWIMMER – American Cinematheque. www.americancinemathequecalendar.com. 2018-09-23. 2022-09-26. https://web.archive.org/web/20220926051640/http://americancinemathequecalendar.com/content/the-swimmer. dead.
207. https://www.slashfilm.com/1062565/steve-mcqueens-bullitt-set-a-new-standard-for-what-car-chase-scenes-could-be/ Steve McQueen's Bullitt Set A New Standard For What Car Chase Scenes Could Be|/Film
208. News: Crawford. Travis. Criterion: American Lost and Found: The BBS Story. February 19, 2013. Filmmaker Magazine. December 16, 2010.
209. Web site: The 30 Most Underappreciated Movies of The New Hollywood Era. Woodson. Hughes. November 20, 2015 .
210. https://lareviewofbooks.org/article/the-dark-side-of-the-new-hollywood-on-jon-lewiss-road-trip-to-nowhere/ The Dark Side of the New Hollywood: On Jon Lewis's "Road Trip to Nowhere" – Los Angeles Review of Books
211. https://books.google.com/books?id=WKZzDwAAQBAJ When the Movies Mattered – Google Books
212. https://faroutmagazine.co.uk/the-20-best-american-new-wave-martin-scorsese-stanley-kubrick/ 20 essential films from the American New Wave|Far Out Magazine
213. https://www.criterion.com/current/posts/8566-the-criterion-channel-s-september-2024-lineup The Criterion Channel's September 2024 Lineup|Current|The Criterion Collection
214. https://www.theguardian.com/film/2020/jan/21/mash-movie-robert-altman-misogyny M*A*S*H at 50: the Robert Altman comedy that revels in cruel misogyny
215. Web site: Return to New Hollywood. March 15, 2006.
216. Web site: New Hollywood Auteur | wcftr.commarts.wisc.edu. wcftr.commarts.wisc.edu. 2020-04-20. 2022-12-04. https://web.archive.org/web/20221204104834/https://wcftr.commarts.wisc.edu/exhibits/robert-altmans-early-career/new-hollywood-auteur. dead.
217. News: Two Views of One Time. Dave. Kehr. The New York Times . June 3, 2009.
218. https://collider.com/new-hollywood-movies-directed-women-best-ranked/ 10 Best New Hollywood Movies Directed by Women, Ranked|Collider
219. https://filmstreams.org/series/new-hollywood-american-70s New Hollywood: American 70s|Film Streams
220. Web site: The 30 Most Underappreciated Movies of The New Hollywood Era. Woodson. Hughes. November 20, 2015 .
221. Web site: New Hollywood: 50 Movies That Reshaped the Film Industry: Carnal Knowledge (1971). Nordine. Michael. IndieWire. April 11, 2017. March 12, 2018.
222. Web site: The 30 Most Underappreciated Movies of The New Hollywood Era. Woodson. Hughes. November 20, 2015 .
223. https://www.slashfilm.com/521126/tbyphs-new-hollywood-movies/ The Best 'New Hollywood' Movies You Probably Haven't Seen|/Film
224. https://www.google.com/books/edition/The_Limits_of_Auteurism/mWZbDwAAQBAJ?hl=en&gbpv=0 The Limits of Auteurism: Case Studies in the Critically Constructed New Hollywood - Google Books
225. https://www.youtube.com/watch?v=E6byV69VBLw A Brief History Of New Hollywood|The Rise – Little White Lies on YouTube
226. Web site: A History of American New Wave Cinema. Hitchman. Simon. 2015.
227. https://www.google.com/books/edition/Lost_Illusions/HVygqYMVP2wC?hl=en&gbpv=0 Lost Illusions: American Cinema in the Shadow of Watergate and Vietnam, 1970-1979 - Google Books (pg.6)
228. https://books.google.mw/books?id=pUPM9LFmetoC&printsec=frontcover#v=onepage&q&f=false The New Hollywood: What the Movies Did with the New Freedoms of the Seventies - Google Books
229. https://midcenturycinema.org/2021/03/31/news-and-commentary-george-segal-the-new-hollywood-years/ News and Commentary – George Segal: The New Hollywood Years – MidCenturyCinema
230. Web site: New Hollywood: 50 Movies That Reshaped the Film Industry: Cabaret (1972). Nordine. Michael. IndieWire. April 11, 2017. March 12, 2018.
231. Web site: New Hollywood: 50 Movies That Reshaped the Film Industry: Deliverance (1972). Nordine. Michael. IndieWire. April 11, 2017. March 12, 2018.
232. Web site: The 30 Most Underappreciated Movies of The New Hollywood Era. Woodson. Hughes. November 20, 2015 .
233. Web site: Night of Vengeance: Wes Craven's 'The Last House on the Left' 43 Years Later. grantland.com. September 2, 2015. September 2, 2015.
234. Web site: New Hollywood: 50 Movies That Reshaped the Film Industry: Fat City (1972). Nordine. Michael. IndieWire. April 11, 2017. March 12, 2018.
235. Web site: 15 Sleeper Films Of The New Hollywood Era That Are Worth Seeing – Page 2 – Taste of Cinema. June 12, 2014 .
236. https://lareviewofbooks.org/article/lost-men-found-women-revisiting-the-new-hollywood/ Lost Men, Found Women: Revisiting the New Hollywood|Los Angeles Review of Books
237. Book: Symmons, Tom. The New Hollywood Historical Film: 1967–78. 9781137529305. June 13, 2016. Springer.
238. Web site: Keeping it Real with Ralph Bakshi (Part II) . October 23, 2015 . Star & Crescent . August 21, 2018.
239. https://metrograph.com/category/70s-play-the-30s/ '70s Play the '30s – Metrogrpah
240. https://metrograph.com/in-theater-september-2022/ September In Theater – Journal – Metrograph
241. Web site: Film Review: 'Hal'. Owen. Gleiberman. January 31, 2018.
242. Web site: The New Hollywood. Lewis Center for the Arts.
243. Web site: New Hollywood: 50 Movies That Reshaped the Film Industry: Paper Moon (1973). Nordine. Michael. IndieWire. April 11, 2017. March 12, 2018.
244. Web site: New Hollywood: 50 Movies That Reshaped the Film Industry: Serpico (1973). Nordine. Michael. IndieWire. April 11, 2017. March 12, 2018.
245. https://bandsaboutmovies.com/2023/09/26/radiance-blu-ray-release-messiah-of-evil-1973/ RADIANCE BLU RAY RELEASE: Messiah of Evil (1973) - B&S About Movies
246. Web site: Three Takes #2: James William Guercio's "Electra Glide In Blue". MUBI. March 19, 2013 .
247. https://www.culturematters.org.uk/index.php/arts/films/item/4325-the-hollywood-renaissance-and-the-blacklist The Hollywood Renaissance and The Blacklist – Culture Matters
248. Web site: "Alice Doesn't Live Here Anymore" – 1974: New Hollywood's Golden Year. Denise. Wolfe. July 28, 2014. Purple Clover.
249. Web site: Robert Altman|NE Film Center. 2020-04-20. 2021-10-22. https://web.archive.org/web/20211022163150/https://nwfilm.org/directors/robert-altman/. dead.
250. Web site: Trends in 70's Cinema: New Hollywood. Perno. G.S.. Cinelinx. September 20, 2015. March 12, 2018. March 8, 2018. https://web.archive.org/web/20180308114354/http://www.cinelinx.com/movie-stuff/item/8330-trends-in-70-s-cinema-new-hollywood.html. dead.
251. https://collider.com/romantic-comedies-70s-best-ranked/ 10 Best '70s Romantic Comedies, Ranked|Collider
252. Web site: Bert Schneider, 1933 – 2011. MUBI. December 14, 2011.
253. https://www.nathanrabin.com/happy-place/2020/5/26/sub-cult-8-freebie-and-the-bean-1974?rq=new%20hollywood Sub-Cult 2.0 # 10 Freebie and the Bean (1974) — Nathan Rabin's Happy Place
254. https://quadcinema.com/program/the-shadow-cinema-of-the-american-70s/ The Shadow Cinema of the American '70s|Quad Cinema
255. Web site: New Hollywood: 50 Movies That Reshaped the Film Industry: Dog Day Afternoon (1975). Nordine. Michael. IndieWire. April 11, 2017. March 12, 2018.
256. Unpredictable: Three Days of the Condor, Information Theory, and The Remaking of Professional Ideology . Cheever. Abigail. Post45. June 11, 2018. March 11, 2020.
257. Web site: New Hollywood gumshoes: The Long Goodbye, The Late Show, Night Moves. Keith. Phipps. Film. March 15, 2011. September 25, 2018. March 3, 2021. https://web.archive.org/web/20210303225812/https://film.avclub.com/new-hollywood-gumshoes-the-long-goodbye-the-late-show-1798224936. live.
258. Book: The 'New Wave' and 'Old Hollywood': The Day of the Locust (1975), 'Movies About the Movies' and the Generational Divide. 21–56. 10.1057/978-1-137-52930-5_2. 2016. Symmons. Tom. 978-1-137-52929-9.
259. Web site: On the Tuneless Cole Porter Musical At Long Last Love, Peter Bogdanovich's "Great Debacle," Screening This Weekend – The L Magazine . 2022-11-08 . 2022-11-08 . https://web.archive.org/web/20221108152317/https://www.thelmagazine.com/2011/06/on-the-tuneless-cole-porter-musical-at-long-last-love-peter-bogdanovichs-great-debacle-screening-this-weekend/ . dead .
260. https://thefilmstage.com/june-1977-when-new-hollywood-got-weird/ June 1977: When New Hollywood Got Weird – The Film Stage
261. Web site: New Hollywood: 50 Movies That Reshaped the Film Industry: All the President's Men (1976). Nordine. Michael. IndieWire. April 11, 2017. March 12, 2018.
262. https://www.criterion.com/current/posts/8503-the-criterion-channel-s-july-2024-lineup The Criterion Channel's July 2024 Lineup|Current|The Criterion Collection
263. Web site: Summer of Blood: New Hollywood Horror – Little devil. Brayton. Tim. Alternative Ending. June 11, 2015. March 12, 2018.
264. Web site: Filmmuseum – Program SD. www.filmmuseum.at.
265. Web site: New Hollywood: 50 Movies That Reshaped the Film Industry. Michael. Nordine. April 11, 2017.
266. https://www.filmmuseum.at/en/film_program/scope?schienen_id=1324565075166 Robert Altman Sixteen Films. 1970–2006 – Filmmuseum – Program SD
267. https://midcenturycinema.org/2020/07/08/news-and-commentary-robert-altman-the-new-hollywood-years/ News and Commentary – Robert Altman: The New Hollywood Years – MidCenturyCinema
268. Web site: New Hollywood: 50 Movies That Reshaped the Film Industry: Annie Hall (1977). Nordine. Michael. IndieWire. April 11, 2017. March 12, 2018.
269. Book: Shail, Robert. July 25, 2019 . Seventies British Cinema . United Kingdom . . 33 . 9781838718060.
270. Web site: New Hollywood: 50 Movies That Reshaped the Film Industry: Looking for Mr. Goodbar (1977). Nordine. Michael. IndieWire. April 11, 2017. March 12, 2018.
271. https://www.youtube.com/watch?v=QSTUCkXjAzc A Brief History Of New Hollywood | The Fall – Little White Lies on YouTube
272. Web site: Sorcerer (1977). Nordine. Michael. IndieWire. April 11, 2017. March 12, 2018.
273. https://filmforum.org/series/new-york-in-the-70s-series Film Fourm · "FORD TO CITY: DROP DEAD" - NEW YORK IN THE 70S
274. https://thegeekshow.co.uk/the-driver-1978-blu-ray-review/ The Driver (1978) 4K Blu-Ray Review
275. Web site: All That Jazz (1979). Nordine. Michael. IndieWire. April 11, 2017. March 12, 2018.
276. https://www.google.com/books/edition/Other_Hollywood_Renaissance/MHcxEAAAQBAJ?hl=en&gbpv=0 Other Hollywood Renaissance – Google Books
277. https://www.amny.com/entertainment/film-forum-resurrects-a-gritty-city-with-new-york-in-the-70s-1.13782216/ Film Fourm resurrects a gritty city with 'New York in the '70s'|amNewYork
278. https://bampfa.org/program/outsiders-new-hollywood-cinema-seventies The Outsiders: New Hollywood Cinema in the Seventies|BAMPFA
279. https://criterioncast.com/column/for-criterion-consideration/for-criterion-consideration-steven-spielbergs-1941 For Criterion Consideration: Steven Spielberg's 1941 – CriterionCast
280. https://www.google.com/books/edition/New_Hollywood_Der_Amerikanische_Film_Nac/SRia-uAcQzMC?hl=en&gbpv=1 New Hollywood – Der Amerikanische Film Nach 1968 (The American Film After 1968) – Google Books
281. https://books.google.com/books?id=_3aGAAAAIAAJ&dq=Popeye+new+hollywood+1980&pg=PA139 Robert Altman's McCabe & Mrs. Miller: Reframing the American West – Google Books (pg.139)
282. Book: Jameson . A.D . I Find Your Lack of Faith Disturbing: Star Wars and the Triumph of Geek Culture . May 8, 2018 . Farrar, Straus and Giroux . 978-0374537364 .
283. https://screenrant.com/american-new-wave-best-films-imdb/ 10 Best Films Of The American New Wave, According To IMDb - Screen Rant
284. Web site: Cruising (1980). Nordine. Michael. IndieWire. April 11, 2017. March 12, 2018.
285. Web site: Heaven's Gate (1980). Nordine. Michael. IndieWire. April 11, 2017. March 12, 2018.
286. Web site: How 'Heaven's Gate' Killed 1970s Hollywood. Adam. Nayman. July 19, 2021. The Ringer.
287. https://www.criterion.com/current/posts/7759-april-books April Books | Current | The Criterion Collection
288. https://collider.com/neo-noir-movies-new-hollywood-ranked/ 10 Best New Hollywood Neo-Noirs, Ranked|Collider
289. https://collider.com/best-horror-movies-new-hollywood-ranked/ 10 Best New Hollywood Horror Movies, Ranked|Collider
290. https://grantland.com/hollywood-prospectus/steven-spielberg-movie-brats-bridge-of-spies/ Twilight of the Movie Brats: Steven Spielberg and the Old ‘New’ Hollywood - Grantland
291. Web site: The Filmmaker's Handbook: What was the New Hollywood movement. Saporito. Jeff. Screen Prism. July 14, 2016. March 12, 2018.
292. Web site: Francis Ford Coppola's "One From The Heart" (1982). directorsseries. May 8, 2017.
293. https://books.google.com/books?id=p7Q8EAAAQBAJ New Wave, New Hollywood: Reasessment, Recovery and Legacy – Google Books (pg.17)
294. Web site: Keeping it Real with Ralph Bakshi (Part I) . October 9, 2015 . Star & Crescent . August 21, 2018.