| New Delhi | |
| Director: | Mohan Segal |
| Producer: | Mohan Segal |
| Screenplay: | Inder Raj Anand Radha Kishan Mohan Segal |
| Story: | Inder Raj Anand Radha Kishan Mohan Segal |
| Starring: | Vyjayanthimala Kishore Kumar Jabeen Jalil Nana Palsikar Nazir Hussain Dhumal |
| Music: | Shankar Jaikishan |
| Cinematography: | K. H. Kapadia |
| Editing: | Pratap Dave |
| Studio: | De-Lux Films |
| Distributor: | De-Lux Films |
| Runtime: | 176 minutes |
| Country: | India |
| Language: | Hindi |
| Gross: | 1,45,00,000 |
New Delhi (Hindi: न्यू डेल्ही) is a 1956 Indian Hindi-language black and white romantic comedy film written by Radhakishen with Inder Raj Anand and directed by Mohan Segal.[1] The film starred Vyjayanthimala and Kishore Kumar in the lead, with Jabeen Jalil, Nana Palsikar, Nazir Hussain, Prabhu Dayal, Dhumal, Brahm Bhardwaj, Radhakrishan, Mumtaz Begum, Mirza Musharraf and Shivraj as the ensemble cast. The film was produced by Mohan Segal himself. The film's score was composed by Shankar Jaikishan duo with lyrics provided by Hasrat Jaipuri and Shailendra, edited by Pratap Dave and was filmed by K. H. Kapadia. The story is about the Punjabi boy Anand and the Tamil girl Janaki who fall in love with each other, but unfortunately were separated by their families.
Anand (Kishore Kumar), a Punjabi boy comes from Jalandhar to Delhi, but is unable to find a place to stay, as everywhere he goes people want to give room only to a person of their region. Desperate, Anand masquerades as a Tamilian, Anand Kumaraswamy, and finds a place to stay with a Tamilian family. There, he meets the daughter of the South Indian Cultural Association Head, Janaki (Vyjayantimala). Romance develops, but Anand is unable to reveal his true identity to her. Daulatram Khanna Nazir Hussain, Anand's father and Janaki's father, Subramanyam's (Nana Palsikar) superior, gets transferred to Delhi. Anand's sister Nikki (Jabeen) comes close to Anand's friend, Ashok Banerjee, a Bengali painter who teaches her art. Anand makes his Tamilian servant Kumaraswamy (Dhoomal) masquerade as his father and they even meet Janaki's father to discuss the marriage. But soon they are found out and Daulatram opposes the marriage. Daulatram also faces opposition from his community who come to discuss Nikki's marriage within the community. Subramanyam too turns against his daughter, who tries to kill herself. She is saved by a kindly shop owner (Radhakishen) and passed off as his Punjabi niece, Mohini. Both Subramanyam and Anand are kept in the dark and are convinced Janaki is no more. Subramanyam realizes his mistake, but sadly he thinks it is too late. Thinking Mohini to be a good Punjabi girl, Anand's family readily agrees to his marriage with her. Daulatram returns home to find Ashok consoling Nikki, and throws him out. Nikki's marriage is almost called off when the boy's father demands a huge dowry. Ashok offers his family jewels to Daulatram so that Nikki's marriage can take place. Daulatram's eyes open and he calls off the wedding and marries Nikki to Ashok. The truth about Janaki/ Mohini also comes out and now that both groups have shed their prejudices Anand marries Janaki.[2]
A review of the film was written on Uperstall about the main characters:
The film's soundtrack was composed by Shankar Jaikishan duo while the lyrics were provided by Hasrat Jaipuri and Shailendra. All the songs in this film became very successful.[2]
| Title | Singer(s) | Lyricist | |
|---|---|---|---|
| 1 | "Nakhrewali" | Kishore Kumar | Shailendra |
| 2 | "Koi Mere Sapnon Mein Aaya" | Lata Mangeshkar | Hasrat Jaipuri |
| 3 | "Tum Sang Preet Lagai Rasiya" | Lata Mangeshkar | Shailendra |
| 4 | "Milte Hi Nazar" | Kishore Kumar | Shailendra |
| 5 | "Zindagi Bahar Hai" | Lata Mangeshkar | Shailendra |
| 6 | "Are Bhai Nikal Ke Aa Ghar Se" | Kishore Kumar | Shailendra |
| 7 | "Bari Barse Khatan Gayan" | Lata Mangehskar | Shailendra |
| 8 | "Murli Bairan Bhai" | Lata Mangeshkar | Hasrat Jaipuri |
| 9 | "Alarippu" | M. L. Vasanthakumari | Hasrat Jaipuri |
At the end of its theatrical run, the film grossed around 1,45,00,000 and netted 75,00,000, thus becomes the sixth highest-grossing film of 1956, with a verdict of "hit".[3]