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| Headquarters: | 475 Park Avenue South, 6th Floor |
| Location City: | New York, NY |
| Location Country: | United States |
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| Key People: | Tom Day, Executive Director Emily Singer, Board President |
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The Film-Makers' Cooperative (a.k.a. The New American Cinema Group, Inc.) is an artist-run, non-profit organization founded in 1961 in New York City by Jonas Mekas, Andy Warhol, Shirley Clarke, Stan Brakhage, Jack Smith, Lionel Rogosin, Gregory Markopoulos, Lloyd Michael Williams, and other filmmakers, for the distribution, education, and exhibition of avant-garde films and alternative media.
In the fall of 1960, Jonas Mekas and Lewis Allen organized several meetings with independent filmmakers in New York City that culminated on September 28, 1960, with the group officially declaring themselves the "New American Cinema Group."[1]
On January 7, 1961, at a contentious meeting of the Group, Amos Vogel attempted to stonewall the formation of the distribution center, claiming that his own Cinema 16 organization should be the only distributor of experimental films. However, Vogel was shouted down after it was pointed out that Cinema 16 refused to distribute Stan Brakhage's Anticipation of the Night (1958).[2]
On September 30, 1962, Mekas presented the first draft of a manifesto for the New American Cinema Group, which included a call to form a cooperative distribution center.[3] An excerpt from the manifesto reads:
The Film-Makers' Cooperative holds a large collection of avant-garde and experimental films, with over 5,000 titles by more than 1,500 filmmakers and media artists.[4] The collection includes work created on 35mm, 16mm, 8mm, video, and DVD. The Cooperative rents out the films in its collection to cinématheques, film festivals, schools, universities, museums, and other art institutions in the United States and around the world.
Based upon a belief common to the founding members that the "official cinema is running out of breath" and has become "morally corrupt, aesthetically obsolete, thematically superficial, temperamentally boring" (as the original 1962 manifesto[5] states), the Film-Makers' Cooperative was a key institution in the heyday of American experimental and "underground" film in the 1960s and 1970s, and has continued to operate on a non-exclusive basis to ensure the existence of an alternative, non-commercial film culture since then. As a result, the Cooperative is open to anyone who wishes to become a member.
The Film-Makers' Cooperative has inspired similar initiatives both within the United States (Canyon Cinema in San Francisco) and abroad (The London Film-Makers' Co-operative in England, ABCinema in Denmark, and elsewhere).
Besides distributing its members' films, the Film-Makers' Cooperative is continuously involved in film preservation and home media release projects, and in arranging screenings and events in and around New York City. In 2020, the Cooperative expanded its distribution to online video on demand programs, including panels with filmmakers and media artists.[6]
Founding Director: Jonas Mekas
Executive Director: Tom Day
Members of the Board:
Advisory Board:
Notable artists and filmmakers in the collection of the Film-Makers' Cooperative:[7]