| Never Run, Never Hide | |
| Type: | Studio album |
| Artist: | Benny Mardones |
| Cover: | Album cover of Never Run, Never Hide.jpg |
| Released: | 1980 |
| Recorded: | 1979–1980 |
| Studio: | Quadradical Studios (Miami, Florida) |
| Genre: | Pop rock |
| Length: | 37:01 |
| Label: | Polydor |
| Producer: | Barry Mraz |
| Prev Title: | Thank God for Girls |
| Prev Year: | 1978 |
| Next Title: | Too Much to Lose |
| Next Year: | 1981 |
Never Run, Never Hide is the second studio by pop-rock singer-songwriter Benny Mardones album, released in May 1980 by Polydor Records.[1] It included his biggest hit, "Into the Night", which peaked that year at No. 11 in the Billboard Hot 100 chart, and re-charted nine years later, in 1989.[2]
Mardones said that the music was based on reality, stating in an interview that "nothing on my album is made up."[3] The track "American Bandstand", which was written about the music TV show of the same name and the presenter and host Dick Clark,[4] was performed on American Bandstand.[5] "Hold Me Down" was originally recorded and released on Mardones' 1978 debut album Thank God for Girls.[6]
On 3 May 1980, Cashbox wrote that the songs on Never Run, Never Hide "are as much dramatic productions as they are straight ahead rock songs", highlighting Mardones's "flair for writing strong melodies and lyrics", along with his "wild boy rock style" that is reminiscent of Meat Loaf. A week later, on May 10, Billboard praised Mardones's voice for doing justice to the album's songs, noting that its "uncompromising basic rock recalls Bob Seger at his best", and describing it as "well thought-out, well-played, and totally credible" commercial rock with no "frills".[7] When mentioning the album's best songs, both reviewers excluded "Into the Night" but included "She's So French".
In July of that year, John Griffin of The Gazette found that Never Run, Never Hide "touches on the cornerstones of the rock foundation", observing that Mardones has a huge and expressive voice in the "Springsteen vein." However, Griffin considered the album's greatest issue to be the production's "mock-heroism" style. At the end of the next month, Jack Lloyd of the Knight Newspaper Service wrote in The Blade that although the record has a limited amount of innovation, the songs are "at least put together with a fresh point of view", remarking that Mardones employs the usual forms of "punchy rockers and mellow ballads." In September, Christine Hogan agreed that album's production was "terrific" as it "achieved wonderful levels of musical texture", concluding that it was "first rate rock and roll."[8]
Adapted from the album's liner notes's liner notes.
Musicians
Production