Nepantla Explained

Nepantla is a concept used in Chicano and Latino anthropology, social commentary, criticism, literature and art. It represents a concept of "in-between-ness."[1] Nepantla is a Nahuatl word which means "in the middle of it" or "middle."[2] It may refer specifically to the space between two figurative or literal bodies of water.[3] In contemporary usage, Nepantla often refers to being between two cultures, particularly one's original culture and the dominant one. It usually refers to a position of perspective, power, or potential, but it is sometimes used to designate a state of pain or loss.

History

Nepantla was a term that was first used by Nahuas in Central Mexico, especially the Triple Alliance of Anahuac or "Aztec Empire". Book 6 of the Florentine Codex preserves the knowledge of the ilamatlācah "wise old women":

Nahuas further refined the term in Mexico during the 16th century.[4] During this time, they were being colonized by the Spaniards and the concept of being "in between" was useful to describe how the experience felt. Some attribute the concept directly to the colonized Aztecs, and others have attributed anthropologist Miguel León-Portilla (1926–2019) as first describing the concept.[5] Leon-Portilla further describes how indigenous people who the Spanish conquered created their own "in between" culture.[6] They would leave behind aspects of their culture that they could not synthesize into the new culture.

Uses

Political

Nepantla can be described as a "liminal" space, where multiple forms of reality are viewed at the same time.[7] This concept can be useful when addressing multicultural groups of people, where finding consensus can be difficult. Allowing individuals to examine concepts that seem to compete and understanding both is also a process of using nepantla.

Nepantla can also describe individuals or groups who are today in conflict with a larger, perhaps more globally reaching culture or ideology. Nepantla has also been identified as a tool for political change. Individuals who live within two different "worlds" or "cultures" can act as a "fulcrum" to engage in political change.

Written

Gloria E. Anzaldúa writes about Nepantla in the context of the writing process. In her book Borderlands/La Frontera, she says, “it is one of the stages of writing, the stage where you have all these ideas, all these images, sentences and paragraphs, and where you are trying to make them into one piece, a story, plot or whatever—it is all very chaotic.” Nepantla in the general definition is a space, and in this context, it is the space of construction in the writing process.

Artistic

In the arts, nepantla is a creator's imaginary world that encompasses historical, emotional and spiritual aspects of life. Nepantla as a term might also refer to living in the borderlands or being at literal or metaphorical crossroads.[8]

Emotional

Nepantla as a concept has also been identified as a painful experience, where a person's sense of self has been "shattered."[9] It can also signify a personal state of "invisibility and transition."[10] Anzaldúa described nepantla as time where individuals experience a loss of control and suffer anxiety and confusion as a result.[11]

Quotes

"The world is in a constant state of Nepantla."—Maria E. Fránquiz[12]

“Now I call [the concept of borders and borderlands] Nepantla, which is a Nahuatl word for the space between two bodies of water, the space between two worlds.  It is a limited space, a space where you are not this or that but where you are changing” - Gloria E. Anzaldúa

"Living between cultures results in 'seeing' double, first from the perspective of one culture, then from the perspective of another. Seeing from two or more perspectives simultaneously renders those cultures transparent. Removed from that culture's center you glimpse the sea in which you've been immersed but to which you were oblivious, no longer seeing the world the way you were enculturated to see it."—Gloria E. Anzaldúa

"You're experiencing nepantla. We feel that in South Texas. We have these two cultures coalescing, and this third one emerges. We eat hot dogs and tacos. We drink hot chocolate and Lone Star Beer." -- Santa Barraza[13]

External links

Notes and References

  1. I am Indian. Hernandez. Ruben. January 2008. Native Peoples Magazine. 14 March 2015. 21. 1. 0895-7606.
  2. Web site: Nepantla. 16 March 2015. Translate Nahuatl.
  3. Book: Anzaldúa, Gloria. Borderlands/La Frontera. Aunt Lute Books. 1987. San Francisco. 276.
  4. Introduction: From Cross-Genealogies and Subaltern Knowledges to Nepantla. Mignolo. Walter D.. 1 January 2000. Nepantla: Views from the South. 14 March 2015. 1527-0858. 1. 1.
  5. Introduction to Part III: The Intersection of Contemporary Latin American Art and Religion. Black. Charlene Villasenor. 1 January 2014. Religion & the Arts. 10.1163/15685292-01801012. 1/2. 18. 239–244.
  6. Book: Haas, Lisbeth. Conquests and Historical Identities in California, 1769-1936. University of California Press. 1996. 9780520207042. Berkeley, California.
  7. Guiterrez. Rochelle. 20 October 2008. What is "Nepantla" and How Can it Help Physics Education Researchers Conceptualize Knowledge for Teaching?. AIP Conference Proceedings. 1064. 1. 23–25. 10.1063/1.3021263. 2008AIPC.1064...23G .
  8. Web site: Nepantla. 14 March 2015. Chicano Art.
  9. Web site: Nepantla Consulting. 2013. 14 March 2015. Nepantla Counsulting. Salgado. Brenda.
  10. The Cultural Politics of Dislocation and Relocation in the Novels of Ana Castillo. Walter. Roland. 1998. MELUS. 10.2307/467765. 0163-755X. 81–97. 23. 1. 467765.
  11. From Borderlands and New Mestizas to Nepantlas and Nepantleras: Anzaldúan Theories for Social Change. Keating. AnaLouise. 2006. Human Architecture: Journal of the Sociology of Self-Knowledge. 16 March 2015. 1540-5699. IV. Ahead Publishing House.
  12. Web site: Educators Say Unity, Inclusiveness and Nonviolence Offer the Best Path to Improve America. 25 November 2014. 14 March 2015. Kansas City Star. Diuguid. Lewis.
  13. News: A&M-Kingsville professor explores blurring of borders through art. Tamez-Robledo. Nadia. 26 November 2014. Corpus Christi Caller Times. 17 March 2015.