Nelson Cavaquinho Explained

Birth Name:Nelson Antônio da Silva
Birth Date:29 October 1911
Birth Place:Rio de Janeiro, Brazil
Death Place:Rio de Janeiro, Brazil
Genre:Samba
Occupation:Singer, Composer
Instrument:Cavaquinho

Nelson Antônio da Silva (October 29, 1911 – February 18, 1986), better known by the stage name Nelson Cavaquinho, was one of the most important singer/composers of samba.[1] [2] He is usually seen as a representative of the tragic aspects of samba thematics, with many songs about death and hopelessness. He was a prominent figure of samba school Estação Primeira de Mangueira.

Biography

Nelson was born in Rio de Janeiro. Coming from a poor family, he quit school at a young age to seek employment in a factory. He showed a musical talent at a young age playing a home-made guitar made of a cigar box and wires. When he could, he would borrow a cavaquinho and try and copy the techniques of professional cavaquinho players. He demonstrated a great ability to play the instrument and composed a choro ("Caminhando") which gained him notoriety as a musician (due in part to an uncommon modulation which made it hard for other instrumentalists to harmonize with it). He was finally given a cavaquinho and having demonstrated a unique playing style on the instrument was given the nickname "Nelson Cavaquinho". He demonstrated a unique style of playing with only two fingers.

As a young man he became acquainted with famous samba players like Cartola, Carlos Cachaça, and Zé da Zilda. He went on to compose over 600 compositions, with Guilherme de Brito as his main partner. Some of his better-known works include: "A Flor e o Espinho", "Folhas Secas", "O Bem e o Mal" and "Juízo Final".

He died of emphysema on February 18, 1986, at the age of 74, in Rio de Janeiro.

External links

Notes and References

  1. Book: Machado, Roberto Pinheiro . Brazilian History: Culture, Society, Politics 1500-2010 . 2018-06-11 . Cambridge Scholars Publishing . 978-1-5275-1209-2 . 222–224 . en.
  2. Hertzman . Marc A. . 2016-05-01 . Toward and against a Sounded History . Hispanic American Historical Review . 96 . 2 . 249–258 . 10.1215/00182168-3484126 . 0018-2168.