| Neighbors | |
| Native Name: | Piętro wyżej |
| Director: | Leon Trystan |
| Starring: | Eugeniusz Bodo Józef Orwid Helena Grossówna Ludwik Sempoliński |
| Cinematography: | Seweryn Steinwurzel |
| Music: | Henryk Wars |
| Studio: | Urania-Film |
| Runtime: | 84 minutes |
| Country: | Poland |
| Language: | Polish |
Neighbors[1] (Polish: '''Piętro wyżej''') is a 1937 Polish musical romantic comedy film directed by Leon Trystan, and starring Eugeniusz Bodo, Józef Orwid and Helena Grossówna. Its plot follows two neighbors who, although unrelated, happen to have the same last name (Henryk and Hipolit Pączek) and are complete opposites of each other. Complications arise when the niece of the older, Hipolit Pompek arrives for a visit and gets into Henryk's apartment who immediately falls for her.
The film was awarded the main prize at the Polish Film Festival in Lviv in 1938. September the same year, Piętro wyżej was dubbed in Yiddish and released under the title Shkhnim. Famous Polish-Jewish actor Menasze Oppenheim starred in the lead role.[1] Neighbors is one of the most popular Polish pre-war films. Heavily inspired by pre-Code motion pictures, the film is noted for the first ever on-screen depiction of a drag queen.[2]
The film tells the story of two neighbors in a tenement house at 13 Szczęśliwa Street: the older Hipolit Pączek (who lives below) and the younger Henryk Pączek (a tenant living one floor above). Apart from their last names, they have almost nothing in common. The former is a classical music lover, while the latter is a well-known radio announcer and jazzman. They wage constant war with each other, as the owner of the tenement cannot remove the troublesome tenant. The situation is further complicated by the arrival of Hipolit's young relative named Lodzia, with whom (with reciprocity) Henryk falls in love.
In addition to situational comedy and witty dialogues, the success of the film was also ensured by songs performed by Eugeniusz Bodo, that all turned out to be hits.
Neighbors was produced by the studio Urania-Film under the direction of Witold Dybowski. The direction of the film was assigned to Leon Trystan, while the script for it was written by Emanuel Schlechter, Ludwik Starski and the film's star – Eugeniusz Bodo. The latter also took artistic direction of the film. Seweryn Steinwurzel was responsible for the film's cinematography.[2]
The score for the film and its songs were composed by Henryk Wars, with Schlechter writing the words.[3] Three songs appeared in Neighbors in total:
In the trade weekly illustrated magazine Kino, there was a positive review of Neighbors: "...at last a very good Polish film comedy (...) a step up in film development".[4] A review in Nasz Przegląd praised the comedy for the fact that "the humor derived from moral motifs transforms with the development of the plot into comedy reminiscent of the Marx Brothers' [Marx] surrealist humor".[5] On the other hand, Neighbors was heavily criticized in right-wing circles. Mieczyslaw Hoszowski wrote the following about the film:
They found people who showed shamelessness on the screen to the masses and made them believe it was the height of artistry. Then they defined stupidity as humor, wit or comedy, and the uncritical masses went along with it because it suited their low instincts. Combining both, they created a revue film and a film comedy, and with the help of appropriate advertising, they won over not only the masses, but also - "the intelligentsia".[6]Also, the reviewer of the right-wing Prosto z mostu A. Mikulowski expressed disapproval of the Mae West parody scene: when "Bodo appears dressed as a woman, arousing the enthusiasm of the less picky audience, then the hands folded in applause fall down". An anonymous review in Gazeta Polska stated: "The film as a whole is banal. The interiors are thoroughly unsightly. [...]. The unfortunate idea with a radio speaker dressed as Mae West sinks seriously into vulgarity".[7] Years later, Neighbors was reviewed favorably. Paula Apanowicz of the Oldcamera.pl portal stated that Trystan's film was "a journey into a distant era - an encounter with a laughing interwar, feeling on the back of one's neck the cool breath of the catastrophe that was about to happen in a moment".[8] Lukasz Budnik of Film.org.pl emphasized that Neighbors is "one of the most valuable films of that time [the interwar period], considered by many today to be the best"[9]